Liminal Spring In Tennessee Williams A Streetcar Named Desire

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Setting in all types of literature is a basic element that at a foundational level provides the reader with an atmosphere and physical place to position the characters. The setting in any dramatic work is an especially vital element since gives the players somewhere to bring to life the playwrights work. Furthermore, “The settings [the playwrights] describe are symbols that give the plays their meaning” (Barnet, Cain 210). Even a bare stage will contribute to the symbolism and theme presented on the stage. Every play ever written has been assigned a setting and each and every one has made an impact on the writing style, topics, and theme encompassed in the play. A Streetcar Name Desire has extremely detailed stage directions and explanations …show more content…

The transitional importance of spring is the time of year when things change and are revealed to onlookers. Spring is a time where to cold of the previous winter is left behind in hopes of a new start. This applies to Blanch because she left Laurel for New Orleans in hope of beginning again in a different city with no preconceived notion of her character. The dusk used throughout A Streetcar Named Desire is another example of liminal space is the dusk. Dusk represents the beginning of the end, and the death to the light of the day. This is strongly supported in scenes seven through ten. These scenes all occur on the same day, but as the sun sets and becomes dark the tension increases and stakes become higher. Additionally, scene eight is set during the “golden dusk,” and this is the portion of the play when things begin to fall apart (Williams SD preceding 8.1). This liminal space of dusk gives enough time for character to make discoveries that change the tone of the show. Conclusively Williams writes A Streetcar Named Desire in a liminal space. The play was written in a time of transformation for dramatic and literary works. Criticism arose around A Streetcar Named Desire because of the lack of a “unified generic tone,” the fact that it is a “modern tragedy” (instead of a classical Aristotelian tragedy), and the absence of common ethics (Vlasopolos). Although, Williams had to combat the criticism surrounding his work, writing something controversial in the liminal space of transforming genres propelled his work into the pubic eye, and helped it become an American classic. Liminal space gives margin for change and A Streetcar Named Desire took full advantage of the space to make a dynamic work of

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