Lysistrata is an original comedy written by Aristophanes and performed in 411 BCE. This was two years after the Athenian defeat against Sparta in the Sicilian expedition, after a 21-year long Peloponnesion war between Athens and Sparta. The name Lysistrata means “releaser of war” or “arm disbander.” Lysistrata is about women’s effort to end the war between Athens and Sparta, much like the one that was occurring at the time. In order to end the war, Lysistrata convinces the women of Greece to withhold sexual privileges from their husbands. Overtime, this play write has been geared to spread a message on feminism and antiwar efforts. The plays original theme can be debated, whether it was originally feminism, pacifism, or sexual stereotyping. …show more content…
Back in the early 1900s, people were more conservative, so having performers with erected phalluses would have required censorship. Around the 2000s was when it widely seen in the performance, as well as other aspects in order to make it more comical. Throughout the years, there were countless number of productions each with the director taking different approaches, due to the messages that the play was seeking to convey, or that they are attempting to have the audience depict. The themes of feminism, pacifism, or sexual stereotyping, can allow for theatrical elements such as costumes, lighting, sages, and even the script to change. For example, during the development of the Lysistrata Project, Ghada Amer, Palestinian playwright and director, discussed a switch of gender roles in the chorus of the play. The female chorus would have been played by men to emphasize that women in male dominated society do not have self-possession but are what men want them to be. “The men playing the female chorus would also wear hoods, to depict headless body, wearing hoods, exposing a headless body, in contrast to the male characters whose heads will be uncovered. This choice allows us to appreciate an alternative perspective of male domination over woman as a domination of the mind over the body. (Kotzamani, 2006)” Through different theatrical details, the message of the play can be interpreted differently. The comedy of Lysistrata that continues to be performed, each with its own style. The production not only gives a good laugh, it also leaves the audience with a
In her essay on, “Athenian Women,” Sarah Ruden points out that Aristophanes in Lysistrata portray women as supportive of Athenian institutions and eager to save them. But she cautions, “To do this now they must flout law, religion, and every notion of public decency – and this is definitely no reflection on women’s attitudes, but mere satirical farce and fantasy” (Ruden 107). An important element of “satirical farce” in this spirit would be a heavy use of repetition to make people laugh at the weakness being satirized. One example would not be enough, and the audience might not be amused by less than three or four examples. So in important episodes that fill out the action of the play, we have 4 examples of women beating guards,
The author talks about the meaning behind the two pieces, Doryphoros (Spearbearer) and Aphrodite of Knidos. He begins by going into the basic history of what men and women at the time were expected to do during their short lived lives. He paired these two pieces because of the masculinity and femininity that divides and unites the two classical Greek sculptures. Stewart talks about genders and the gender roles that were expected of men and women at the time the artwork was made in ancient Greece. Both pieces are linked to power and vulnerability. The author goes into full detail throughout his research, giving background, reasoning, and explanation between the importance of the pieces, linking them to the important of idealized perfection.
In a modern day production of Lysistrata, a director’s role would involve the overseeing of the whole play making course and ensuring that all the cast members realize the vision of the production. This role covers all the steps of production from the interpretation of the script to the final performance. This means that the director has a say over a range of disciplines and has to have artistic vision. Lysistrata was produced in 411 B.C., at a time when Athens and Sparta had just concluded a two-decade long war and the general population was in despair. Comedies such as these were used then to communicate instructions to the people (mbc.edu). This essay will focus on the scene where Lysistrata has gathered all the women to convinces the to withhold sex from their husbands until they sign a peace treaty.
L’Avventura focuses on a group of mostly wealthy, bored and spoiled young adults; none of whom have fulfilling relationships, jobs, or general purpose in their lives. This is the perfect class of people that represent living an existential life. The first character introduced is Anna, a young woman who is in a constant state of existential angst. She is a disoriented individual who does not understand the world or her purpose on it. Antonioni uses couples in the film to explore issues of gender dynamics and relationships. He views the two binary sexes as natural enemies because they can never understand one another. The sexes are brought together by the certain force of attraction, which will inevitably lead to many tribulations. This also
Persepolis is a coming of age story written by Marjane Satrapi in 20001. Depicting a young girl growing up during the religious revolts in Iran. Throughout the story the main character loses her innocence. The author uses the appeals of genre, ethos, pathos, and logos, historical context, and illustration to depict the loss of innocence in the main character.
Aristophanes was a craft comedy poet in the fourth century B.C. during the time of the Peloponnesian War. Aristophanes’ usual style was to be satirical, and suggesting the eccentric. The most absurd and humorous of Aristophanes’ comedies are those in which the main characters, the heroes of the story, are women. Smart women. One of the most famous of Aristophanes’ comedies portraying powerfully capable women is Lysistrata, named after the female lead character of the play. It depicts Athenian Lysistrata and the women of Athens teaming up with the women of Sparta to force their husbands to conclude the Peloponnesian War. The play is a comedy, which appears to be written for the amusement of men. The play can be seen as a historical reference to ancient Greece, but it seems highly unlikely that women would talk with such a crude sexual tone. Instead Lysistrata is strictly a satirical play written maybe even to make men doubt the innocence of a woman.
