Mary Rowlandson Typology

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In print, typology refers to the process of using a plate or stamper to produce a text en masse. The prototypical basis or antitype from which subsequent pages are created is illegible, reversed, and unique. Comparatively, the reflection or type that the reader sees lacks the inherent perfection of the original, but in its reproduction gains accessibility and legibility. This model of stamper and stamp, of plate and page, also serves as a rhetorical contrivance for theologians and authors to suggest a relationship of creator and creation. Born from the human need to explain the world around us, figurative typology grants authors the ability to interpret a confusing existence in the patterns of types and antitypes. Following the general climate …show more content…

More specifically, it evolves from a means of understanding life through the Bible, evident in the works of Mary Rowlandson, to a method of purposively interpreting God to inspire spiritual fidelity by Jonathan Edwards, before ultimately becoming a primarily secular device to support the American Revolution by Thomas Paine. In A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson, Rowlandson utilizes typology in order to interpret her traumatic experience through scripture. The depth of this usage presents itself even in the work’s original title, as she places the “sovereignty and goodness of God” as the antitype to her “captivity and restoration,” immediately drawing the comparison between her life and the will of the Lord (Rowlandson 257). This variety …show more content…

Reflective of the growing secularism in American politics, Paine’s pamphlets eschew the historical exegesis that the typologies of Edwards and Rowlandson represent. In one particularly illustrative passage, Paine writes that “Even the distance at which the Almighty hath placed England and America is a strong natural proof that the authority of the one over the other was never the design of Heaven” (“Common Sense” 645). Though he maintains the religious ancestry in his assignation of type and antitype, God fulfills neither role; here, Paine argues that physical distance creates political distance. Although he mentions the will of God to strengthen the validity of his claim, his logic holds regardless of the existence of a deity. This proves a substantial change from the conventions of typology prior to Paine, as even though Edwards also wields type and antitype as persuasive tools, his rhetoric depends on the assumption of a higher power for cogency. As such, Paine offers a paradigm of the evolution of typology from its Puritan roots to the secular instrument it becomes across the literary

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