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Morality in literature
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In Canto V, The Inferno, Francesca da Rimini and Paolo Malatesta were reading a romantic book that brought out their emotions and love for each other that made them passionate. Dante (the poet) condemned them to hell together to be punished for committing adultery. It leaves one to think who is more responsible for moral responsibility. I feel the creators and vehicles of the messages that are promoting unacceptable attitudes and behaviors aren’t more responsible and accountable than that of the consumers. The content that is created generally has fans and detractors. Also if consumers didn’t watch these types of works they wouldn’t exist and disappear. Creators have creative freedom and can alter or shape a persons opinion with their works.
all that we need on Earth, but that doesn't mean that we are supposed to have
"What is fame? Fame is but a slow decay Even this shall pass away." Theodore Tilton The Divine Comedy, by Dante Alighieri, is a poem laden with such Christian themes as love, the search for happiness, and the desire to see God. Among these Christian themes, however, is Dante's obsession with and desire for fame, which seems to be a surprising departure from conventional medieval Christian morality. Indeed, as the poem progresses, a striking contradiction emerges. Dante the writer, in keeping with Christian doctrine, presents the desire for fame and glory among the souls of Inferno in order to replace it with humility among the souls of Purgatorio. Yet this purification of desire is not entirely embraced by Dante, who seems preoccupied with his own personal fame and glory. Therefore, how do we reconcile the seemingly hypocritical stance that the souls must strip themselves of pride and become humble, yet Dante can continue in his quest for fame and glory and still be saved? This contradiction is developed as the reader and the character Dante travel through Inferno and Purgatorio and is resolved in the second sphere of Paradise. It is this sphere, which allows for fame and glory for honorable reasons, that permits us, as readers, to resolve this tension. It is in this sphere that Dante elucidates that fame is not always bad, but only becomes so when one's motives are impure.
While Dante has the audacity to describe Lucifer himself in his Inferno he never describes God directly. Rather, he describes other entities from heaven, and expressions of God’s will. Thus, an image of God doesn’t really exist in Inferno. Early in the journey though, Dante equates God and justice as he crosses the Acheron, and does not present an image of a just God, but suggests that God is justice itself. This equating of God to justice occurs when Virgil first has to invoke God’s authorization for Dante’s journey. When Virgil has to insist that they are allowed to be there later God and justice are recalled, implying that God himself is present in the punishments in Hell and that those punishments are just.
This is what some artist dread the most because they could have heard or saw something in their past and then not have thought anything of it. Then when it comes to them writing or painting or making music they come up with this grand idea that they have when really they are just sub-concisely remembering something they have already heard or saw and putting their name on it. In the article he takes about the show, The Simpsons, and goes into details about one of their episodes. “An argument over the ownership of the animated characters Itchy and Scratchy rapidly escalates into an existential debate on the very nature of cartoons. “Animation is built on plagiarism!” declares the show’s hot-tempered cartoon-producer-within-a-cartoon, Roger Meyers Jr.” Without the making of some shows they would not have sparked interests into other creative minds do take that idea and turn in it into their
why they do not have to carry the stones anymore when the penance for Pride is completed. Through Purgatory, it is easy to see the verse in the Bible which pride does bring a person down.
sin which involves one person, and it is more of a selfish sin, but the
I am an artist, and have loved creating art ever since I was a child. When I start to create art, it is usually stemming from things I have imagined or been inspired by in my daily experiences. I will start out keeping to myself, but eventually I like to ask others opinions. Whether they give negative or positive feedback their opinion can affect the entire outcome of my piece. If I choose to take their opinions and critiques and alter my piece because of them, then the piece is not one hundred percent mine. It has been influenced by other’s ideas and input. I believe this is also an example of what Sartre was trying to get across when he formed this
Michael Rock’s article “Designer as Author” addresses a quite popular topic of discussion in graphic design. Authorship. In there, Rock validates the active roles played by designers across various fields of artistic productions. The connection that exists between authorship and design is built on the ability of the designer to stand and work alone to accomplish a project. The article is more of argument-oriented in a way that highlights the overall roles designers play in the success of a project.
Artistic freedom is regularly based or exploited because most of the time people aren’t happy with that artwork. This is a very controversial topic for me because I’ve seen art pieces that have angered me and made me the question the artist or museum who allowed it to be viewed in their exhibit. This Art history class made me look back and take back those thoughts because I learned that art is just another form of expression. I believe many artists try to push the limit of their art just to have their next big piece of controversial work.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradiso. Dante presents these principles in Inferno where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell the degrees of sin get progressively worse as do the severity of punishment. With that in mind, one can look at Inferno as a handbook on what not to do during a lifetime in order to avoid Hell. In the book, Dante creates a moral lifestyle that one must follow in order to live a morally good, Catholic
Ask anyone you know what their ultimate goal in life is, and the answer will unanimously be, “to be happy.” According to Aristotle, Thomas Aquinas and Dante, a state of fulfillment is the ultimate goal of all beings. This is how they define happiness: a state of being fully. Happiness and the means by which humans can achieve it is the main theme in Dante’s poem, The Comedy. In this poem, Dante starts his journey in the Inferno where he sees the souls of those who rejected the possibility of happiness by not knowing or refusing to know God. He then ascends to Purgatory, in which he observes souls who want to be happy, but must purge themselves of sin to achieve it. In the final installment, The Paradiso, Dante meets the souls of people who are truly happy. However, there is a peculiar feature in Dante’s version of paradise, which is that the souls are arranged in a hierarchy. The implications of a hierarchy of happiness would be that certain peoples’ fulfillment is less than others’, meaning that certain people have less potential to be happy than others. If there really were a hierarchy of human potential, then it would certainly contradict Catholic tenants such as divine grace and justice. Therefore it would stand to say that there is no hierarchy in heaven.
...entertainment industry is saying that intellectual property is just as real as physical property. The digital age faces a true balancing act a digital dilemma if you will- the right to freedom of expression while protecting intellectual property.
Throughout the course of history, the ever-increasing ubiquity of the media landscape has increased the prevalence of moral panics. In a society where bad news sells, the media exacerbates and fuels moral panics in order to gain public interest and therefore viewership. With increased viewership, comes a larger market and thus an opportunity for advertisers to reach a wider audience of consumers.
Dante’s work Inferno is a vivid walkthrough the depths of hell and invokes much imagery, contemplation and feeling. Dante’s work beautifully constructs a full sensory depiction of hell and the souls he encounters along the journey. In many instances within the work the reader arrives at a crossroads for interpretation and discussion. Canto XI offers one such crux in which Dante asks the question of why there is a separation between the upper levels of hell and the lower levels of hell. By discussing the text, examining its implications and interpretations, conclusions can be drawn about why there is delineation between the upper and lower levels and the rationale behind the separation.
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.