Lynne Ramsay's Film We Need To Talk About Kevin

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In Lynne Ramsay’s film of the book We Need to Talk About Kevin by Lionel Shriver, we meet a child who shows nothing but hatred and malice, one that could even be described as “pure evil.” From the very start, Kevin expresses no love or affection to the one that gave him life, only an unnerving malice, seemingly unthinkable to come from a toddler. He does not push his mother away, but instead finds new ways to play with her mind. Manipulating her every thought and weaving his way into every fragile crevice. Which brings us to the question: if the link between parent and child is somewhat strained, could that be the result of evil acts the child may commit, or could it be the cause?

From the very beginning, it is safe to say Kevin was …show more content…

Kevin was only able to truly be himself around his mother; lying about himself was not something he was capable of doing with Eva, he never had to 'fake' positive emotions in front of her. When with his father, however, he had to play the perfect son. Franklin was so dead-set on having the ‘perfect’ ‘ideal’ American family, he turned a blind eye to the things Kevin had done to his mother with a simple, “boys will be boys.” In turn, Kevin would play video games with Franklin, practice using a bow and arrow, the typical father-son bonding. Kevin might’ve even felt some form of admiration towards his mother. When Eva flung him across the room, he didn’t cry but instead obeyed what she said and during one of her visits, told her that he was proud of her and that was her ‘most honest moment.’ Kevin and Eva are similar in the sense that they are both resentful, judgmental, intelligent yet highly difficult people who pushed back against each other and refused to give in when they perceived a lack of love from the other. The eventual divorce between Franklin and Eva could have been what led to his last incident. The divorce would mean that Franklin would have custody of him and that would be hell for Kevin since he’d have to keep up the act of being perfect. He let Eva live because he ‘wanted the audience to be alive for the

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