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Comparative stylistic analysis
Examine the lmportance of style in literature
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The Mathematics of Languages
Hassan Ajami
All languages could be successfully analyzed in terms of mathematical equations. In this sense, language is mathematics. This thesis enables us to explain why languages usually have different word orders, and why any language could be highly flexible.
Different Word Orders and Flexibility
Many scholars, such as Russell Tomlin and Jae Jung Song, discussed the diverse word orders of languages. Yet the fact that many languages have distinct word orders could be explained through discovering
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And in fact it is. Whitman says in his poem "Starting from Paumanok": "And a song make I…". Here, "song" is the object, "make" is the verb, and "I" is the subject. Therefore, this poetic verse is formed in light of the equation O+V+S, indicating that this equation is a grammatically correct equation of English language. In addition, since S+V+O constitute a grammatically accurate equation, it mathematically follows that V+S+O is a correct equation as well. One example of forming a statement in accordance with the mathematical and linguistic equation V+S+O is found in Longfellow's poem "The Skeleton in Armor". In this poem, Longfellow says: "Built I the lofty tower". In this verse, "Built" is the verb, "I" is the subject, and "tower" is the object. Here, Longfellow puts the verb at the beginning, followed by the subject and then the object. This indicates that this poetic verse is formed in light of the equation V+S+O. All of this shows that language is mathematics, and it is constructed and used in accordance with mathematical equations. And the fact that the relationship between the subject, verb and object is mathematical in the previous manner explains why any language, such as English, could be flexible in the sense that it could be formed in accordance with the equations S+V+O, O+S+V, O+V+S and …show more content…
For instance, in his poem "The Skeleton in Armor", he says: "Wild was the life we led". Here, "wild" is the adjective, "was" is the verb, and "life" is the subject. Similarly, in the same poem, he maintains that "Fairest of all was she". In this verse, "Fairest of all" is the adjective, "was" is the verb, and "she" is the subject. And this poetic verse is clearly built in accordance with the equation A+V+S. Other examples are from his poem "The Wreck of the Hesperus", such as his verses: "Blue were her eyes", "Colder and louder blew the wind", and "A frozen corpse was he". From the same perspective, since S+V+A are equal to grammatically accurate statement, it mathematically follows that A+S+V should also be grammatically correct. And in fact it is. For instance, Longfellow states in one of his poetic verses: "Loud then the champion laughed". Here, "Loud" is the adjective, "the champion" is the subject, and "laughed" is the verb. This poetic verse is, obviously, formed in light of the equation A+S+V. All of this reveals that the distinct linguistic structures could be successfully analyzed as mathematical
First, I will illustrate how structure is being used in the poem and ties into the speculation. Structure of a poem is very important. The structure of a poem focuses on having a beginning, middle, and end to give a poem a clear meaning. The speaker starts the poem with “You can always start with the was of things,” trying to illustrate when writing a poem it is good to begin with jotting down the things
First, a brief background in the three dimensions of language discussed throughout this paper. The functional, semantic, or thematic dimensions of language as previously mentioned are often used in parallel with each other. Due, to this fact it is important to be able to identify them as they take place and differentiate between these dimensions i...
C. Connotations:The poem is written in free verse with no rhyme or rhythm to be
Kistner, A. L. and M. K. Kistner. “The Five Structures of ‘The Changeling’.” Modern Language Studies 11.2 (1981): 40-53. Accessed March 29, 2014.
Michael Theune, “’One and One are One’…and Two: An Inquiry into Dickinson’s Use of Mathematical Signs,” The Emily Dickinson Journal 10.1 (2001) 99-116.
Johnston, F., Bear, D., & Invernizzi, M. (2004). Words their way: Word sorts for letter
The Life of Language: Papers in Linguistics in Honor of William Bright. Berlin [etc.]. Mouton De Gruyter, 1998. Print. The.
Edgar Allan Poe once said, “I would define, in brief, the poetry of words as the rhythmical creation of Beauty”("BrainyQuote"). Poe has been known for his fantastic and eerie short stories, but he also wrote poetry. In fact, it was poetry that started his career. Throughout Poe’s life, poetry was a big part of him, and with his passion he created great works like “The Raven”. With Poe’s life story, poetic vision, and great poems, he has changed the literary world forever.
rhyme. The poem has an A B A C D E A D rhyme. For instance, the words "Sense,"
Sounds as well as thoughts have relation both between each other and towards that which they represent, and a perception of the order of those relations has always been found connected with a perception of the order of the relations of thoughts. Hence the language of poets have ever affected a certain uniform and harmonious recurrence of sound, without which it were not poetry, and which is scarcely less indispensable to the communication of its influence, than the words themselves, without reference to that peculiar order. (Shelley 92)
It is imperative for us, especially all poets and writers of prose that use language to express figurative meaning, to critique this theory because it only decreases creativity and denies that artist say anything beyond the literal with their words and metaphors. Davidson's ideas violently affront to the purpose of our craft. If we become completely dependent upon objective, literal meaning and learn to reject subjective, figurative meaning in words, we will consequently become less human and more detached from the world, from our natural surroundings, from our fellow human beings, and from the spontaneous, creative voices deep in our guts that often speak of truths literal expression cannot capture.
to the reader. By doing this, the author opens up lots of verbs to be
“Look not mournfully into the past. It comes not back again. Wisely improve the present. It is thine. Go forth to meet the shadowy future, without fear, and with a manly heart.” This is a saying Longfellow read in Germany where his wife died. The words gave him hope for the future. It inspired him to want to write a series of psalms. The first one, “A Psalm of Life” written by Henry Wadsworth Longfellow, is an uplifting poem that compels us to feel hope for the future. After reading it the first time it had a powerful effect on me. Surprisingly, he wrote this poem few months after his first wife died. Longfellow took his wife’s death and interpreted it as a sign to look at life as fleeting and it passes quickly. I feel that Henry Wadsworth Longfellow, after his wife’s death, had an optimistic view on life in the poem, “A Psalm of Life”.
...oved and the Moniyhan Report." Modern Language Association 111.3 (1996): 408-20. JSTOR. Web. 11 June 2013. http://www.jstor.org/stable/463165.
The evolution of languages is constant even though minor and major changes are not usually apparent unless looking at the broader picture over a long period of time. Vocabulary is lost in the process, pronunciation and syntax are changed, and more vocabulary is added. Any language in the world has evolved from another, and most of these proto languages have suffered extinction. The Indo-European macro-family has seen this evolution and it has given rise to smaller micro-families that are each derived from a common ancestor. The Proto-Indo-European, in which the ‘proto’ stands for a reconstructed language from evidence that was given at a later point in time, gave rise to the Indo-European branch of the language tree, which in turn has been subdivided into ten different micro-families including Celtic, Germanic, Italic, Balto-Slavic, Balkan, Hellenic, Anatolian, Armenian, Indo-Iranian, and Tocharian (Slocum). In addition, each of these families is broken up based on the common language that is shared. The purpose of this paper is to discuss the Italic branch of the Indo-European language family, which is further split into Latino-Faliscan, Osco-Umbrian, and Romance.