Mercutio is an extremely cocky jokester who views the subject of love as a very physical matter. When the Montagues are on their way to the Capulet party, Mercutio mocks Romeo saying, "If love be rough with you, be rough with love. Prick love for pricking, and you beat love down" (I, iv, 27-28). Mercutio is trying to comfort his friend by proclaiming that Rosaline is just another love prick in his life, and Romeo will love again after this phase of heartbreak. Several lines past, Mercutio's Queen Mab speech about a fairy creeping on people's dreams stretches on and on (I, iv, 53-94). Romeo tries to calm his friend, and the kinsman of the Prince admits to talking of nothing; he is one "that loves to hear himself talk and will speak more in a minute than he will stand in a month" (II, iv, 137-139). His tangent proves that his witty, light-hearted remarks puncture yet highlight the passionate, love-seeking qualities of Romeo.
"Lover" has been synonymously identified with the famous name Romeo, and this assumption is far from false. The beginning of the playwright shows Romeo's sententious puppy love for Rosaline, but the feelings disappear and are replaced at the sight of Juliet. He compares her to "a rich jewel in an Ethiop's ear" (I,
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Mercutio's prankster personality plus Tybalt's hatred of all Montagues instigates the common end to three very different characters. Romeo does not wish to draw a sword, and therefore becomes the peacemaker. "Gentlemen, for shame! Forbear this outrage!" (III, i, 82). Under Romeo's peacekeeping arm, Tybalt thrusts his rapier, and Mercutio curses both Montagues and Capulets. "I am hurt. A plague a both houses! I am sped" (III, i, 86-88). To Mercutio, destiny is not the cause of his death, but rather specific people brought about his fatality. His behavior is static as he teases while being carried away by
Throughout the speech, he frequently adds a sort of flare to the way he speaks; for example, he uses over ten lines(in the text)to simply describe the size of Queen Mab. The manner in which he speaks is loud, confident, and stylish; therefore, he attracts attention. He also manages to subtly mock Romeo when speaking about how those who are in love dream of love; this is to add a comedic flare, even though that is what he is. Mercutio’s entertainer like personality is due to the fact that he is amusing. In this tragic and serious play, he is the obnoxious character that breaks the seriousness for a while with a witty remark.It also explains why he is the dramatic foil to Romeo. This goes along with his flamboyant attitude. Nevertheless, he is also vulgar at times, which adds to his loud personality. Now, brown represents Earth and reliability, and Mercutio, in his own way, represents
He is often up and happy, which immediately turns to serious brooding. The best example of this comes at his death. He has been stabbed through by Tybalt’s cruel blade and the killer has flown. All his fellows gather around laughing when Mercutio yells that he is injured. After sending for a surgeon he stumbles about saying, “No, ‘tis not so deep as a well, nor so wide as a church door; but ‘tis enough, twill serve: ask for me tomorrow and you shall find me a grave man. I am peppered I warrant for this world. A plague o’ both your houses! Zounds, a dog, a rat, a mouse, a cat to scratch a man to death” (III.i.94-99). In this quote Mercutio seems to go from cracking jokes and making puns to all seriousness, screaming plague upon the quarrel between the two houses. This was very serious considering the plague was running rampant at that time, killing thousands of people. To wish plague on someone is to wish the most feared thing of their age on them and their family. This is not the only example of such emotional instability as he often ranges from very high to very low, creating quite the dramatic and loud character. Mercutio’s characteristics are wide and varied, making him into an extremely complex, extremely prominent character. Shakespeare places this persona of varying emotions who may not be thinking exactly what he seems to be into the story of Romeo and Juliet, a stage full of such
Romeo senses tensions are high with Tybalt, so he states, “I do protest I never injured thee but love thee better than thou canst devise.” (Lines 65-66 Act Three, Scene One). Romeo is trying to diffuse the situation because he realizes that Tybalt is his love's cousin. Mercutio is surprised by Romeo’s behavior, so he decides to fight Tybalt himself. Mercutio’s decision to fight Tybalt leads to his own death. Romeo is angered by the death of Mercutio and states, “Now, Tybalt, take the “villain" back again/ That late thou gavest me; for Mercutio’s soul.” (Lines 123-124 of Act Three, Scene One). Romeo is indicating that Tybalt is the villain now, because he slayed Mercutio. Romeo forgets about his attempt to befriend the Capulets and slays Tybalt. Romeo, murderer of Tybalt, solely focuses on Juliet and states “Ha, banishment? Be merciful, say “death"/For exile hath more terror in his look.” (Lines 12-13 of Act Three, Scene Three). Romeo does not care about Tybalt’s life, but only cares for the way it affects his relationship with Juliet. Romeo’s mother dies out of grief because of his banishment. Romeo’s recklessness in loving Juliet has led to the death of three
When asked by Benvolio to make peace in the streets, Tybalt bluntly responds,” talk of peace, I hate the word. As I hate hell all Montagues.” This is the attitude of Tybalt throughout the play. He believes he is doing all for the best and uses violence as his tool. He gets angry at the ball with Romeo being there, “villain as a guest,” and believes it best to defend his family’s honor by later taking revenge. When Tybalt finds Romeo, he thinks it best to fight him and when he ends up killing Mercutio he believes he has done his duty by causing Romeo the same hurt he has brought Tybalt, “the injuries that thou hast done me.”
