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Role of feminism in persepolis
Essays on persepolis
Role of feminism in persepolis
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Often critics refer to books as a piece of the author's soul, this is true in many cases as the author transfers their emotions and opinions into their novels. Marjane Satrapi has done just that, she has put her emotions and desires into her novel Persepolis and has given readers a look inside her life in the process. Satrapi uses her book to show readers just how different life is in her home country than one may think, she uses sociological theory points to help portray how unfair and sexist her home country's government is. Satrapi also uses marxist theory to show how the government can do whatever they want since they hold the power in the country and can control the media. Feminist theory is a very prominent theory that Satrapi has used …show more content…
Sociological theory helps show how marji thinks that her society is flawed and unfair towards to women of all ages much like her own society. Women are told not to speak out and to wear veils and black clothing that covered their whole bodies, the only thing that is shown are their faces. “Women’s hair emanates rays that excite men! That’s why women should cover their hair!” says the shaw while talking about while the veil is needed (Satrapi, 74). Marji responds to this by refusing to wear the veil the right way and fights against the veil throughout the whole book. Marji had to wear this veil in her life just like her book character, so you can infer that the feelings of unfairness in the book that she mentions often are the same feelings she had herself. Satrapi also brings attention to the unfairness towards education in her book. Satrapi first introduces the idea of religion being mixed into and affecting their religion when she is suddenly no longer in a co-ed class and her only language is english in her school unlike the french non-religious school she used to have. Satrapi firsts writes …show more content…
Marji demands that her parents take her to participate in the revolution and make a difference even if she's only a young girl, she wants to show everyone just how strong and important to this revolution she is. “For a revolution to succeed, the entire population must support it” (Satrapi,17), Marji says to her parents after they have told her she is not allowed to go to the demonstration because she may get hurt. Marji refuses to take no for an answer and wants to prove that she is needed to help this revolution continue. She does not think that revolting is just for men, she knows she can be useful as well. This relates to Satrapi’s life because instead of sitting on the sidelines, she went out and wrote a book about the struggles that her people are facing and is bringing attention to the issue. This is her own way of helping. Satrapi also may have written her book Persepolis, because books are where she learnt a lot of her knowledge from in her early years. Satrapi didn’t let being a young woman stop her from gaining all the knowledge she could through books, and eventually she became a writer that passed on knowledge as
In Marjane Satrapi’s memoir, Persepolis, the characteristics and qualities of revolution are portrayed through rhetorical devices such as visual text, similes, and pathos. Satrapi’s use of rhetorical devices enhances and supports her expression of the revolution in Iran. Persepolis was Marjane Satrapi’s way of allowing people to see how the revolution in Iran affected her family's lifestyle and her upbringing. This memoir also allows the readers to analyze how war changes the way of the people and government in a country.
The most significant similarity that Satrapi shows in persepolis is the similarities of Iran and American schooling. He does this through the main character Marji. The western view that the author challenges is the view that the
“Persepolis 2: The Story of a Return” by Marjane Satrapi is a memoir that depicts the troubled life of Marjane Satrapi. Marjane Satrapi, the author, was born in Rasht, Iran in the year 1969. She was born to a rich family in Iran and grew up in Tehran during the revolution and revolt against the Shah, the ruler at the time. She lived during the era where Islam was emerging in Iran and becoming the predominant religion. Marjane lacked academics for two years in Iran and suffered indeed from the bombings of Iraq. These horrific events impacted her and her parents, so as a result was sent to Austria for a better life. Her juxtaposed life in Austria and emergence of maturity is described in Marjane’s second installment of Persepolis.
“Character cannot be developed in ease and quiet. Only through experience of trial and suffering can the soul be strengthened, ambition inspired, and success achieved.” This quote by Helen Keller sums up the book Persepolis perfectly. Margi went through many hardships but in the end it strengthened her character and she was able to embrace the world in a better way. Margi is like a baby. The first time they try and take their first steps they topple over in a few seconds but each time they fall they learn and soon enough they are running as happily as can be. The events Margi experiences throughout the graphic novel Persepolis by Marjane Satrapi helps her be able to deal with life`s hardship in .
She is loose" (Dangarembga 128) or by her family since she "offends them." In addition, Nyasha also believes that it would have been better if her parents "packed [her] off to home" so that they would not be stuck with "hybrids of children" (Dangarembga 106 ). This causes her to choose to rebel, to try to find a sense of belonging and identity without avail or a way to console herself. In a similar way, Marji feels trapped and divided by her individuality and the expectation of women to wear the veil, "I really did not know what to think of the veil. Deep down I was really religious but as a family we were very modern and avant-garde" (Satrapi 6)....
