Audiences worldwide remain at the edge of their seat, with bated, compressed breath, anticipating the moment the antagonist 's facade is revealed, the thoughts behind his or her actions, and the motive held grudgingly by the enemy in question. A great deal of hollywood blockbusters rely on mental illness as a scapegoat of sorts to explain the mentality behind a character 's wrongdoings. Not only does this create a fallacious stereotype, it fabricates the idea that the majority of individuals who suffer from a form of mental illness are, in some form, of unsound mind and volatile to others. When, in actuality, other than isolated occasions, those suffering from a psychological condition rarely pose a tangible threat to anyone other than themselves. …show more content…
For instance, the film based on Ken Kesey’s One Flew Over the Cuckoo’s Nest (1975) is praised by both critics as well as psychologists as portraying the mentally ill as relatable, although sometimes eccentric, individuals. As being one of the earliest films to tackle issues involving mental illness and its treatments, Kesey’s movie adaption demonstrates the endures and personalities of the ill. Similarly, cinema can lead way to further discussions involving mental illness, since, after all, “everyone still lives in a unique psychological landscape that films can help illuminate” (Disler 4). By properly providing a perception into the thought-process and behaviors of the ill, it will bring awareness to the issue. On a similar note, not supporting dishonest films will aid the effort to denounce studios who repetitively slander the mentally …show more content…
However, when concerning one topic in particular -mental illness- it seems the industry is forever stuck with obscure, somber colorations. It is dated back to the earliest productions of cinema where the antagonist is characterized as having a mental illness which elucidates his or her actions. Not only does this create false pretenses of psychiatric disorders, it fuels public stigma that those suffering from an illness are either a danger to society or a public nuisance. In order to condemn such standards, the audience as a whole can urge directors, especially those new to the field, to research proper characterization of personalities to make the fictional character more true to life. Or, on the other hand, to directly influence the production team, become part of a social movement to disown films that represent the mentally ill in a unfavorable fashion. Hence, although exaggerations of mental illness have been present in film for decades, deceptions still hold a firm grip on the cultural awareness, support, and treatment of psychological disorder; however, there are ways to foster projects that encourages society to expand its spectrum in order to gain a proper understanding of how people relate to one another on a scale of humanity - illness or
...ing horror movies. Stephen King’s “Why We Crave Horror Movies” is a well written essay with convincing analogies, comparisons, and urban humor. With the use of logos, ethos and pathos in unison he easily wins his argument persuading his audience to believe his thesis, convincing normal people they are mentally ill. Kings argument convinces his readers not only that mental illness lies within us all, but that without horror movies we wouldn’t have a way to fix our mental state. If sanity is being normal, and insanity is madness, then how is it that being normal is watching insanity repeatedly?
In Ken Kesey’s novel One Flew Over the Cuckoo’s Nest and the film Girl, Interrupted directed by James Mangold authors both look at American psychiatric institutions of the 1960s and explore the idea that the hospitals act as microcosms for society. A microcosm is a small universe representative of a larger one thus suffers the same problems of conformity and rebellion, prejudice against minorities and authority figures ruling absolutely. Both authors use stylistic techniques to position the audience to respond to ideas common in both texts.
However, these thoughts are not always true all the time. Sometimes Hollywood makes films to show the audience the truth contained in the movie. In the movie “Girl, Interrupted,” the filmmakers have balanced the grim realism of the book with audience-pleasing elements of entertainment in order to make the film more comfortable. The graphic representation of mental illness makes audiences feel its realities, while the use of attractive actresses captures the attention of the audiences and makes it easier to relate to the story.
