Louise Dahl-wolfe, was a american photographer known for her work in fashion photography. Louise's style of photography was based on fashion. She had a signature aesthetic style, straightforward and clear in focus because she mainly worked in magazines Her style characterized and reflected that. Louise did a lot of fashion photos for the magazine cover of bazaar. Dahl-wolfe influenced many people and supported a new era of women's fashion.
Louie shot with a lot of natural lighting and for a fashion magazine photographer that wasn't seen as that common.
Louise shot a lot of straight photography. I personally like her photographs because i love fashion and i like to take fashion photos of my friends. She shot a lot of black and white photos that
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I think this photo really describes here because it is a beautiful black and white photo which she does alot and it has a really good contrast. Louise had photographed many famous women. I think what interests me the most about louie's photographs is how she captures almost a candid moment with her models, they pose with such a vogue image, they are almost never looking at the camera.
Another image of louise's i find interesting is herimahe “twins on the beach, 1955” because i love how they are poor and how they look identical within the posed and how their pose sort of draws you to the center of the photo to me. Also the way louise photographed them is very symmetrical.
A third photo i admire of hers is her “dior ballgown,paris,1950” i love how the light is shining on the model lighting up her face and dress leaving the back minorly lit making her pop out . i love the way the model reflections in the mirror thanks to the light.
To critique louise's work i would first say that i would have liked to see most of her black and white photographs in color. The artworks she had done in color for fashion magazines were so amazing to me from her style that i
Perhaps the most highly regarded of all Canadian portraits, the rendering of this mysterious woman sparks our curiosity through her captivating eyes and coy smile. She reappears in many of Varley’s paintings, and photographs by John Vanderpant, and later Harold Mortimer Lamb. An inspirational muse to many famous Canadian artists, her own worth as an artist is often underrated.
Both artists dressed as lesbians because it affected the way they shaped art and understood it in their future art education. Brooks was empowered by the lesbian identity and was able to paint lesbian portraits for those who attended Barney’s literary salons (Lampel, 6). As for Gluck, she had no interest in complying to society’s standard traditions for women. She was wealthy and always dressed exceptional like a well presented man. Her lesbian identity left E.A.Hoppe, photographer of The Royal Magazine, with an awe that she exerted an innovative sense of style that depicts her strength, determination, character, and success as an artist (Lampel, 7). She fell in love Nesta Oberner, who influenced her in a lot of her paintings. Gluck’s marriage with the woman left society with paintings that described her lesbian relationship and unconditional love they had together until she died (Lampel,
The pictures say a lot, however, with petite information. The artwork she displays are somehow complex, and one gets to understand their meaning over time as she uses vivid imagination to bring out facts and fiction together.
Muriel King showed us Fashion in a way never seen before but showed us her creativity in another art form painting.Muriel did many things to contribute to the fashion industry today.She was one of the first known woman fashion designers in America.Her career in the fashion industry lasted for over four decades.Her artwork traveled the world and inspired other people to show their creativity.She used one type of art and formed it into another form creating a masterpiece.She traveled around the world and worked with big fashion companies sharing her artwork. Muriel was born in the Bay view,Washington in 1900.She went to school as an art student and went to the University of Washington.She learned a lot at the university and had the chance to experience designing costumes.She would on the side design theater costumes.That is when her whole fashion career started.She moved to New York in the early 1920’s to start her designing career.She started off with becoming a fashion illustrator for the magazines Vogue and Harper's Bazaar.In 1932 she opened up her own shop at East 61st Street in N...
The photograph depicts a mother and daughter sitting at the dining room table applying makeup together. This tender moment displays the mother at the head of the table and the daughter is to her right(your left). The two are both applying lipstick with their right hand and have their makeup scattered on the table. The daughter has a smaller mirror than her mother. The black and white photograph has grey tones ranging from black to white.
Born in Glen Ridge, New Jersey, Cindy Sherman grew up in suburban Huntington Beach on Long Island, the youngest of five children and had a regular American childhood. She was very self-involved, found of costumes, and given to spending hours at the mirror, playing with makeup (Schjeldahl 7). Cindy Sherman attended the state University College at Buffalo, New York, where she first started to create art in the medium of painting. During her college years, she painted self-portraits and realistic copies of images that she saw in photographs and magazines. Yet, she became less, and less interested in painting and became increasingly interested in conceptual, minimal, performance, body art, and film alternatives (Sherman 5). Sherman’s very first introductory photography class in college was a complete failure for she had difficulties with the technological aspects of making a print. After her disastrous first attempt in photography, Sherman discovered Contemporary Art, which had a profound and lasting effect on the rest of her artistic career (Thames and Hudson 1). Sherman’s first assignment in her photography class was to photograph something which gave her a problem, thus, Sherman chose to photograph her self naked. While this was difficult, she learned that having an idea was the most important factor in creating her art, not so much the technique that she used.
