Langston Hughes is regarded as one of the most significant American authors of the twentieth century. Foremost a poet, he was the first African-American to earn a living solely from his writings after he became established. Over a forty-year career beginning in the 1920s until his death in 1967, Hughes produced poetry, plays, novels, and a variety of nonfiction. He is perhaps best known for his creation of the fictional character, Jesse B. Semple, which first appeared in a Chicago Defender newspaper column in 1943. Hughes’ writings focused mainly on the lives of plain black people and show their beauty, wisdom, and strength to overcome social and economic injustice.
Although Hughes traveled extensively and later called New York City home, this biographical sketch focuses on his stay in Washington, D.C. from November 1924 to January 1926. Black Washington’s middle class community experienced a literary rebirth during the 1920s. Eventually, some writers took their skills to Harlem, a section of New York City widely considered to be the "Mecca" of black culture in the 1920s.
Hughes was born on February 1, 1902 in Joplin, Missouri, but grew up in Lawrence, Kansas. His parents separated shortly after his birth, because his father disliked racism and moved to Mexico. Hughes' grandmother raised him. As a teenager, he joined his mother in Cleveland after she had remarried. From 1916 through 1923, Hughes visited his father in Mexico often.
During this period, he published...
Langston Hughes is a key figure in the vision of the American dream. In his writings, his African-American perspective gives an accurate vision of what the American dream means to a less fortunate minority. His poetry is very loud and emotional in conveying his idea of the African-American dream. Most of his poetry either states how the black man is being suppressed or is a wish, a plea for equality. He does not want the black man to be better than everyone else, but just to be treated equally.
During the early to mid-twentieth century Langston Hughes contributed vastly to a very significant cultural movement later to be named the “Harlem Renaissance.” At the time it was named the “New Negro Movement,” which involved African Americans in creating and expressing their words through literature and art. Hughes contributed in a variety of different aspects including plays, poems, short stories, novels and even jazz. He was even different from other notable black poets at the time in the way that he shared personal experiences rather than the ordinary everyday experiences of black America. His racial pride helped mold American politics and literature into what it is today.
Poetry served as another form of self expression for African-Americans, similar to that of Jazz and the Blues. This form of media served the same (or a very much similar) as music did, Some notable poets include the likes of Langston Hughes, who is considered by some to be one of the most important and influential Harlem Renaissance poets of the time, James Weldon Johnson, and Claude McKay. Most notable of the three is, poet and intellectual, Langston Hughes who, in addition to writing books and plays, served to spread the emotions of African-Americans as well as himself and to make clear the ambitions and dreams of the American people within the United States. As stated by Concordia Online Education, ”Hughes wrote novels, plays and short stories, but it is his emotional, heartfelt poems that expressed the common experiences of the culture of black people for which he is most remembered”.
From the play “Trifles” written by Susan Glaspell I’ll be explaining the role of the women characters and how they were portrayed in the story. The play describes setting with homicide, mystery and dishonesty among its characters. It's a play that bases on stereotypes in relationships and attitudes between men and woman at this time in our history. The male characters play the powerful leader being for example, the sheriff, deputy and the attorney where the female characters Mrs. Peter and Mrs. Hale in a kind of seen but not heard role. Who were sent out to learn more about the details of the murder of Mr. Wright, who was found hanged in his bed.
In Susan Glaspell’s play Trifles a man has been murdered by his wife, but the men of the town who are in charge of investigating the crime are unable solve the murder mystery through logic and standard criminal procedures. Instead, two women (Mrs. Hale and Mrs. Peters) who visit the home are able to read a series of clues that the men cannot see because all of the clues are embedded in domestic items that are specific to women. The play at first it seems to be about mystery, but it abruptly grows into a feminist perspective. The play Trifles written by Susan Glaspell can be considered a revolutionary writing in it its advocacy of the feminist movement.
Like most, the stories we hear as children leave lasting impacts in our heads and stay with us for lifetimes. Hughes was greatly influenced by the stories told by his grandmother as they instilled a sense of racial pride that would become a recurring theme in his works as well as become a staple in the Harlem Renaissance movement. During Hughes’ prominence in the 20’s, America was as prejudiced as ever and the African-American sense of pride and identity throughout the U.S. was at an all time low. Hughes took note of this and made it a common theme to put “the everyday black man” in most of his stories as well as using traditional “negro dialect” to better represent his African-American brethren. Also, at this time Hughes had major disagreements with members of the black middle class, such as W.E.B. DuBois for trying to assimilate and promote more european values and culture, whereas Hughes believed in holding fast to the traditions of the African-American people and avoid having their heritage be whitewashed by black intellectuals.
Hughes started writing poetry when he was in Lincoln (“Langston Hughes”). After graduating from high school, Hughes spent a year in Mexico followed by a year at Columbia University in New York City. During this time, he acquired menial jobs but, when he moved to Washington D.C. in November 1924, Alfred A. Knopf, published his first book The Weary Blues.... ... middle of paper ... ...
Over thirty years after his death, Langston Hughes still remains one of the most influential writers of our time. His life, so full of passion due to the events he experienced from his childhood to young adulthood, is reflected in all of his written works. Heartaches and joys taught this man to understand all emotions and skill allowed him to place his thoughts on paper for the world to see, hear, and feel. A history of what Langston Hughes has lived through lies within each piece he has written.