There are many different influences in the world today; a big one that most people in the world face is religion. Religion is an influence that people first encounter during their childhood. They grow and learn to have faith. People’s perspective on religion is affected by their culture, their family and the events they witness during childhood. Persepolis by Marjane Satrapi is the story of a young girl growing up in Iran, during the Islamic Revolution, and the war with Iraq. Throughout the novel religion develops along with the plot, in good and bad ways. In the story Marji loses her faith and it changes who she is, religion also changed her lifestyle by the government putting religion into the law. Religion is a topic that people label as
During our class discussions, the issue of identity in Marjane Satrapi’s novel, Persepolis (2004), became a contentious issue. The question was asked whether Persepolis might be understood to being in-dialogue with western ways of seeing and did the effects of modernization influence the identity of Marjane’s protagonist in Persepolis. How does the novel involve the issue of identity? I will extend the argument and, through the exploration of Marji’s changing ideologies, I will attempt to prove that Marji is caught between the traditional eastern culture and western modernization.
Satrapi’s first chapter in “The Complete Persepolis,” The Veil, guides us through her country’s revolution against the
Satrapi is able to illustrate the characteristics of the characters as well as reflect on the past. Having the ability to incorporate past and present is a vital element in fully understanding and following her story. The past events in Marjis life reflect how she makes her descions in the present. It is imperative that one must always build from the bottom and work your way up. Having a strong foundation is the vital element in creating something successful. Marji often refers back to her past to make reference of why she believes this or why she is trying that. She learns by her mistakes of the past and it is noted through the illustrations. This visual image below from Marjane Satrapi’s Persepolis series allows the readers to see Marji both internally and
When it comes to culture, different views can cause major conflicts, and these said conflicts occur in the novel Persepolis. The book is a memoir about Marjane Satrapi, also known as Marji, growing up in Iran under the Shah’s rule and the Islamic rule. Even with the many different cultures in Iran, she stuck up for what she believed in and rebelled against the things she thought were wrong. In Persepolis, Marjane’s growth is affected by various aspects of culture including religion, government, and social organization.
Throughout Persepolis, Marjane Satrapi displays the vital role that the women around her have in developing her character and becoming the woman she is today. Women such as her mother, her grandmother, her school teachers, the maid, the neighbors, and even the guardians of the revolution influenced Marjane and caused her to develop into an independent, educated, and ambitious woman. Throughout the novel, Marjane never completely conforms or lets go of her roots, this is primarily due to the women who have influenced her. Marjane’s mother was one of the most influential people in her life, her mother taught her to be strong and independent. By introducing her mother through the story of her mother getting photographed at a demonstration, Marjane presents her mother as being independent and rebellious (Satrapi 5).
Persepolis shows the damages caused by a country at war through the forcing of religion on its people. Religious disagreements, death, stress and early maturity drives the people to uprisings. Satrapi shares her experiences so the hardships she experienced will be understood by those of other cultures and not have to be endured by others.
Marjane Satrapi in her memoir, “The Complete Persepolis” enlightens readers with the reality of living in Iran, as she tells her journey through her life of becoming a woman during the Islamic Revolution. Iran similar to other countries has made different prescribed roles for their women and men based on their cultures religious and traditional set of laws. Society to them was a depiction of what their people were expected to look, and act like when in public. When trying to understand the importance of gender along with their roles in society, it’s crucial to acknowledge outside factors, for instance things like culture and social class. The characters throughout her memoir illustrate how their
When Mrs. Nasrine is telling her dilemma of the key (99.3.1), Marji frowns and looks concerned but out of place, as if she doesn’t know what to make of it. She tries to show sympathy, suggesting that her privilege makes her unable to truly relate. She continues to look uncomfortable and bug-eyed when Mrs. Nasrine says, “Now they want to trade this key for my oldest son”. “Trade” connotes simplicity, an object, suggesting the government thinks of the lower class citizens as valueless objects. When arriving home from school, Satrapi draws Marji as a small figure in the distance (100.2.1), symbolizing the distance in economic status between her and the maid. This proves the separation of classes and the reason why Marji, not offered a key by the government, will not go to war in hopes of using a key to paradise. When her son says “I’ll marry her” while pointing a finger at Marji (100.2.2), it grants him a “whap” from his mother (100.2.3). Her reaction to his statement shows his ignorance and naïve behavior towards the social hierarchy; a maid’s son would never be allowed to marry a girl of Marji’s status because only rich people marry rich people and only poor people marry poor people. This shows the economic difference between Marji and the maid’s son, and the wall between them through government orders. When she asks her cousin Peyman whether or not the government offers his school the keys to paradise, he replies, “Keys to what?” (100.3.3) implying his equally high economic status. This suggests the government values upper class citizens more than lower class citizens. Satrapi also contrasts Marji and the poor boys in between the bombing panel (102.1.1) and the party panel (102.2.1) where Marji dances with her friends at Peyman’s birthday party. She jumps from discussing dying boys to having fun at a party to imply a difference between the poor and
To begin with, Satrapi writes Persepolis from a child’s point of view. Young Marjane Satrapi displays the characteristics that any child might have. She is simple, innocent, and easily influenced. For example, when her parents are demonstrating against the king, Marjane Satrapi says, “As for me, I love the king, he was chosen by God” (Satrapi 19). Her teacher tells her this, and she believes her teacher because Marjane Satrapi is a child and, in all innocence, will believe anything because her teacher, in her eyes, knows everything. Situations such as this show the influence of authority on her as a child because the teacher is an authority who tells Satrapi a misleading fact and Satrapi believes her, or is influenced by ...