Kosodes: The Muromachi Period

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Kosodes as a symbol of their upper class. Towards the end of the Kamakura period, there was another type of kimono garments known as hakama; which was worn by women who were in the military class and in the courts. The year 1336 and 1573 was dominated by the Muromachi Era and, during the rise of the merchant and at the end of the period, Japanese people from all social classes wore Kosode as their principle outer garment except during formal occasions. For formal occasions, uchikake, which was a long robe, was worn but the garment was late used as a wedding dress (Marshall Cavendish Corporation 326).
The modern kimono, on the other hand, has begun to show the art and fashion that transpired during the seventieth and the eighteenth centuries. …show more content…

For instance, wool has been traded in the East in exchange for silk that was used for making kimono garments. As such, methods of stencil dyeing have been invented such as the kata-yuzen, which has enabled the Japanese artist to make beautiful creations such as the silk gauze kimono that is bordered by scenes of water lilies and carp. Furthermore, the modern synthetic dyes from the West have been used to produce the deep blue color that is present in the kimonos of the Taisho period that was between the years 1912 and 1915. Other types of kimono garments involve the Showa kimonos that have aggressively dominated the modern representational motifs, for example, Leicas and Rolleiflex cameras show men wearing kimonos of 1955 (“Rosenberg, Karen” …show more content…

From the art piece, there are the red colors and with long robes dropping almost to their ankle and soaked in the water. Such a representation is symbolic to the Japanese people. In comparison, the red colors and the long robed from the kimono garments represent the firemen in Japan. As such, the firemen wore heavy cotton kimonos as they fought fires in nations of wooden buildings. They soaked their kimonos in water as they fought the fire. The art piece further shows a woman wearing kimono dress with red and white stripe. As such, the white part symbolizes the heavy cotton kimonos that were painted white on the inside in order to protect the men against the fire. The robes, which are seen in the painting, symbolize the protection of the

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