Making It: Success in the Music Industry

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Many people have dreams of being a part of the music industry and becoming successful musicians, but do not seem to do the research necessary to make the dream come true. The music industry is a branch of the entertainment industry and is where music, whether it is recordings or performances, is distributed and sold to the public. One of the problems is that people do not realize the risks that come with being a part of the music industry and being a musician. There are many factors that come into play when deciding to pursue a career in the music industry. Factors would include having noteworthy knowledge of music, originality, publicity, and business entitlement. To even begin thinking about a successful career in the music industry, having an excellent base knowledge of instruments, or music in general, is key. One thing that everyone must do is summarized in one simple word called “practice”. While it may seem cliché to hear this, it is one thing most people lack of and seem to find is not as important as other factors. A way to approach practice effectively is to first find a suitable music teacher that gives quality lessons and connects with their students. The only way to make practice count is to practice in a way that improvement is shown and time is not wasted. Even with practice, however, one must also have the drive and persistence to allow themselves to weather through tough times of hard to learn skills. The key to remember is that there is always room for improvement. In the article “Not Your Ordinary Rockers”, Brandon Boyd, lead singer in the band Incubus, describes his music career. Josh Tyrangiel, writer for Time magazine, conducted the interview of Brandon Boyd. Brandon states, “We learned to play our instrum... ... middle of paper ... ...on: Sceptre, 2001. Print. Dunn, Jancee. “Brandon Boyd of INCUBUS.” Rolling Stone 850 (2000): 26. Academic Search Premier. EBSCO. Web. 19 Jan. 2011. Janssens, Jelle, Stijn Vandaele, and Tom Vander Beken. “The Music Industry on (the) Line? Surviving Music Piracy in a Digital Era.” European Journal of Crime, Criminal Law & Criminal Justice 17.2 (2009): 77-96. Academic Search Premier. EBSCO. Web. 20 Jan. 2011. “Sterofame Combines Music With Social Networking.” Canadian Musician 30.5 (2008): 17. Academic Search Premier. EBSCO. Web. 22 Jan. 2011. Bhattacharjee, Sudip, et al. “Re-Tuning the Music Industry—Can They Re-Attain Business Resonance?” Communications of the ACM 52.6 (2009): 136-140. Academic Search Premier. EBSCO. Web. 27 Jan. 2011. Tyrangiel, Josh. “Not Your Ordinary Rockers.” Time 158.20 (2001): 104. Academic Search Premier. EBSCO. Web. 25 Jan. 2011.
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