According to Retchless, earlier films were not edited at all and everything was done in one shot. The camera could not hold a large amount of film resulting in short films. Filmmakers and audiences wanted longer and more detailed films. This was accomplished through editing techniques. Intercutting is an editing technique that cuts back and forth between two or more scenes that are occurring at the same time to create high drama and gives the viewer the sense that the scene is moving quickly. (Retchless, 2006). When using rapid intercutting between two locations and people, it increases the tension and suspense of the film. The Kuleshov effect is the belief that an actor’s expression is interpreted according to the image it is paired with. For example, if I was to take a picture of a little girl and paired that picture up with a puppy and again paired the same picture of the little girl with a picture of a snake, the interpretation of the person’s expression would be viewed according to what they are paired with. We could see the same little girl look admiringly at the puppy and again interpret her expression as fear when paired with the snake.
Watching movies is a fun activity that is suitable for one person, large groups, or anywhere in between. Unfortunately, a vast majority of these
One might ask, why would Lars von Trier propose restricting the filmmaking process to achieve greater works being produced, when said restrictions force the creator into a corner? Hjort points out in Purity and Provocation (2003), by constraining oneself, the filmmaker may destroy the illusion of film; bring it back to a purer art form.
of the film. The audience like to know what to expect of a film before
Slow-motion film sequences, some shot at the rate of 12,000 frames per second, allow the filmmakers to manipulate the on-screen action much like in the Gap commercials where the dancers are frozen and the camera angle shifts around them.
the film, to create a re-make that is worth going to see. The use of
In some of the big scenes of this film, the videography made me motion sick. The camera would switch back and forth between characters at an uncomfortable speed; it felt like I was watching a Ping-Pong match between two people; the thing about those scenes is that I felt a part of the action. With that being said, there were many times when I believe the videographer would have been better off zooming out so the viewers could get an understanding of the whole scene.
Would you watch a block buster film like Star Wars Episode 7 if you were presented only with its raw footage? As the audience, you would miss out on the film that regular moviegoers would have experienced, a compact and meaningful version of the raw footage. Editing is the art that improves upon the initial product by coherently refining the film. Without it, the raw product would lack the content structure that would rhetorically impact the audience. While editing our House of Leaves adaptation video, I compiled the raw footage such that an ethos and pathos could be established between the audience, Holloway and his slow descent into madness.
film goes is very fast and it changes from one location to the next in
According to Munsterberg’s film theory, the motion picture is an original medium in that it aesthetically stimulates the spectator’s senses. Although both still picture and theatrical play can possibly leave images on the spectator’s retina or brain, each element of motion picture, including camera angle and work, lighting, editing, music, and the story itself, appeals to somewhere more than just retina or brain— the element of motion picture truly operates upon the spectator’s mind. Speaking of Darren Aronofsky’s Black Swan, the film unfolds a story of physically and mentally repressed ballerina’s life. Due to the film’s effective filming and editing techniques, the film successfully increases excitement as well as suspense in the story. Since Black Swan captures not only the real world the ballerina lives in but also the other side of the world the ballerina has within her mind, its spectator would experience a fantastic world where one ballerina lives in two different worlds at the same time. Even though the still picture and the theatrical play also give the spectator either a visual or an aural image, motion picture is the one that stimulates the spectator’s senses with its story, color, sound, acting, filming, and editing.