In the novel, Life of Pi, one of the most significant way allegories are revealed in the story is Martel’s use of various animals to symbolize the key role and theme contributing to Pi’s spiritual journey. The descriptions of these non-human characters are strategically vivid making the story more compelling to help readers understand, sympathize with, and connect emotionally with the animals. Towards the end of the book, the two Japanese reporters who interviewed Pi did not believe his first version of the story and request for the truth. Thus, Pi has to reveal another version of the story by saying: “You want a story that won’t surprise you. That will confirm what you already know. That won’t make you see higher or further or differently. You want a flat story” …show more content…
These animal representations allow readers to have more pleasure reading the book with a less threatening setting rather than to read about human cruelty during Pi’s 227 days at sea. Most importantly, one of the ultimate survivors, the tiger, is not only used to symbolize part of Pi’s personality, but also portrays courage, hope and faith. In the end, Pi’s relationship with the tiger changed from fear to faith as he sees himself transforming into the tiger who courageously exhibits the same determination to survive. This faith instigates the chapter of his true spiritual journey. Nevertheless, in this trial period Martel induces a suspense between truth and fiction that brings about a tension of allegories alarming the reader’s mind wondering which survival story is the true one. Pi challenges the reporters of the same question, which may be Martel's intent for the readers, asking : “Which is the better story, the story with animals or the story without animals?” (Martel
Pi Patel in Yann Martel’s Life of Pi is a young Indian boy who is put through a tremendous traumatic experience; he gets lost at sea! Not only does he lose all his family, but he is forced to survive 227 days at sea with very limited resources. This ordeal causes great psychological pressure on Pi and causes his mind to find ways to cope with all the stress. When asked to describe what happened, Pi tells two stories: one with him surviving with animals including an adult Bengal tiger named Richard Parker, and a parallel story with humans in which Pi is forced to bend morality. Pi’s story of his survival with Richard Parker is a fiction that he creates to cope with a reality that is too difficult to face.
The reader is meant to think Pi manages to survive about a year at sea with an adult bengal tiger, and considering the reader's knowledge so far in the novel that makes sense. Amazed by this idea, the reader continues, each chapter becoming more, and more intriguing. Until just about the last chapter this novel seems almost logical, despite its unrealistic premise. Yann Martel does such a good job of conveying such convincing information about Pi’s journey with Richard Parker that there is not a thought in the reader's mind that this could just be a story. When the Japanese officials from the Ministry of Transport come, Pi tells them his unbelievable story, and to them it is too unbelievable. They ask him to tell a new story, a more realistic one. And Pi does, one that doesn’t have tigers, zebras, orangoutangs, or hyenas. Instead it is a story of Pi, his mother, the cook from the boat, and the sailor. In this new story Pi is represented as the tiger, his mother is the orangoutang, the cook is the hyena, and the sailor is the injured zebra. As it turns out Pi’s unbelievable story might not be as unbelievable as the reader originally thinks. Pi, as said in the quote above, is twisting his story to bring out its essence whether that is on purpose or
Martel introduces multiple implicit symbols throughout his novel that, though are able to be interpreted in multiple ways depending on one’s perspective, highlight the importance of religion. When confronted with the ferocity of tiger aboard his lifeboat, Pi must flee to his raft handcrafted with remnants of life jackets and oars gathered from the boat. This raft may be symbolically interpreted as a representation of his faith throughout his journey. After a dauntless attempt at training Richard Parker in order to “carve out” his territory, Pi is knocked off the lifeboat into shark infested waters with a great blow: “I swam for the raft in frantic strokes... I reached the raft, let out all the rope and sat with my arms wrapped around my knees and my head down, trying to put out the fire of fear that was blazing within me. I stayed on the raft for the rest of the day and the whole night” (Martel 228). Like the raft, Pi’s faith, constructed of portions of three separate religions, trails diligently behind his survival needs and instincts –symbolized by Richard Parker and the...
Throughout the novel, Life of Pi by Yann Martel, the notion of how the concepts of idealism and truth mold an individual’s life are vividly displayed. This is emblematized as Pi questions the idea of truth and the affects it has on different aspect of life, as well as his idealistic values being transformed due to the contrast between taking action and sheer belief. The messages generated will alter the way the reader thinks, as well as reshaping their overall perception of truth.
Yann Martel’s Life of Pi, is a fictional novel written in 2001 that explores the primacy of survival by employing symbolism, foreshadowing and motifs. This story follows the life of the protagonist, Piscine Molitor “Pi” Patel, as he embarks on his journey as a castaway. After boarding the Tsimtsum which carries Pi and his family along with a menagerie of animals, an abysmal storm capsizes the ship leaving Pi as the only survivor, though he is not alone. The great Bengal tiger, Richard Parker, also survives the shipwreck and during the 227 days that Pi and Richard Parker are stranded at sea together, the two must learn to coexist and trust one another for survival. Through Pi and Richard Parker’s struggles to remain alive, Martel explores the primal idea of survival by employing literary techniques.
...eating the zebra alive in Chapter 45. Another example of Thanatos is shown when the hyena bites a hole into the zebra and Pi feels a sense of hatred towards the hyena for hurting the zebra and he even considers attacking it. An id and ego split is also shown between Pi and Richard Parker by showing Richard Parker to be an imaginary tiger that is created by Pi in order to keep him alive and focused on staying alive. Pi eventually abandons his superego and partakes in eating meat, even though he was a strict vegetarian prior to being lost at sea. Over the duration of Yann Martel’s Life of Pi, the story relates to Freud’s theories in several ways that are made blatantly obvious; these relations are what makes this story come together to keep the reader involved and interested.