...usion, we find that from this essay we have a better understanding of why Stephen King believes all of us are mentally ill in some way, just maybe not to as high a degree as “Jack the ripper”. That we all enjoy the hunt either on the big screen or in a field, it’s part of our primal instincts. We see that humans crave things they are not supposed to and that’s ok as long as you are letting those emotions out in a healthy way. Stephen King has done a brilliant job of carrying out his thesis in this essay proving his theory that we are all mentally ill. We all need some way to release the dark feelings within us, we have all known this for many years, and movies seem to be the most current form of treatment. So treat yourself to a horror movie if you dare its great therapy.
horror movies, King argues that “we are all mentally ill” (345). He expresses that we all
The functioning of the average human mind has intrigued and plagued philosophers and thinkers over centuries, one of the most curious and fascinating studies have been made into personages with dual personalities, schizophrenia being one of the factors. Similarly, in the book, The Strange Case, as well as in the film, Psycho, the books are taken place in late Victorian London, but Psycho is in late 60’s in the USA. The respective authors in these two texts portray that duality of human nature exists in society and humanity through the use of characterization and setting.
The media in American society has a major influential impact on the minds and beliefs of millions of people. Whether through the news, television shows, or film, the media acts as a huge database for knowledge and instruction. It is both an auditory and visual database that can press images and ideas into people's minds. Even if the individual has no prior exposure or knowledge to something, the media can project into people's minds and leave a lasting impression. Though obviously people are aware of what they are listening to or watching, thoughts and assumptions can drift into their minds without even realizing it. These thoughts that drift in are extremely influential. The massive impact it can leave on America's perception leads to generalizations, assumptions, and stigmas. The media influence is not always negative, however. In most cases it has beneficial and positive aspects. Without the media, people would be drastically less informed and conscientious about major issues in the world around us. In some cases, however, the way the media portrays an issue can twist one's perception, leaving an assumption instead of a factual concept. Mental illness is one of the biggest concepts that the media has distorted due to the majority of portrayals the media presents. Mental health is extremely important and plays a key role in every individual's life. Yet it is also has millions of misconceptions. Mental illness is more common that one would like to believe. In reality, one in five Americans will suffer from a mental disorder in any given year. Though that ratio is about equivalent to more than fifty-four million people, mental illness still remains a shameful and stigmatized topic (National Institute of Mental Health, n.d.). The taboo of mental illness has an extensive and exhausting history, dating back to the beginning of American colonization. It has not been an easy road to say the least. Due to the endless efforts and research of certain foundations and individuals, the ideas and functions of mental health have improved significantly. The advancements made in the field are impressive and without them humankind would not be the same. Yet then why do only fewer than eight million people who are in need of help seek treatment? (National Mental Health Association, 2001). The history, stigmatization, and perce...
Fred Wright, Lauren's instructor for EN 132 (Life, Language, Literature), comments, "English 132 is an introduction to English studies, in which students learn about various areas in the discipline from linguistics to the study of popular culture. For the literature and literary criticism section of the course, students read a canonical work of literature and what scholars have said about the work over the years. This year, students read One Flew over the Cuckoo's Nest, by Ken Kesey, a classic of American literature which dates from the 1960s counterculture. Popularized in a film version starring Jack Nicholson, which the class also watched in order to discuss film studies and adaptation, the novel became notable for its sympathetic portrayal of the mentally ill. For an essay about the novel, students were asked to choose a critical approach (such as feminist, formalist, psychological, and so forth) and interpret the novel using that approach, while also considering how their interpretation fit into the ongoing scholarly dialogue about the work. Lauren chose the challenge of applying a Marxist approach to One Flew over the Cuckoo's Nest. Not only did she learn about critical approaches and how to apply one to a text, she wrote an excellent essay, which will help other readers understand the text better. In fact, if John Clark Pratt or another editor ever want to update the 1996 Viking Critical Library edition of the novel, then he or she might want to include Lauren's essay in the next edition!"
“A common news account of mental illness, for instance, involves a sensationalized and violent crime in which an innocent person is killed by a mental health patient. The article is laced with graphic descriptions, emotional diction and a glaring headline. It also depicts the mentally ill person as devoid of social identity and dangerous, capricious, aggressive and irrational” (Fawcett, 2015). In prime time television “characters who were identified through behavior or label as having a mental illness were 10 times more likely than other TV characters to commit a violent crime – and between 10 to 20 times more likely to commit a violent crime than someone with a mental illness would be in real life” (Fawcett, 2015). Besides violence, there is also the inaccurate portrayal of mentally ill people never getting better. There is rarely ever a time where the recovery of a mentally ill person is shown. They often are not given any screen time that shows them integrated into society with jobs and friends (Fawcett,
“Why We Crave Horror Movies,” an essay by the legendary Stephen King, explains two challenging concepts to understand: why people like gory horror movies and how people are able to control their darkest desires. “I think that we’re all mentally ill; those of us outside the asylums only hide it a little better – and maybe not all that much better, after all.” King opens the essay by addressing the hard truth- we are all insane. People have dull lives, and often it’s the little bit of crazy within in us tha...
However, local and national news also produces negativity towards mental illness by “portraying people with mental illness as threats to themselves and to others” (Anaya 4). In the past two years, the news features stories such as a man who has schizophrenia, running on a shooting spree then killing himself; or a mother with depression who murders her children, then kills herself (Anaya 4). Anaya explains that television programs use mental illness as a headline to grab the attention of views and ultimately implies to respond with fear (5). Highlighting that mental illnesses are the reason for the evil in society, hurting those who suffer with mental illnesses. Therefore, the population begin to believe mental illness is bad, so do the people who suffer with mental
Since the birth of movies, Hollywood has strived to delve into the human experience and present certain aspects of life to the general population. Mental disorders are just one of many topics that are often explored for use in the media. The film A Beautiful Mind focuses specifically on paranoid schizophrenia, and follows protagonist John Nash’s life as he lives with the disorder. The film details Nash’s presymptomatic life at Princeton University, follows him through the early stages of the disorder, and continues as the symptoms begin to overrun his life. Luckily for Nash, his disorder is eventually clinically diagnosed and he is treated. The movie not only shares the tale of Nash’s life, but also shares with audiences a lesson about the
Most people gather what they know about mental illnesses from television and film. Unfortunately these media portrayals are inaccurate and create stigma. They depict people suffering from mental illnesses as different, dangerous and laughable. Characters are often addicted to drugs or alcohol, are violent, dangerous, or out of control. Horror film characters like Norman Bates in Psycho, Jack Torrance in the Shining, or Hannibal Lecter in Silence of the Lambs associate the typical 'psycho- killer' with people who suffer from a mental illness. But dramas and horror films are not the only film genres that create stigma. Comedies like What About Bob and many others not only stigmatize, they also make fun of mental illnesses and the people who suffer from them. This paper will discuss how the film Me, Myself & Irene is an inaccurate, offensive and stigmatizing portrayal of an individual suffering from schizophrenia. It also discusses what can be done to counteract the stigma created by these types of films.
Many recent movies contain this same concept, one of which is The Dark Knight. The most famous villain in the Batman series is The Joker. The Joker is considered a mass-murderer, a psychopathic killer, and an unstable character. Like Norman in Psycho, “…the Joker has often been casually diagnosed with schizophrenia, dissociative identity disorder, and post-traumatic stress disorder,” showing that through how the villain is portrayed, the viewers classify them with a certain disorder without fully being aware of what the actual symptoms of the disorder is (John Goodwin and Izzat Tajjudin). As people are classifying mental illnesses with no background information other than what is given in the movie, stereotypes for mental disorders are formed. These stereotypes vilify those who are mentally ill because they have a predetermined outlook on each illness based on a movie. Because the movies have mentally ill villains, like the Joker, the viewers will automatically think that the mentally ill are very capable at turning into a psychopathic killer. Therefore, movies like the The Dark Knight cause the viewers to believe that those who have a mental disorder can easily become monstrous due to their state of mind. The movie does not give them a chance to prove it
“Was I ever crazy? Maybe. Or maybe life is… Crazy isn’t being broken or swallowing a dark secret. It’s you or me amplified.” Determining sanity wasn't always prominent; the studies of mental health and psychology have improved greatly since the late 1960’s, but some could argue that there are still many disorders we do not understand. This movie envelopes the problems and treatment of patients during this era. Not only in a time of economic and racial disturbance, but the stereotypes and inequality for women are exemplified during this motion picture.