Throughout The Stranger by Albert Camus, Meursault rejects all conventional morals and believes life to be frivolous. The Stranger, published in 1942 serves as an allegory to express the absurdity of which humankind attempts to force rationality on an irrational world. The novel expresses that realizing life is absurd creates a new beginning rather then a final end, which is made evident by the metamorphosis of the main character, Meursault.
Meursault is an isolated and incredibly honest man. He will not lie to save his life. His moods are affected strongly by nature and he is thoroughly independent. Meursault does not accept the idea of God or the conventional idea of happiness. Although it may not appear so, Meursault greatly transforms by the end of the novel.
His morals and convictions change. The way he views humanity as a whole changes. He started off with questioning everyone's existence but later through his transformation welcomed humans and the idea that death creates commonality among them. He did not seek out connections but let them causally happen upon him; for example his neighbor Raymond and his girlfriend Marie.
Before trial Meursault was unaware of his thoughts or motivation to do or not to something. He is dispassionate. The most he feels is "annoyed" or "content", not until the very end does he express joy or anger. Meursault does not make decisions. They are thrust upon him, including and not limited to killing the man at the beach. Meursault himself states he has no opinion about marriage, "She just wanted to know if I'd have accepted the same proposal if it had come from another women with whom I had a similar relationship. I said, naturally." He does not love her; he has no excitement about the m...
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...nd become passionate and less dissociated with the human race. He reflects on his mother's death and comprehends why she sought love in her final moments. He recognizes all are born, die, and have no further importance.
At the very end of the novel Meursault states he hopes his execution is filled with a multitude of angry spectators who "will greet him with cries of hate." This simple sentence shows the active transformation that has taken place in Meursault. Once passive and isolated, he now welcomes people, he wishes to have interaction at his execution.
In The Stranger by Albert Camus, Meursault eventually realizes the absurdity of life and because of this he changes. In a way it creates a new life for Meursault, although short lived he now knows passion, he comes to terms with death, and he is able to better understand the motivation behind his decisions.
Meursault is a fairly average individual who is distinctive more in his apathy and passive pessimism than in anything else. He rarely talks because he generally has nothing to say, and he does what is requested of him because he feels that resisting commands is more of a bother than it is worth. Meursault never did anything notable or distinctive in his life: a fact which makes the events of the book all the more intriguing.
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
Meursault resists being typecast into an archetypal moral category in many of his deeds and actions. Many of his actions in Part One of the novel help contribute to the fuzzy picture of the character. For example, at his mother's funeral, Meursault does not cry or weep in the typical mourning fashion, but rather sleeps during the vigil and entices one of the other mourners present to smoke a cigarette with him. This would be typically considered "evil" behavior, in the context of the story. He could easily been seen as disrespectful and seditious toward his mother and the established procedures of mourning, which seem to be fairly definite at that era in France. However, this "evil" mold can easily be shaken if one considers that Meursault may be more shaken than anyone else present at the funeral. Considering the other events in the novel, it seems as though he does not have a large capacity for emotion. Based on this, it is not unreasonable to assume that the events leading up to and including his mother's death may have overtaxed his limited scope of emotion, and he was therefore nearly incapable of mourning in the "normal" or expected way for his mother, but rather had to resort to his own, more c...
While coming to terms with the absurd was a gradual process for Meursault, his final days and his heated conversation with the chaplain, and his desire for a hateful crowd of spectators show that he was able to accept the absurdity, and revel in it, finding satisfaction in spite of those around him and justifying his murder. His ego had reached an all-time high as he neared his execution, and his satisfaction left him prepared for the nothingness awaiting him. This process was a natural psychological response to his mortality, for his peace of mind. Therefore, Meursault is not the Stranger, an alien to society, but a troubled man seeking meaning and satisfaction in a life and a world that was overwhelming unsatisfactory and absurd.
Meursault is a man who chooses to observe people, rather than interact with them. He often people watches from his balcony in the evening, than actually going down to communicate with them. While he was in exile, he was forced to converse and discuss his feeling to strangers like his lawyer, and the chaplain of the prison. Due to being a severe introvert, the idea of discussing his problem to another person was foreign for him. The experience of opening himself up to others for help was alienating, and contradicted his personality of being a stranger to everyone. Camus writes, “He didn’t understand me, and he was sort of holding it against me. I felt the urge to reassure him that I was like everybody else, just like everybody else.” (Camus, 66) Meursault wanted to help his lawyer understand his point of view, but his nature is so closed off that he’s unable to put his feeling into words for others
Albert Camus creates a series of characters in The Stranger whose personality traits and motivations mirror those that are overlooked by the average man. Camus develops various characters and scenarios that are considered rude and unpleasant, but because it has become common, society accepts it as norms. Camus incorporates atrocious personality traits of the characters, variety, consistency, and everyone’s fate through the creation of the characters.