Hughes, who claimed Paul Lawrence Dunbar, Carl Sandburg, and Walt Whitman as his primary influences, is particularly known for his insightful, colorful portrayals of black life in America from the twenties through the sixties. He wrote novels, short stories and plays, as well as poetry, and is also known for his engagement with the world of jazz and the influence it had on his writing, as in "Montage of a Dream Deferred." His life and work were enormously important in shaping the artistic contributions of the Harlem Renaissance of the 1920s. Unlike other notable black poets of the period—Claude McKay, Jean Toomer, and Countee Cullen—Hughes refused to differentiate between his personal experience and the common experience of black America. He wanted to tell the stories of his people in ways that reflected their actual culture, including both their suffering and their love of music, laughter, and language itself.
Servant Leadership, found in Chapter Ten of the text Leadership: Theory and Practice, is a paradoxical approach to leadership. It begins with the innate desire to serve first, and then lead through servant hood. Servant Leadership, originating in the early 1970s, is similar to the skills and styles approach, focusing on leadership from the leader’s viewpoint and his behavior under the leadership. Under this style of leadership, the leaders are considerate of the followers needs, empathizing with and having compassion for the followers. A servant leader feels a social responsibility to the less privileged and is concerned with inequality among the followers. Through servant leadership, a servant leader will attempt to correct these social injustices and by enabling and empowering the followers while helping the followers in developing valuable personal skills. Servant leaders are ethical, projecting strong moral behavior towards the followers, taking leadership paths that serve the greater good of an organization, the community and even society as a whole.
Women have lived for generations being treated as nothing more than simple-minded creatures who were able to do little more than take care of their husbands and maintain a home, but that idea is dangerous. The years of abusing women by withholding their rights, belittling them, and keeping them in the home was sometimes detrimental to not only the female sex, but to the males sex as well. Susan Glaspell is the author of the short play “Trifle” , in which Mrs. Wright, the housewife of a local farmer, is being investigated for the murder of her husband. As a local county attorney, sheriff, and male neighbor scour the house for motive and proof that Mrs. Wright killed her husband, the men spend much of their time criticizing the housekeeping skills of Mrs. Wright and belittling every woman in the play for their simplicity. Their assumptions about the female sex, prevents them from seeing the crime scene for what it really was. Meanwhile, Mrs. Peters, the sheriff’s wife, and Mrs. Hale, the neighbor man’s wife, are able to relate in many ways to the loneliness and loss of self that Mrs. Wright felt while spending her days alone tending to her home and husband.
By the end of the play Mrs. Hale and Mrs. Peters found the dead canary in Mrs. Wright’s sewing kit. The canary had marks around its neck inferring that it had been strangled just like Mr. Wright, but they faced a dilemma on whether or not to turn in the evidence. In the end they decided to withhold the evidence from their husbands. By keeping this evidence from their husbands the two women chose to defend not only Mrs. Wright, but all women during this time period. They felt that the prejudices and discriminatory acts of men during this time period towards women were not acceptable. Men of this time belittled their wives and these women tried to challenge that philosophy. Mrs. Peters and Mrs. Hale help show the audience what women in this time period had to endure in order to get back their freedom.
In Trifles, the play takes place at an abandon house at a farm where John Wright and his wife, Minnie Wright lived. John was killed with a rope around his neck while his wife was asleep. The neighbor, county attorney and sheriff came to the crime scene for investigation. Along with them came their wives, Mrs. Hale and Mrs. Peters; they were told to grab some belongings for Mrs. Wright that she may need while she’s in custody. Once they all entered the home the men dismissed the kitchen finding it as unimportant. The three men focused more on legal regulations of the law. The play was mostly revolved around the women, discovering the motive through “trifles” and other symbolic things that had significance to Minnie’s guilt. When Mrs. Hale and Mrs. Peters understood the reason behind the murdering they hid the evidence from their husbands, and kept quiet. Many readers would visualize this play as a feminist point of view due to women’s bonding in discovering Minnie’s oppressive life after marriage. However Glaspell, provokes two ethical paradigms that have different perspectives of justice. Glaspell uses symbolism to characterize women’s method in a subjective way, by empowering themselves through silence, memories of her and their own lives as well as having empathy about her sit...
Susan Glaspell's play, "Trifles", attempts to define one of the main behavioral differences between man and woman. For most of the story, the two genders are not only geographically separated, but also separated in thought processes and motive, so that the reader might readily make comparisons between the two genders. Glaspell not only verbally acknowledges this behavioral difference in the play, but also demonstrates it through the characters' actions and the turns of the plot. The timid and overlooked women who appear in the beginning of the play eventually become the delicate detectives who, discounted by the men, discover all of the clues that display a female to be the disillusioned murderer of her (not so dearly) departed husband. Meanwhile, the men in the play not only arrogantly overlook the "trifling" clues that the women find that point to the murderer, but also underestimate the murderer herself. "These were trifles to the men but in reality they told the story and only the women could see that (Erin Williams)". The women seem to be the insightful unsung heroes while the men remain outwardly in charge, but sadly ignorant.
"Trifles," a one-act play written by Susan Glaspell, is a cleverly written story about a murder and more importantly, it effectively describes the treatment of women during the early 1900s. In the opening scene, we learn a great deal of information about the people of the play and of their opinions. We know that there are five main characters, three men and two women. The weather outside is frighteningly cold, and yet the men enter the warm farmhouse first. The women stand together away from the men, which immediately puts the men against the women. Mrs. Hale?s and Mrs. Peters?s treatment from the men in the play is reflective of the beliefs of that time. These women, aware of the powerless slot that has been made for them, manage to use their power in a way that gives them an edge. This power enables them to succeed in protecting Minnie, the accused. "Trifles" not only tells a story, it shows the demeaning view the men have for the women, the women?s reaction to man?s prejudice, and the women?s defiance of their powerless position.