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Significance of montage in film production
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The film in which I have chosen to focus on throughout the semester is that of Stephen King’s Carrie (1976). While reviewing the film, I noticed the use of montage during the ending prom scene when Carrie has become enraged with anger, and begins murdering her tormentors. The montage begins shortly after the pig’s blood is poured on her, and the editing swifts to slow-motion. The sound of her mother saying “They’re all going to laugh at you” starts repeating in Carrie’s mind while she glances at classmates as they are laughing. This is all done in a way that seems like a part of her imagination, since the images are shown in a kaleidoscope like effect. Consequently, the scene quickly changes to a faster pace with a split-scene as she uses her powers to wreak havoc which ultimately kills everyone. These separate scenes were put together to create a cause and effect while also speeding up the process. This forms of montage is very different from one that was viewed during class, mainly due to the use of editing techniques.
One could righteously make the argument that films today have advanced in numerous aspects in terms of the audio quality, cinematography, and not to mention the advances in editing. Based off of that argument, one could claim that the filming process is in fact at its epic peak; with advanced green screen technology and the use of computerized editing, films today have completely evolved from the early versions of motion pictures. With these advances, directors like Kelly are more able now, than ever before, to include better audio, visual and cinematic effects to better enhance their films and portray a deeper and more emotional feeling to the piece at work. In regards to the “Head over Heels” montage in the film, Kelly was able to accurately and systematically show what was going on around Donnie’s school without a word of scripted di...
The auteur theory is a view on filmmaking that consists of three equally important premises: technical competence, interior meaning, and personal signature of the director. Auteur is a French word for author. The auteur theory was developed by Andrew Sarris, a well-known American film critic. Technical competence of the Auteur deals with how the director films the movie in their own style. Personal signature includes recurring themes that are present within the director’s line of work with characteristics of style, which serve as a signature. The third and ultimate premise of the Auteur theory is the interior meaning which is basically the main theme behind the film.
For my shot analysis I chose a shot from the Spike Lee Movie Do the Right Thing. This is the second shot following the climactic riot scene. It features Da’ Mayor and Mother Sister reacting to the hellacious events of the previous night. The block was just devastated by a melee that broke out because the police killed Radio Raheem after he and Sal got in an altercation that was triggered by the volume of Radio Raheem’s boom box. Though at a very superficial level the fight was about the loud stereo, the real significance of the fight had more to do with the culmination of anger and tension between the characters of the film caused by prejudice and ignorance. This paper will analyze this shot from a technical standpoint.
In One More Mile to Go, my favorite camera movement is during the scene where Jacoby is thinking about what to do with the body the camera moves backwards as he walks to the garage. We have a medium shot as he is thinking and walking around looking, he turns around and reaches to grab something. The camera zooms out and we see that he has a shovel. We see him move about, still thinking what to do until he finds a sack. We get a medium shot of his hands as he puts the body inside the sack and the camera moves up with him as he lifts the body and leaves it in the trunk. In The Hitch Hiker, the gas station has a lot of movement. Long shot of exterior of the car and as Adams gets out of her car and the camera lifts a little when she stands up and then moves backwards to follow her around the car as she looks around to find a gas station. She keeps walking and as we follow her we see the sign that says “Gas Eats Just Ahead.” We have a medium shot of her as she stops to read the sign, she keeps walking, turns around and gets scared when she stumbles upon a tree. They are both smooth and clean and at first you might not even notice all these changes because the director is recreating how we naturally follow
The camera techniques and various other lighting and sound effects used are carefully selected in order to portray the apt emotion in the right amount, without overdoing any of it. Alfred Hitchcock loved to show the emotion of fear along with lots of suspense in his films.
wanted a certain rhythm of cuts to exist in the movie. He desired a choppy
Montage was combined with pathos to create really sad images that was designed to shock or induce fear into the viewer. This made it easy to persuade the audience because now they are in a more emotional state. The montages were of pictures and videos of different disasters are designed to shock and induce fear in the viewer so that they can hopefully be impacted enough to take action. Different pictures of extreme weather affecting people, flooding houses, and so on were shown to capture the audience's sympathy. Pictures of hurricane Katrina and the damage it caused and people recovering from it was one example of a disaster based video. He also had animated look alike of major cities like New York and Paris that were flooding. These kind of images makes one realize how dangerous climate change is and will therefore make harder for them to ignore or not take action. Another type of montage used in inconvenient truth audio elements. In the documentary, voices of different people are heard so as to give perspective from different types of view. One of those voices was Ray Nagin, Mayor of New Orleans who is outrage that hurricane Katrina could have never happened. It is now know that due to global warming storms and hurricanes will be larger and faster because the oceans are warming up. When wind currents go over warm water, the pick up heat which make the storms grow bigger and faster. Now that it is
In the film The Night of the Hunter, director Charles Laughton uses montage on multiple occasions to create a variety of visual and emotional effects. Montage is used to slow time and create tension, as a foreshadowing device, and as a symbolic depiction of the film’s conflict.
