The words “civil rights” trigger a sense in the human mind. One of remorse, passion, and hope in a cause worth fighting for. Those weathered by its raging storms refer to it as a turning point in American life after over a century under segregation that can only be described as a necessary silence that African Americans were forced to take on the matter. However, the human mind found itself a way to express those feelings that flowed from its veins. That expression of power and revolt was music. Music acted as the horses that pulled pearlescent chariots of liberty and freedom to the front doors of the White House through public protests, involvement of musical artists, and its impact on the lives and culture of those who were oppressed. As a person against “civil rights”, it was viewed as a very simple matter, the music of the era was the devil’s work and needed to be stopped. Those approving of “civil rights” just pushed the activists further and further to the freedoms they believed that African Americans deserved. A major situation in which the music was used was massive protests on public property called sit-ins. Sit-ins were protesting strategies by African Americans during the Civil Rights Era where they would sit in on diners, bathrooms and “public” locations that they weren’t allowed and wouldn’t leave until they were given equality or service. During these protests, African Americans would sing songs of freedom and good times ahead and would adapt these songs from past songs of slavery and inequality were revived and reused from before (Stewart). Many white Americans would discriminate those doing this to try to diminish their morale on the right, but as a response the African Americans would continue to sit and sing s... ... middle of paper ... ...those who fell at their knees for freedom and died for civil rights peacefully, but certainly, faithfully. To put it more simply, this music shaped the end of segregation and it just needed the right person to help set off the rebellion of African Americans. Works Cited Edwards, Christopher. "Down The Foggy Ruins Of Time: Bob Dylan And The Concept Of Evidence." Teaching History 140 (2010): 56-63. Academic Search Premier. Web. 15 May 2014. Reagon, Bernice Johnson. Music of the Civil Rights Movement. July 2006. 28 April 2014 4r5tyjik. Stewart, Lauren. The effects of Music during the Civil Rights Movement. n.d. 28 April 2014 . Ward, Brian. "People Get Ready": Music and the Civil Rights Movement of the 1950s and 1960s. n.d. 21 April 2014 .
The African-American civil rights movement was a cruel time for the African American race to endure due to the harsh discrimination and segregation that they faced. This movement fought for the rights and the equality of African Americans in the United States. With all that was going on, African Americans turned to music for motivation, courage, inspiration and strength to overcome the difficult obstacles that they would soon face. “Non-violence marchers faced beating, hosing, burning, shooting, or jail with no defense other than their courage and songs” (Hast 45). “It's been a long, a long time coming/ But I know a change gonna come, oh yes it will” (Cooke, Sam. A Change Is Gonna Come). Music was their greatest hope for change in the near future and is the thing that kept them fighting for what they deserved. They came together with each other due to the lyrics of many different songs that kept the civil rights movement alive and known. Music painted a vision that they could picture and look forward to; it was a dream that they could fight for. “Music empowered African Americans to hold tight to their dream of racial equality” (Jeske). A genre of music that bought society together during this movement was folk.
The book depicts the story of culture conflicts of the music, which arose from the introduction of the foot-tapping, hip-swaying music now known as rock n' roll (Graarrq). The outcome of rock n’ roll coincided with tremendous uproar in the movement to grant civil rights to African American. Trapped in the racial politics of the 1950s, rock n’ roll was credited with and criticized for promoting integration and economic opportunity for blacks while bringing to “mainstream” cloture black styles and values (Altschuler). Black values were looked over and kind of not important to whites. Whites were very much so well treated then blacks were, however no one spoke out until the outcome of rock n’ roll.
... The Sound of Soul: The Story of Black Music, NTC/Contemporary Publishing; 1st Edition, June, 1969. Simone, Nina. I Put A Spell On You
The origins of African American religious music are directly linked to the Negro spirituals of enslaved Africans. One cannot research religious music of blacks in this country without first exploring these spirituals. The spirituals were part of a religious expression that enslaved people used to transcend the narrow limits and dehumanizing effects of slavery. It was through the performance of the spirituals that the individual and the community experienced their God, a God who affirmed their humanity in ways whites did not and a God who could set them free both spiritually and physically. These “sacred songs” were also used as secret communication. That is not to say that all spirituals functioned as coded protest songs or as some sort of secret language. The structure of the spirituals and the way in which they were created and performed allowed for flexibility in their function and meaning.
Levy, Peter B. Let Freedom Ring: a Documentary History of the Modern Civil Rights Movement. New York: Praeger, 1992.
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
The American black civil rights movement, a social movement in the United States, with the purpose of ending racial segregation against African Americans (Gary Younge, 2013). This movement paved the way for many politically motivated artists in the 20th century, which led to the beginning of the black arts movement, which still to this date, continues to inspire artists whom are not treated equally during their day to day lives. While the Civil rights movement, involved major protests in cities around the country, the black arts movement focused on inspiring artists to stand up for themselves through their art and created a
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
Humans from the coast of West Africa arrived to the New World as slaves. Stripped of everything familiar, they brought with them their traditional ways of using music to record historic events, expressions, and to accompany rituals. While toiling in the tobacco fields of Virginia, slaves were not permitted to speak to each other. So, they resorted to their African tradition. They sang!
...frican American Musicians as Artists, Critics, and Activists. Berkeley, CA: University of California, 2002. 54-100. EBSCOhost. Web. 8 May 2015.
Weissman, Dick. (2010). Talkin’ ‘Bout A Revolution: Music and Social Change in America. Blackbeat Books: New York
Breckenridge, Stan L. (2003). "The 'Path African American music for everyone. Second Edition. Iowa: Kendall-Hunt Publications, Inc. Enotes.
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf