Mayella Juxtaposition In To Kill A Mockingbird

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Although not entirely good, Mayella is more a victim of circumstance than a bad person

Harper Lee, before the reader meets Mayella in person, uses her family and home environment to portray her as an impoverished but aspirational woman, revealing some of her more redeeming qualities before the trial has begun. She then goes on to demonstrate some of Mayella’s negative characteristics during the trial, when Lee portrays her as cowardly, emotionally unstable and racist at times. By the end of the trial, the reader is left to make their verdict on Mayella Ewell; should she be blamed for what she did or is she simply a victim of circumstance?

At the beginning of the novel, Lee uses Mayella’s home environment to generate sympathy for her. The …show more content…

Lee uses juxtaposition to explore the contrast between Mayella and the rest of her family. In one corner of the yard there are ‘six chipped-enamel slop jars holding brilliant red geraniums’ said to belong to Mayella. The adjective ‘chipped’ reminds us of the disorderly nature of the Ewell yard and symbolises their impression on society. However, the imagery of the ‘brilliant red geraniums’ could symbolise Mayella’s aspirations to make something of herself and to give a good impression, or it could be the personification of Mayella herself. This concept inspires awe in the reader for Mayella as, despite her financial deprivation, she strives for something beautiful. This entire passage is of great significance because it helps the reader to understand and perhaps validate some of Mayella’s less redeeming qualities that will be explored later on in the …show more content…

Lee uses this relationship to mitigate some of Mayella’s bad qualities as the reader gradually comes to understand what Mayella’s upbringing must have been like. During Bob’s testimony, he describes Mayella as ‘screamin’ like a stuck hog’. The use of zoomorphism with the word ‘hog’ gives us the impression that Ewell must lack any empathy for her should he refer to her in such a derogatory manner. This adds to the idea of Mayella being raised in a hostile environment, clear from his indifference to her suffering. The adjective ‘stuck’ also could reveal how Ewell thinks of the power balance between them. This word gives connotations of helplessness, especially disturbing since Bob portrays Mayella in such a way in a fictional story. This generates sympathy for her not because Ewell portrays her as powerless, but because the reader can only imagine why he portrays her as such. Perhaps her father intimidated her to the extent that she truly was helpless and cowardly, from this we can understand why she may lie to the

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