Throughout history art has played a major role in society. It started out with paintings and went to photography and eventually to films. Artistic interpretation depended on whom the artist was and what he or she wanted to present to the audience. When it came to portraiture, whether it was paintings or photography, the idea of mimesis was very important. However important this may have been, the portraits were mostly products of the media and fashions during that time period. Whatever was popular during the time was used such as columns or curtains in the background. The face was the main focus in the painting and there was little focus on the body. Later on during photography the body was focused on more. Even though photography was used much later after paintings were used, it allowed the artist even more artistic interpretation because of the ability to play a different role and not having to be ones self. The artists that will be focused on are Frida Kahlo and Cindy Sherman. They lived during different periods and their artistic intentions varied because of that. They also had similarities in that they thought outside of the conventional roles. These women were both self-portraiture artists and although they were considered that their interpretations did not always make their portraits self-portraits. Traditionally the artist was an outsider, but when it came to self-portraiture they became the subject and the audience became the outsider. The similarities and differences of Frida Kahlo and Cindy Sherman’s art were tied into the strength and also vulnerability they had because of their roles as women. They wanted the audience to see a background story to the portraits and not just an image of a beautiful face.
Alice Neel’s painting Suzanne Moss was created in 1962 using oil paint on canvas. As the title suggests, the painting depicts a woman’s portrait. Now resigning in the Chazen Museum in Madison, WI, this portrait of a woman lunging is notable for the emotional intensity it provokes as well as her expressionistic use of brush strokes and color. The scene is set by a woman, presumably Suzanne Moss, dressed in dull back and blues lounging across a seat, staring off to the side, avoiding eye contact with the viewer. The unique style and technique of portraiture captures the woman’s piercing gaze and alludes to the interior emotions of the subject. In Suzanne Moss, Alice Neel uses desultory brush strokes combined with contrast of warm and cool shadows
Judy Chicago comments in her essay that she “had been made to feel ashamed of her own aesthetic impulses as a woman, pushed to make art that looked as if it had been made by a man.” The idea that female artists were not permitted to draw from their personal experiences completely undermines the basis of what art is. Art provides context of culture: it adds meaning and relevance to the time that it was created, and the artists’ personal experiences is what drives the artwork, and society, forward. Chicago’s blatant truths about women and their art in the early 70’s describes the struggles of walking between the worlds of femininity and the regular world talked about by Woolf. It’s impossible to deny the importance of femininity. If one is not
In the Woman with Shopping you see a new mother carrying grocery bags in both hands while her infant is wrapped up in the front of her long coat looking up at her. She has the look of exhaustion which is captured beautifully. This woman looks so relatable with her hair thrown up and
... plays a major part. The pattern adds to the absurdity of the two girls; their expressions are both totally different. It's actually really hard to tell what this picture is even supposed to be about exactly, but I guess I just love all the colors and the beautifulness of the photograph as a whole.
It was not until a trip to Japan with her mother after her sophomore year of studying painting at the San Francisco Art Institute that Annie Leibovitz discovered her interest in taking photographs. In 1970 Leibovitz went to the founding editor of Rolling Stone, Jann Wenner, who was impressed by Leibovitz’s work. Leibovitz’s first assignment from Wenner was to shoot John Lennon. Leibovitz’s black-and-white portrait of Lennon was the cover of the January 21, 1971 issue. Ironically, Leibovitz would be the last person to capture her first celebrity subject. Two years later she made history by being named Rolling Stone’s first female chief photographer. Leibovitz’s intimate photographs of celebrities had a big part in defining the Rolling Stone look. In 1983 Leibovitz joined Vanity Fair and was made the magazine’s first contributing photographer. At Vanity Fair she became known for her intensely lit, staged, and alluring portraits of celebrities. With a broader range of subjects available at Vanity Fair, Leibovitz’s photographs for Vanity Fair ranged from presidents to literary icons to t...
... influence on English society and the rest of the world, and peaked a large amount of interest in her and her peoples lifestyle (Fromm, Web). Being shown on many different occasions in forms of art, in a way that related her to the culture of the artist, showed that she successfully promoted interactions between people, even in her role as a muse after her death (Fromm, Web).
Born to Nettie Lee Smith and Bill Smith on December 18, 1918 in Wichita, Kansas was William Eugene Smith, who would later revolutionize photography. His mother Nettie was into photography, taking photos of her family, especially her two sons as they grew up, photographing events of their lives (Hughes 2). Photography had been a part of Smith’s life since he was young. At first it started out always being photographed by his mother, and then turned into taking photographs along with his friend Pete, as he got older. They often practiced developing photos in Nettie’s kitchen, and he later began to create albums with his photographs. His photographs diff...
Women desire to become beautiful and powerful, even if they don’t say it in words. And the Photographer plays with that concept and creates that desire, that you can become that person you see in the photograph. And live that lifestyle. Photographers use techniques from the cinema/cinematic, to create the desire of viewers/Buyer/Consumers. The cinematic techniques made it possible the way people lived and the...