In the story “Recitatif” author Toni Morrison, published in 1983, tells a story of two young girls, Twyla and Roberta, with two different ethnicities, who grow up in an orphanage together. Due to the fact that the story is narrated by Twyla, it seems natural for us the readers to associate with this touching story, as many of us have encounter racial discrimination back in the 1980s, making it clear that Morrison states the two girls grow up to always remember each based on the similarities and the childhood they both encounter together, come from different ethnic backgrounds, and as the story reveals, destiny is determined to bring the girls’ path together.
Lysistrata, first produced in 411 B.C. is a play that represents the frustrations that Athenian women faced due to the Peloponnesian War. Lysistrata, an Athenian woman is the play's heroine; her name is significant in itself, as it means "she who disbands the armies" (Page 467, footnote 2). With the aide of other Athenian women, Lysistrata organizes a "sex strike" in an effort to cease further violence and bring peace between Athens and Sparta. Eventually, her campaign is adopted by the women of Greece, and the efforts of the Athenian women are successful. Lysistrata is not only a leader for Athenian women; she is also bold and does not represent the stereotype of traditional, domestic Athenian women.
A first comparison of violence between The Medea and Lysistrata leads to an important and ironic conclusion. In The Medea, violence is a pivotal component of the story's message. Medea herself is easily the most physically violent character in the story, and her methods in its plot resort to pain and death when there is conflict in need of resolution. Despite this, the actual tension in the story is not born of violence; rather, it is born of love and social strife. Jason, Medea's husband, is taking a n...
In Greek classics, it is common knowledge that in that era women and men were considered unequal. Men were superior, and in most cases women were not even fit for citizenship. It is in this atmosphere and time period that Aristophanes wrote Lysistrata. The play itself is supposed to be a comedy, although the actions of the women do not seem amusing. Instead, the women’s actions, especially the main character Lysistrata, seem incredibly brave. Lysistrata rounds up her “troop” of all the women in Athens and a Spartan woman. They take charge of the acropolis and refuse to settle for anything less than a peace treaty to end the war. The only problem with this is, in ending the war, they will be bringing back the men from their duty and end up in the same social caste system as they were from the beginning. Aristophanes seems to make the point that – the only power women hold is their sexuality (Rex Par. 7). The Athenian women can withdraw from their husbands for however long they like, they still end up givi...
“Lysistrata” is a tale which is centered around an Athenian woman named Lysistrata and her comrades who have taken control of the Acropolis in Athens. Lysistrata explains to the old men how the women have seized the Acropolis to keep men from using the money to make war and to keep dishonest officials from stealing the money. The opening scene of “Lysistrata” enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this overused expression, housewife character. The audience is met with a woman, Lysistrata, who is furious with the other women from her country because they have not come to discuss war with her. The basic premise of the play is, Lysistrata coming up with a plan to put an end to the Peloponnesian War which is currently being fought by the men. After rounding up the women, she encourages them to withhold sex until the men agree to stop fighting. The women are difficult to convince, although eventually they agree to the plan. Lysistrata also tells the women if they are beaten, they may give in, since sex which results from violence will not please the men. Finally, all the women join Lysistrata in taking an oath to withhold sex from their mates. As a result of the women refraining from pleasing their husbands until they stop fighting the war, the play revolves around a battle of the sexes. The battle between the women and men is the literal conflict of the play. The war being fought between the men is a figurative used to lure the reader to the actual conflict of the play which is the battle between men and women.
Lysistrata is portrayed as a typical commander of war that gives orders and does not take part in the war. While being the mastermind behind the sex strike, she is able to separate her self from the other women in her ability to resist her attraction for men. The women are used as pawns by this cunning and powerful, Lysistrata, who is victorious in establishing peace in Greece.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
Virgil’s Aeneid adopts Homeric material by combining both Homeric themes to create a double theme and by following a similar plot found in both the Iliad and the Odyssey. Virgil has also in a way adapted Homeric material by having Aeneas embark on a journey similar to Odysseus’ but different in its own way. As well as, through the utilization of fate and destiny that play a vital role in Aeneas’ journey. However, Virgil has the upper hand in his writing of the Aeneid because he was literate, along with the fact that he was capable of reading both Homeric poems rather than listening to them as was done in the past. This allowed Virgil to study both poems in depth and develop his character, Aeneas, in a new and profound way.
... convey deeper themes of life and death, the struggles between power and class structure and also the societal differences between men and women. Aristophanes uses humor to hook his audience into his play, and then undermines the surface humor with much bigger thematic issues. If this play had simply been about women withholding sex for other reasons such as wanting more money for shopping or other frivolous ideas it would not then be considered a satiric comedy. Satire requires more than physical humor. An issue must be raised such as the life and death theme that is seen in the war in Lysistrata, and a solution must then be made. Aristophanes created the women in the beginning to be bickering, unintelligent, and self-centered people. But in the end it was their idea and compromise that ended the war.