The first still black and white image is a screenshot from the final scene in John Ford's My Darling Clementine (1946) in which Wyatt Earp leaves Tombstone, Arizona with his brothers to tell his Pa about James death. Clementine represents civility and femininity in her role as future schoolteacher in contrast to Mexican prostitute and saloon girl Chihuahua. In this image, Wyatt Earp and Clementine stand apart from each other leaving the audience to wait for a long overdue kiss between the two, which evidently is only on the cheek. Clementine's hands are positioned low but it looks like she is clenching on to something thereby revealing some anxiousness about Wyatt Earp leaving. In the final scene, Clementine represents civilization in which …show more content…
Here, Ford captures the sky with surrounding empty landscape beyond the town to illustrate a politics of space ready to be filled. This freedom for the taking ultimately justified historical accounts of 15th century American colonization where white European settlers divide and conquer of Native's and Outlaws land. Chapter 1 entitled ‘The Western’ argues that the emptiness of landscape denotes a “politics of space ready to be filled.” Furthermore, the buttes are shown in the front and centre suggesting presence; however, its farsightedness reveals that they are also in the process of disappearing. In this classic Western setting, the viewer is invited to join Wyatt Earp on his voyage in bringing justice, peace, and natural order to America. Note the buttes are closer aligned to Wyatt Earp than Clementine thus re-emphasizing Wyatt Earp association with land. Therefore, Ford's use of iconic oppositions in the image maps out the primary conflict between civilization and the wilderness and according to Gillian, serves as an allegory for America's civilizing of the Western Frontier. Ultimately, I believe Wyatt and Clementine will end up together because he gave her ample reason to return. For example, Wyatt told Clementine he would hopefully stop by again for cattle and visit, thereby prompting a reunion. They end up on good
The times are changing and he's unwilling to give up the past. The world is becoming modernized and people like him, cowboys and ranchers, are slowly disappearing. He runs away from home because he desires to find peace within himself as well as a place where he can feel he belongs. Here begins the adventure of John Grady and his best friend Lacey Rawlins. It is important to note here the means of travel. The story is taking place after World War II, a time when cars are fairly common, yet these boys decide to go on horseback, like in the fading old days. This is just another concept of how they are unwilling to give up a fading past. When they first begin their journey, the boys are having a good time. In a sense they?re two buddies on a road trip with no real motive. Rawlins even mentions, ?You know what?I could get used to this life.? Then they meet Blevins, the foil in the plot that veers the two boys of their course and also has plays a role in the lasting change of their personality. Their meeting with him gives an insight into Grady?s character. Rawlins is against letting Blevins come along with them, but because of John?s kind nature he ends up allowing Blevins to come. It?s because of this kindness and sense of morality, he gets into trouble later on.
From the prologue through chapter one in “Wilderness and the American Mind”, the author emphasizes the affect wilderness had on the Europeans during the colonization of America. In today’s society, we are familiar with the concept of wilderness but few of us have experienced the feeling of being encapsulated in the unfamiliar territory. Today we long for wilderness, crave it even. We use it as an outlet to escape the pace of life. However, we have a sense of safety that the Europeans did not. We are not isolated in the unfamiliar, help is usually a phone call away. Though we now view the wilderness as an oasis because we enter at our own terms, in the early colonial and national periods, the wilderness was an unknown environment that was viewed as evil and dangerous.
The Frontier Thesis has been very influential in people’s understanding of American values, government and culture until fairly recently. Frederick Jackson Turner outlines the frontier thesis in his essay “The Significance of the Frontier in American History”. He argues that expansion of society at the frontier is what explains America’s individuality and ruggedness. Furthermore, he argues that the communitarian values experienced on the frontier carry over to America’s unique perspective on democracy. This idea has been pervasive in studies of American History until fairly recently when it has come under scrutiny for numerous reasons. In his essay “The Trouble with Wilderness; or, Getting Back to the Wrong Nature”, William Cronon argues that many scholars, Turner included, fall victim to the false notion that a pristine, untouched wilderness existed before European intervention. Turner’s argument does indeed rely on the idea of pristine wilderness, especially because he fails to notice the serious impact that Native Americans had on the landscape of the Americas before Europeans set foot in America.