Throughout the entire season, Luhrmann uses a fast-cutting technique to piece together real footage from the 70s and flashbacks from the characters to tell progress the story, which is a common technique he uses in his other works. In an analysis of Romeo and Juliet from students at the University of Maryland, Baltimore County found that, “ whenever the violence is about to happen or in the process of occurring, Luhrmann makes very quick cuts from image to image. This not only speeds up the action, but also creates a sense of chaos because the camera appears to be erratically following the action” (Luhrmann camera
Because the scene was shot in the small cottage, there was little room for different focal lengths, so most of the shots are jumps between the characters to create drama. All of the shots in this sequence are medium shots and close ups, giving the audience the perception of a cramped space that's over occupied with forgotten objects. The camera also follows Maxim’s movements, like a person eyes would, but not the eyes of the heroine who is slightly to the side, like the eyes of a third party. Mise-en-scene arrangements are also evident in the sequence. Because the film is in black and white, it was pivotal in this scene to use lighting to create drama. Hitchcock has put different components into different scenes and he arranged them in a meaningful way. Rebecca’s room was said to have been exactly how she left it, in this scene Maxim describes how Rebecca walked across the room as she spoke to him, the ash tray that he described her having use is still there, as if she had just put out her cigarette. Then Maxim walks back and leans against the wall, and stumbles to open the door to reveal where Rebecca died. Within the clip, it can be seen that eerie music is used when Maxim is telling Mrs De Winter about the night that Rebecca died. The director used music as a way to illustrate the torment Maxim feels when speaking about the past, which is significant to the film narration. This is
In the movie And the Band Played On, stakeholders’ interests stymied public health efforts to research and implement health policy to control the rapidly emerging disease, acquired immune deficiency syndrome (AIDS). The stakeholders within the movie, those whose interest would be impacted by policy change, included the affected populations, scientists, state and federal public health officials, and organizations including blood banks. Early in the epidemic, the Center for Communicable Disease Control and Prevention (CDC) were tentative in disclosing vital information – many homosexual men were becoming infected in the bathhouses (Pillsbury, Sanford, & Spottiswoode, 1993). Despite having the supporting evidence of patient zero and a sexual cluster
In The Night of the Hunter various montages are utilized throughout the plot to capture the literal and figurative messages of the movie. The director uses montages to basically allow the audience to grasp the ideas that are being put forth. For instance, when the widow and Icy are talking about marriage plans with Harry Powell, clips of a train interrupt the seemingly continuous conversation. The two women discuss the joyous plans for the marriage and ironically this conversation gets interrupted by a runaway train. The train seems to be heading for disaster at high speed. This correlates to the marriage plans, which are also quick to be orchestrated and will eventually lead to disaster. This montage is specifically placed to foreshadow the upcoming events that lead to the widow’s death. The montage fuses together two unrelated shots in order to achieve a specific idea of foreshadowing the future.
Spike Lee is an American film director, producer, writer, and actor, noted for his films that deal with controversial social and political issues. Lee's films are typically referred to as "Spike Lee Joints". Most of his films focus on the perspective on African American culture throughout the late 1980’s and early 1990’s.
In the final scene from Thelma and Louise the cinematographic effects are astounding. Panning, reaction shot, and dissolve are all used in the last section of the movie clip extensively. These three cinematographic terms are perfect for this clip because of the intensity they add to the scene. Through the use of panning, reaction shot, and dissolve the actresses portray two extreme emotions of desperation and the tranquility of freedom.
The movie has a permeating "undergoround" sense, which is assisted by the rapid-cut montage, the greenish fluorescent lights, similar with those in Wong Kar-wai's films and the pervasive violence that seems to exist everywhere in