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In the poems of Emily Dickinson, there are many instances in which she refers to her seclusion and loneliness, and how wonderful the two can be. In a book entitled, Emily Dickenson: Singular Poet, by Carl Dommermuth, she writes: "She (Dickinson) apparently enjoyed a normal social life as a school girl, but in later years would seldom leave her home. She was passionate yet distant." This distance Dommermuth speaks of is quite evident in Dickinson's works. Dickinson not only loves her loneliness but also feels as though she cannot live without it.
Emily Dickinson lived most of her time on this earth, from 1830-1886, in the small New England town of Amherst. New England was where the seeds of Puritanism took hold, and the Dickinson family was well-rooted there, and could trace their roots back to the "Great Migration" of Puritans to New England in 1630. The Dickinson's had experienced what became known as the "Great Awakening" of 1740. They were followers of the Puritan Minister Jonathan Edwards, who's "fire and Brimstone" preaching proclaimed all people as sinners at the mercy of an angry God. "The conjured images of souls burning in hell as punishment for sin was bound to have a profound impression on the timid Miss Dickinson." (Farstad)
Reading the poetry and letters Dickinson has written, it is easy to feel her seclusion and apprehensiveness to be alone. Dommermuth also says that Dickinson would probably have been diagnosed with an anxiety disorder known as "agoraphobia" but at the time doctors labeled it as "female nerves." Even so, whatever went on in the mind of Emily Dickinson in turn created poems that are not only beautiful to read, but even more beautiful to understand. "Her seclusion contributed to h...
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...- My Blue Peninsula --
To perish -- of Delight --
The final stanza creates a vivid picture in your mind when read. If you can imagine anything that has to do with winning, or a victory of some kind, you can see what she is speaking about. For example, if someone was in a race, it would be better to see the winner cross the finish line, and know you almost made it; than to be so far behind that you had no chance of winning.
A peninsula is a piece of land projecting out into the water, so a `blue peninsula' would be the opposite. It would be an inlet of water that is connected to another body of water. Maybe she is looking at this body of water as an escape. Instead of swimming towards land and safety, Dickinson wants to swim away from everyone and out into the ocean. This poem deeply touches Dickinson's needs, want, acceptance, and love for loneliness.
...Dickinson has for the most part conquered her fears. As the second poem gave us the unsettling idea that the author of the poem we were reading was afraid to compose poetry, this poem shows us her coming to terms with that. Her list of creatures blessed with wonders they had not dared to hope for extends quite naturally to include her. She has come to her “Heaven” through poetry—“unexpected”, but eventually with confidence brought about by the trials dealt with throughout the fascicle. The poems are very closely linked, each one showing us some new aspect of Dickinson’s personality that leads toward her confidence. Finally, Dickinson has found her voice and in this final poem proclaims that she has found a peace to which she had not dared aspire at the beginning. Now she has both nature and poetry within her grasp—this is “Heaven” and “Old Home” all at once.
Dickinson was born on December 10, 1830, in Amherst, Massachusetts, where she spent most of her life with her younger sister, older brother, semi-invalid mother, and domineering father in the house that her prominent family owned. As a child, she was curious and was considered a bright student and a voracious reader. She graduated from Amherst Academy in 1847, and attended a female seminary for a year, which she quitted as she considered that “’I [she] am [was] standing alone in rebellion [against becoming an ‘established Christian’].’” (Kort 1) and was homesick. Afterwards, she excluded herself from having a social life, as she took most of the house’s domestic responsibilities, and began writing; she only left Massachusetts once.
away, and we knew that with nothing left, she would have to cling to that which had
This article is about how the author was “listening to a book-on-tape of poems and letters by Emily Dickinson, the author found in one letter that she admits to an experience of ‘terror’ she ‘could tell to no one” (Ancher). After the author had read and looked into her life and her poems, because he wanted to understand “Dickinson’s ingenious artistry in light of her mental illness or ‘terror’” (Ancher). I wonder if this means that she used her poems to express herself, and her writing was almost an escape for her. Once the author studied more of her adult life he found that she was having panic attack which led to her mental illness, panic disorder.
Emily Dickinson is a self-described "Nobody". Although she wrote thousands of poems, most of them were not published during her lifetime. Born in the 19th century, she was extremely well educated for a woman of her time, and she attended school from primary school up to her first year of college, when she ultimately left for unknown reasons. This allowed her to explore her love of the sciences and nature, especially botany. Despite having many friends, whom she kept in touch with through letters, she became a recluse during her later years, which scholars now suspect was caused by mental conditions such as agoraphobia, depression, or anxiety. However, her years of seclusion led to the creation of hugely imaginative and thought provoking poems.
Emily Dickinson was a polarizing author whose love live has intrigued readers for many years. Her catalog consists of many poems and stories but the one thing included in the majority of them is love. It is documented that she was never married but yet love is a major theme in a vast amount of her poetry. Was there a person that she truly loved but never had the chance to pursue? To better understand Emily Dickinson, one must look at her personal life, her poems, and her diction.