The setting of the essay is Los Angeles in the 1800’s during the Wild West era, and the protagonist of the story is the brave Don Antonio. One example of LA’s Wild West portrayal is that LA has “soft, rolling, treeless hills and valleys, between which the Los Angeles River now takes its shilly-shallying course seaward, were forest slopes and meadows, with lakes great and small. This abundance of trees, with shining waters playing among them, added to the limitless bloom of the plains and the splendor of the snow-topped mountains, must have made the whole region indeed a paradise” (Jackson 2). In the 1800’s, LA is not the same developed city as today. LA is an undeveloped land with impressive scenery that provides Wild West imagery. One characteristic of the Wild West is the sheer commotion and imagery of this is provided on “the first breaking out of hostilities between California and the United States, Don Antonio took command of a company of Los Angeles volunteers to repel the intruders” (15). This sheer commotion is one of methods of Wild West imagery Jackson
According to the thesis of Fredrick Jackson Turner, the frontier changed America. Americans, from the earliest settlement, were always on the frontier, for they were always expanding to the west. It was Manifest Destiny; spreading American culture westward was so apparent and so powerful that it couldn’t be stopped. Turner’s Frontier Theory says that this continuous exposure to the frontier has shaped the American character. The frontier made the American settlers revert back to the primitive, stripping them from their European culture. They then created something brand new; it’s what we know today as the American character. Turner argues that we, as a culture, are a product of the frontier. The uniquely American personality includes such traits as individualism, futuristic, democratic, aggressiveness, inquisitiveness, materialistic, expedite, pragmatic, and optimistic. And perhaps what exemplifies this American personality the most is the story of the Donner Party.
In All the Pretty Horses, Cormac McCarthy reveals the limitations of a romantic ideology in the real world. Through his protagonist, John Grady Cole, the author offers three main examples of a man’s attempt to live a romantic life in the face of hostile reality: a failed relationship with an unattainable woman; a romantic and outdated relationship with nature; and an idealistic decision to live as an old-fashioned cowboy in an increasingly modern world. In his compassionate description of John Grady, McCarthy seems to endorse these romantic ideals. At the same time, the author makes clear the harsh reality and disappointments of John Grady’s chosen way of life.
When looking at the vast lands of Texas after the Civil War, many different people came to the lands in search for new opportunities and new wealth. Many were lured by the large area that Texas occupied for they wanted to become ranchers and cattle herders, of which there was great need for due to the large population of cows and horses. In this essay there are three different people with three different goals in the adventures on the frontier lands of Texas in its earliest days. Here we have a woman's story as she travels from Austin to Fort Davis as we see the first impressions of West Texas. Secondly, there is a very young African American who is trying his hand at being a horse rancher, which he learned from his father. Lastly we have a Mexican cowboy who tries to fight his way at being a ranch hand of a large ranching outfit.
Watson utilises the two motifs to effectively depict that 'Montana 1948' is a tale about the struggle between truth and justice in a racist society. During the tragic events which take place in the 'Wild West' town of Bentrock, misuse of power and reputation is seen through the tyrannical characters of Julian and Frank Hayden (study mode, 2013). However, despite the persona of his father and brother, Wesley Hayden contradicts his family name, and acts honestly and with strong moral beliefs (study mode, 2013).The motif of silence emphasizes the theme of injustice when Wes and Julian Hayden are having a conversation about Frank’s indiscretions with Indian girls and David notes ‘The silence was so sudden and complete I thought at first that they saw me’ (p 72). David is surprised Julian hasn’t done anything about it yet. The motif is used to accentuate the injustice in the society.
