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Chaucer Review, (pgs 133-165) Stanbury, Sarah. (1997). Regimes of the Visual in Premodern England: Gaze, Body, and Chaucer's Clerk's Tale. New Literary History 28.2, (pgs 261-289) Weisl, Angela Jane. (1995).
Boston: St. Martin’s, 1996. Bronte, Charlotte. The Letters of Charlotte Bronte: 1829-1847. Ed. Margaret Smith.
: Blackwell Publ., 1998. 218-30. Gardner, Janet E. "Literary Criticism and Literary Theory." Literature: a Portable Anthology. Boston: Bedford/St.
The Outlaw Bible of American Literature. Ed. Alan Kaufman, Neil Ortenberg, and Barney Rosset. New York: Thunder's Mouth, 2004. Print Plath, Sylvia.
“Subversive Discourse of the Wife of Bath.” Chaucer: Contemporary Essays. London: Macmillan, 1997. 142. repr. Online. Literature Resource Center.
2005 . Keller, Lynn. “An Interview with Susan Howe.” Contemporary Literature 36.1 (1995): 1 34. Oates, Joyce Carol, ed. The Essential Dickinson.
The Search for Truth or Meaning in Dubliners Several of James Joyce's stories in Dubliners can read as lamentations on a frustrating inability of man to represent meaning by external means, including written word. When characters in "Araby," "Counterparts," and "A Painful Case" attempt to represent or signify themselves, other characters, or abstract spiritual entities with or through words, they not only fail, but end up emotionally ruined. Moreover, the inconclusive endings of the three stories correspond with the fates of their characters. The short texts of Dubliners imply that representing the "real" is frustrating, if not impossible. Early in Dubliners, Joyce establishes the theme of emotional investment in representation.
Gentte, Gerard. “Order in Narrative.” Literature in the Modern World. Ed. Dennis Walder. Oxford : Oxford University Press, 2004.
Emma. New York: Oxford University Press Inc., 2003. Austen, Jane. Pride and Prejudice. Hertfordshire: Wordsworth Editions, 1997.