“By the early 1870’s Emily’s ailing mother was confined to her bed and Emily and her sister cared for her. Around the time her father Edward died suddenly in 1874 she stopped going out in public though she still kept up her social contacts via correspondence, writing at her desk in her austere bedroom, and seemed to have enjoyed her solitude” (Online Literature). When she was still young she lost her parents at a really young age, this must have been a really hard time for her. This just showed that Dickinson had a very hard and unstable life.
Much has been said about Emily Dickinson’s mystifying poetry and private life, especially during the years 1860-63. Allegedly it was during these years that the poetess, at the most prolific phase of her career, withdrew from society, began to wear her “characteristic” white dress and suffered a series of psychotic episodes. Dickinson tended to “theatricalize” herself by speaking through a host of personae in her poems and by “fictionalizing” her inner life as a gothic romance (Gilbert 584). Believing that a poem is “the best words in the best order” (to quote S.T. Coleridge) and that all the poems stemming from a single consciousness bring to surface different aspects / manifestations of the same personal mythology, I will firstly disregard biographical details in my interpretation of Dickinson’s poems 378, 341 and 280 and secondly place them in a sort of “continuum” (starting with 378 and ending with 280) to show how they attempt to describe a “plunge” into the Unconscious and a lapse into madness (I refrain from using the term “journey,” for it implies a “telos,” a goal which, whether unattainable or not, is something non-existent in the poems in question). Faced with the problem of articulating and concretizing inner psychological states, Dickinson created a totally new poetic discourse which lacks a transcendental signified and thus can dramatize the three stages of a (narrated) mental collapse: existential despair, withdrawal from the world of the senses and “death” of consciousness.
Guthrie, James R. Emily Dickinson's Vision: Illness and Identity in Her Poetry. Gainesville: University of Florida, 1998. Print.
Emily Dickinson's Obsession with Death. Emily Dickinson became legendary for her preoccupation with death. All her poems contain stanzas focusing on loss or loneliness, but the most striking ones talk particularly about death, specifically her own death and her own afterlife. Her fascination with the morose gives her poems a rare quality, and gives us insight into a mind we know very little about. What we do know is that Dickinson’s father left her a small amount of money when she was young.
This poem is very interesting in many aspects because it reminds me of a person that I use to know. In my life I have met people just like Emily Dickinson who were mentally depressed and very unsociable. In this poem it shows how unstable her mind was in words that she wrote in her poems. I do not want people to get me wrong she was a very smart woman it was said that she attended Mount Holyoke Female Seminary in South Hadley, it also said that she was one of the best poets of all times. I do not understand were she went wrong because she lived a normal childhood in which she was very bright, witty, friendly to people, she had friends, and she went to parties. So where did she go wrong? By her early 30's she began to separate herself from everyone, even the people who she obviously loved had to speak with her from the other side of a closed door. In her life it was that she was in love with some man who died this maybe her for become very depressed. Emily Dickinson was very suicidal (meaning she tried to kill her many times, but was afraid of what it would be like).
Psychological criticism is known as the type of criticism that analyses the writer’s work within the realms of Freud’s psychological theories. Such approach can be used when trying to reconstruct an author’s position throughout their literary writings, as well as understanding whom the author was and how their mind created such works. When considering the work of Emily Dickinson, psychoanalytic criticism comes into play with the role of explaining the many meanings behind her poetry, as to make the reader relate to such poetry on a deeper level or not to who she was as a human being.
Emily Dickinson lacked of having a social life, but this aspect made her poetry unique. She most likely kept to herself in her room, and kept communication small with her family. If it were not for her not having a social life, her poetry would not be the same. I think that herself being alone inspired how her poetry is, different. Her poems express a lot of thought and feeling, which her poems do prove. She has a odd way of wording and capitalizing certain things, but it seems as if she did it for a reason. For example, her poem “ I felt a Funeral, in my Brain” she writes “ As all the Heavens were a Bell”, she capitalizes two words that seems to represent something. It sounds like she’s talking about the heavens making noise out of joy.
Emily Dickinson, who achieved more fame after her death, is said to be one of the greatest American poets of all time. Dickinson communicated through letters and notes and according to Amy Paulson Herstek, author of “Emily Dickinson: Solitary and Celebrated Poet,” “Writing was the way she kept in touch with the world” (15). Dickinson’s style is unique and although unconventional, it led to extraordinary works of literature. Dickinson lived her life in solitude, but in her solitude she was free to read, write and think which led to her nonconformity and strong sense of individualism. Suzanne Juhasz, a biographer of Dickinson, sums up most critics’ idea of Dickinson ideally: “Emily Dickinson is at once the most intimate of poets, and the most guarded. The most self-sufficient, and the neediest. The proudest, and the most vulnerable. These contradictions, which we as her readers encounter repeatedly in her poems, are understandable, not paradoxical, for they result from the tension between the life to which she was born and the one to which she aspired” (1). Dickinson poured her heart and soul into over 1,700
Emily Dickinson was an unrecognized poet her whole life. Her close family members recognized her talent, and her needs to write poetry, but the literary establishment of her time would not recognize her skill. Even though she was unrecognized, she was still quietly battling the established views through her poetry. Her literary struggle was exposed after her death since, while living, only five of her poems were published.