Mercutio: Menî–¸ eyes were made to look, and let them gaze. I will not budge for no manî–¸ pleasure, I. This is just a small sampling of crime and violence versus peace and law. Later in this scene, Mercutio challenges Tybalt in a duel, then when Mercutio is slain, Romeo goes on to challenge Tybalt, killing him. If Mercutio, Tybalt and Romeo would have listened to Benvolio, the fights would have not occurred, and the outcome of the play would be changed. An example of love versus hate occurs through the relationship Romeo and Juliet and the hate between their families.
Such lines can be seen between Tybalt and Romeo before they fight when Tybalt says “Romeo, the love I bear thee can afford, No better term than this: thou art a villain” (III, i, 61-62). After Mercutio’s death, Romeo responds saying “Now, Tybalt, take the ‘villain’ back again” (130). These lines spark a fencing duel between Tybalt and Romeo that is ultimately won by Romeo. All in all, These lines cause the death of first Mercutio for defending Romeo’s name, and then cause the death of Romeo when he defends his own name. Romeo is adamant that Tybalt take “villain” back, and when he does not, Romeo takes matters into his own hands, fighting Tybalt.
After Tybalt killed Mercutio and Romeo challenges him to a duel, Romeo demands, “That late thou gavest me, for Mercutio’s soul/ Is but a little way above our heads/ Staying for thine to keep him company/ Either thou or I, or both, must go with him” (Shakespeare Act III scene i, lines 119-123). This quote shows how Romeo’s downfall is partly his fault because he is defying the prince’s command to no longer fight with the Capulets by challenging Tybalt. Since Romeo is aware that he is defying the prince and fighting anyway it is proven he is contributing to his own demise or downfall. When Mercutio is wounded after fighting Tybalt , he cries, “I am hurt/ A plague o’ both your houses!” (Shakespeare Act III scene i, lines 84-85). The excerpt shows how even Mercutio recognizes the feud between the Montagues and Capulets being destructive, and how it is now gotten so out of hand he has been dragged in it. Mercutio tries to open Romeo’s eyes on how if this feud continues there will be a demise for both families; but by Romeo choosing to ignore this advice and killing Tybalt he is setting himself up for his failure/downfall. Thus, Romeo is shown a tragic hero because his demise is partly his fault and not an
In act one scene two it says, "Benvolio urges Romeo to go to the party to see how Rosaline compares with other women." In scene five it says, "Romeo suddenly sees Juliet and falls in love at first sight." Romeo sees Juliet and immediately forgets about Rosaline. Romeo changed from loving Rosaline that broke his heart to Juliet that will eventually love him later in the story.
Mercutio can be blamed for Romeo and Juliet’s peril because he initiated the fight with Tybalt and forced Romeo to go to the Capulet’s party. At the beginning of the play, Romeo gets invited to the Capulet’s party by a servant, unless he was a Montague. At first, Romeo did not want to go, but Mercutio eventually convinced him under the pretext that Rosaline, Romeo’s love, was going to be there. The next day, Tybalt, a Capulet, went looking for Romeo because he knew that Romeo was at the Capulet party. Instead, he stumbled upon Mercutio and Benvolio and asked them where he could find Romeo. However, Mercutio did not want to tell him and insisted on having a duel. Tybalt killed Mercutio during the fight, and Romeo kills Tybalt because he has the need to avenge his friend. Unfortunately, Prince Escalus punished Romeo by banishing him from Verona. This made Romeo and Juliet’s love
At the time Mercutio makes his famous "Queen Mab" speech in Shakespeare's Romeo and Juliet, he and Romeo, together with a group of their friends and kinsmen, are on the way to a party given by their family's arch-enemy, Lord Capulet. Their plan is to crash the party so that Romeo may have the opportunity to see his current love, Rosaline, whom they know has been invited to the Capulet's masque that evening.