... mother, he does not react in a way most people do. He does not cry but instead accepts what has happened and realizes that he can not change it. He goes back and does physical things he would do on a normal day. When the caretaker offers him coffee, he accepts it, he smokes a cigarette and has sex with a woman he just met. Meursault also does not lie to escape death. He refuses to conform to society and lie. He would rather be seen as an outsider than do something that he does not believe in. Finally, Meursault, will not believe in G-d or Christianity just because it is the only thing to turn to before he is put to death. When Meursault decides not to cry at his mother’s funeral, he accepts himself as an outsider. When he is considered an outsider, it does not matter if he is guilty or innocent; at the end of the day he guilty just for being different.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
The novel opens with Meursault having just learned that his mother has died. His reaction to her death is far from typical, and he simply says, “Maman died today, or yesterday maybe, I don’t know.” As he prepares to leave town to attend the funeral, he expresses a sort of general discomfort. This discomfort can be seen in his extremely uncomfortable conversation with his boss, in which Meursault simply tells his boss, “it’s not my fault.” Meursault also wishes that the funeral were already over so that, “the case would be closed, and everything will have a more official feel to it.”
Meursault in the book tries to overcome his emotional indifference within himself. One example shows Meursault emotional indifference against Marie. In this quote, “A minute later she asked me if I loved her. I told her it didn’t mean anything but that I didn’t think so.” The quote explains how Meursault doesn’t really think about the consequences of other people’s emotions. When he said in the quote it didn’t mean anything to him, it shows he believes human life and emotions are meaningless. He also says I didn’t think so, showing he struggles to comprehend and make his own interpretations on human emotions from Marie and other people. Another example shown is Meursault against his mother’s funeral. In this quote ‘Maman died today. Or yesterday maybe, I don’t know. I got a telegram from the home: “Mother deceased. Funeral tomorrow. Faithfully yours.” That doesn’t mean anything. Maybe it was yesterday.’ This quote also shows Meursault idea of human life is meaningless. This shows that Meursault believes it doesn’t really matter if his mother died, he’s probably implying that his mother was dying soon...
Meursault, an unemotional, a moral, sensory-orientated character at the beginning of the book, turns into an emotional, happy man who understands the "meaninglessness" and absurdity of life by the end of the book. Meursault realizes that the universe is indifferent to man's life and this realization makes him happy. He realizes that there is no God and that the old codes of religious authoritarianism are not enough to suffice man's spiritual needs. One has to create one's won meaning in an absurd, meaningless world.
Meursault in the beginning of the book does not have a care for anyone he interacts with. Right in the beginning of the book his mother passes away and, although most people would mourn for their mother, Meursault did not. He was not even going to go to his mother's funeral, but the people in his workplace and that knew him and found out about the news strongly encouraged him to go. When he made it to the place of his mother’s funeral he spent time where his mother’s body was being kept, but he never once requested to see her one last time. All he did was sit around and drink and smoke near her coffin. The day of his mother’s funeral Meursault was more concerned with the environment around him rather than the fact that his mother was dead, and mourn with the other people who had came to her funeral. Instead, all he had to say about the mournful day was, “...Sunday was over...and, really, nothing had changed.” (24). Another instance in the first part of the book where Meursault shows his carelessness for people, is when Marie asks...
. Throughout the book he uses Meursault as a vessel to transfer his thoughts and viewpoints into the reader. This causes the reader to become alienated from the main character not understanding what or why they are doing what they are doing, something that most readers aren’t used to. Meursault’s lack of caring and amoral attitude about life eventually leads to his demise.
While on trial Meursault forms relationships with both the magistrate and his lawyer. The prosecutor can’t understand why Meursault showed no emotion toward the death of Maman and how he was able to keep on living his daily life. The fact that even after all the testimonies Meursault is still seen as an emotionless man very capable of murder says a lot.
Meursault is distant from set plans, ambitions, desires, love, and emotions in general. He has a difficult time with emotions such as regret and compassion. The reader sees the nature of his personality in the first few lines of the novel: "Maman died today. Or yesterday maybe, I don't know." When he hears of the death of his mother through a telegram, he is unattached, and can be considered uncaring.