On its surface, Martel’s Life of Pi proceeds as a far-fetched yet not completely unbelievable tale about a young Indian boy named Pi who survives after two hundred twenty-seven days on a lifeboat with a Bengal tiger named Richard Parker. It is an uplifting and entertaining story, with a few themes about companionship and survival sprinkled throughout. The ending, however, reveals a second story – a more realistic and dark account replacing the animals from the beginning with crude human counterparts. Suddenly, Life of Pi becomes more than an inspiring tale and transforms into a point to be made about rationality, faith, and how storytelling correlates the two. The point of the book is not for the reader to decide which story he or she thinks is true, but rather what story he or she thinks is the better story. In real life, this applies in a very similar way to common belief systems and religion. Whether or not God is real or a religion is true is not exactly the point, but rather whether someone chooses to believe so because it adds meaning and fulfillment to his or her life. Life of Pi is relevant to life in its demonstration of storytelling as a means of experiencing life through “the better story.”
This unimaginable tale, is the course of events upon Pi’s journey in the Pacific ocean after the ship that Pi and his family were aboard crashes, leaving him stranded with a tiger named Richard Parker, an orangutan, a zebra, and a hyena. Pi loses everything he has and starts to question why this is happening to him. This is parallel to the story of Job. Job is left with nothing and is experiencing great suffering and he begins to demand answers from God. Both Pi and Job receive no answers, only being left with their faith and trust. To deal with this great suffering Pi begins to describe odd things which begin to get even more unbelievable and ultimately become utterly unrealistic when he reaches the cannibalistic island. Richard Parker’s companionship serves to help Pi through these events. When the reader first is intoduced to Richard Parker he emerges from the water, making this symbolic of the subconscious. Richard Parker is created to embody Pi’s alter ego. Ironically, each of these other animals that Pi is stranded with comes to symbolize another person. The orangutan represents Pi’s mother, the zebra represents the injured sailor, and the hyena represents the cook. Pi fabricated the people into animals in his mind to cope with the disillusion and trails that came upon him while stranded at the erratic and uncontrollable sea,
This alternate ending plays a key role in understanding how to view the novel through Freudian lenses. Freud’s theory of psychoanalysis clarifies many troubling issues raised in the novel Life of Pi. Martel’s novel is about the journey of a young man being forced to test his limits in order to survive the unthinkable predicament of being lost at sea alongside an adult Bengal tiger. Life of Pi starts out by introducing an anonymous author on a quest to find his next big story and goes to a man by the name of Piscine Molitor Patel who supposedly has a story worth hearing. Patel begins his story talking about his childhood and the main events that shaped him such as his family’s zoo, the constant curiosity in religion he sought as a young boy and also how he got his nickname Pi.
In Ang Lee’s Life of Pi, a teenage boy goes through many journeys, both physical and emotional. To tell Pi’s story Ang Lee uses various shades of colors in the setting to describe the unspoken feelings and emotions of Pi and his experiences. The color of the setting not only relays the mood and hidden thoughts of Pi as he tells his story but also a creates a new form of communication with the audience, specifically through the contrasts and lack of contrast of colors in the setting.
Choices play a prominent role in ensuring comfort and happiness in life. People make choices, which ultimately shape their lives. In Yann Martel’s The Life of Pi, the main character, Pi Patel is forced to make choices, which go against his morals, but ultimately keep him alive. This becomes clear when Pi chooses to change his person by eating meat. Pi then chooses to eliminate all personal boundaries, due to his incredible will to survive. Finally, he chooses to view all of the people on the life boat as animals in order to cope with the psychological distress of being lost at sea. When faced with choices, Pi puts all morals behind him to survive.
The novel, Life of Pi by Yann Martel, talks about a sixteen-year old man named Pi Patel, who unbelievably survives a dreadful shipwreck after 227 days with the animals in a lifeboat in the Pacific Ocean. Different ideas and themes in the book can be found in which the readers can gain an understanding about. The author communicated to the reader by using an ample amount of symbolisms to talk about the themes. The main themes of this novel are religion and faith. His religion and him being faithful have helped him throughout the journey, and this eventually led to an incredible precedent.
In Life of Pi, Pi is influenced by the decisions that animals make while onboard the lifeboat and the humanlike characters that they represent in Pi’s factual story. Many readers believe that the story of the animals is just a figment of Pi's imagination and that it was just something to keep him alive. Others believe that the story of the animals really did happen in Pi's time on the Pacific Ocean. No one will ever know what the real story of Pi's journey was, but everyone who has heard about Pi's multiple stories will have their own opinions and interpretations of what really happened.
In the first place, Pi spends more time telling the animal story, instead of the true account, which shows that he prefers a zebra, a tiger, a hyena, and an orangutan over the real people involved because with real people the tragic events must also be real. While telling his story to the two Japanese men investigating him once he
Imagine being stranded in the middle of the Pacific Ocean in a lifeboat, not alone but with some carnivorous animals, as company. The chances of survival do not seem so high, but when one has the will to survive, they can do anything to attain it. Pi Patel and his family are on their way to Canada from Pondicherry, India, when their cargo ship the Tsimtsum sinks. Pi is not the only survivor of the ship, along with him is a hyena, an injured zebra, an orangutan and a 450-pound orange Bengal tiger. Pi travels across the Pacific Ocean in only a lifeboat, with food dwindling quickly, he needs to find land and most of all survive the voyage. In Life of Pi; Yann Martel develops the idea that having the will to survive is a crucial key to survival; this is demonstrated through symbolism of the colour orange, having religion on the protagonist’s side and the thirst and hunger experienced by the protagonist.