Mercutio, though a minor character, had and enormous impact on the outcome of the play. Before the Capulet Ball, Romeo had been debating whether to go or not. Mercutio persuaded him to go by giving a big speech to him about a dream he had. This makes him partially responsible because the Ball is where Romeo first met Juliet. Mercutio also caused Romeo to be banished from Verona. Mercutio got in a fight with Tybalt and ended up dead. His death enraged Romeo enough to make him kill Tybalt in revenge. When the Prince saw what happened, he sent Romeo into exile. Romeo's banishment to Mantua made it near impossible for Romeo and Juliet to see each other. Mercutio was to blame, though only partially for the deaths of Romeo and Juliet.
Humor can be found to be a virtue and a vice; however, in the grimmest situations humor may allow the gravity to turn into glee and gayness. Mercutio’s greatest aspect is his sense of humor. Which he doesn’t fail to display even in the most inappropriate moments. An instance of such portrayal is during the scene where Romeo has ditched Benvolio and Mercutio in pursuit of Juliet, in the Capulet’s garden. In which Mercutio comically says, “Nay, I’ll conjure too. / Romeo! Humors! Madman! Passion! Lover!” (II.i.7-8). This moment can be considered much graver than Mercutio depicts it to be which makes this scene much more like comic relief than a serious scene. The fact that there are Montague’s in Capulet’s territory is serious enough and can cause some major consequences for the perpetrators if caught. And now to betray their positio...
When suddenly Baz Luhrmann nineteen minutes into his work presents a drag Mercutio dressed scandalously in a ridiculous white wig and wearing red lipstick to top it all off, it seems he has no regard for the original Romeo and Juliet. In his portrayal of a character as crucial as Mercutio, Luhrmann crosses the fine line between the individual possessing eloquence and profuse wit Shakespeare creates, and a downright maniac. Before entering the Capulets’ mansion Mercutio’s acclaimed Queen Mab Speech in Act One, Scene Four, displays the aforementioned eloquence and vivid imagination of the character. Specifically, Mercutio claims, “Oh, then I see you’ve been with Queen Mab/...True, I talk of dreams,/Which are the children of an idle brain,/Begot of nothing but vain fantasy,”(I iv 53, 97-99). Anyone with a rational mind does not expect Mercutio to deliver his lines about dreams being merely the result of the anxieties and desires of those who sleep while holding ecstasy and jumping agitatedly. Luhrmann offers an insane Mercutio in his take on Romeo and Juliet and all it achieves is a massacre of the brilliance of the dialogue. The unconventional director stages the exchange to end with Romeo accepting a psychoactive drug inducing him in a euphoric state, then shattering any proceeding potential romantic mood.
After catching Romeo at a party he was not supposed to be at, Tybalt had it out for Romeo. Just after Romeo and Juliet’s wedding, Tybalt comes looking for him wanting to fight. Romeo does not want to fight because he now loves Tybalt since he is family to him, but neither Tybalt or anyone else knows this reason. Quickly, Mercutio steps in and tells Tybalt that he will fight him in honour of Romeo. Sadly, this led to the death of Mercutio.
...yalty. The line said by Mercutio: “O calm, dishonourable, vile submission! Alla stoccata carries it away (He draws) Tybalt, you ratcatcher, will you walk” The use of Descriptive triplet in the words ‘vile,’ ‘dishonourable’ and ‘submission’ all have negative connotations which emphasises Mercutio’s anger with Romeo because he won’t defend for himself, thinking Romeo is submissive and cowardly in not wanting to fight.. Mercutio had paid the ultimate price of love, to protect Romeo’s honour and loyalty, his life. Mercutio’s tone of bitterness emphasises his anger with the conflict with the two families taking his life cursing them both (families): “I am hurt. A plague a’ both house! I am sped. Is he gone and hath nothing.”