Tompkins, Jane. West of Everything: The Inner Life of Westerns. New York: Oxford University Press, 1992.
Artistic ideals in Canada are often difficult to combine into one concise understanding given their changing nature. The colonial era as well as the late nineteenth century was significantly shaped by Pastoralism, a style that often depicted paintings of the countryside (Davis 36). The Homer Watson painting, After the Rain in 1883 is a pastoral style that depicts “nature reach[ing] its highest stage of picturesque beauty [that only occurs] when forests [have] been cleared, meadows or fields created or cultivated and farms established” (36). After the Rain shows a farmer’s field, where the land has been cleared of trees following what looks to be a major storm (38). Watson represents early Canada by placing emphasis on a secure, eerily comfortable, agrarian based society in a photographic-like piece of work. Homer Watson believed in his w...
Billy and Wyatt of them go through a series of adventures, first stopping off at a motel where they're rejected, regardless of the glowing vacancy sign. This shows that their culture is not accepted in the rest of the world. They leave the motel and camp out in the wilderness. At a point, Wyatt's bike gets a flat, and they stop at a farm to fix it. It is at this point that the film makes a comparison of the bikers to cowboys. As Wyatt is fixing his tire a man in the background is shoeing his horse. This is making the point that Wyatt is the new version of the cowboy and his chopper is the new cowboy’s horse. During this scene there is an exchange between Wyatt and the farmer where Wyatt tells the farmer how much he admires his farm because he built it with his own hands. This is the first time that you get an idea of Wyatt’s values.
This Analysis Paper is an analysis of social problems an issues presented in the film. The film under analysis in this paper is "What 's Eating Gilbert Grape" (1993). The topics used as a lens for analysis are family, social roles, deviance, and social groups. This paper will present numerous examples of these social issue topics as they are displayed in the film.
McCarthy’s plot is built around a teenage boy, John Grady, who has great passion for a cowboy life. At the age of seventeen he begins to depict himself as a unique individual who is ambitious to fulfill his dream life – the life of free will, under the sun and starlit nights. Unfortunately, his ambition is at odds with the societal etiquettes. He initiates his adventurous life in his homeland when he futilely endeavors to seize his grandfather’s legacy - the ranch. John Grady fails to appreciate a naked truth that, society plays a big role in his life than he could have possibly imagined. His own mother is the first one to strive to dictate his life. “Anyway you’re sixteen years old, you can’t run the ranch…you are being ridiculers. You have to go to school” she said, wiping out any hopes of him owning the ranch (p.15). Undoubtedly Grady is being restrained to explore his dreams, as the world around him intuitively assumes that he ought to tag along the c...
The cowboys of the frontier have long captured the imagination of the American public. Americans, faced with the reality of an increasingly industrialized society, love the image of a man living out in the wilderness fending for himself against the dangers of the unknown. By the end of the 19th century there were few renegade Indians left in the country and the vast expanse of open land to the west of the Mississippi was rapidly filling with settlers.
The Nebraskan prairies are beautiful and picturesque and set the scene for a memorable story. Big farm houses and windmills placed throughout the graceful flowing golden yellow grass become a nostalgic aspect of Jim as he leaves his childhood life behind. The frontier includes destructive and depressing winters and luscious summers that affect Jim's family and the immigrants. The gloominess of winter and the suicide of Mr. Shimerda provide memories that associate Jim's recollections with nature's seasons. The Christmas season provided faith to persevere through winter and the exchanging of gifts made happy memories, which Jim could not experience if snow darkness did not exist. The summers were most unforgettable though. The smoldering sun and fertile land made growing crops easy. The immigrants references of roads lined with sunflowers as opportunity inspired Jim to appreciate the splendor and bountifulness of the land. Later Jim encounters these pathways, now concealed because of erosion, remembering that "this was the road over which Antonia and I came when we got off the train . . . the feelings of that night had been so near that I could reach out and touch them with my hand. For Antonia and me, this had been the road of Destiny" (Cather237).