Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Film noir essay on a movie
Film noir essay on a movie
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Film noir essay on a movie
The movie Kiss Kiss Bang Bang embodies all of the classic noir elements of the 1940s and 50s classical noir era, which allow Kiss Kiss Bang Bang to be perceived as a neo-noir movie. Although Kiss Kiss Bang Bang has some noir elements to it, it looks like more of your typical romantic comedy because of the action and humor that the characters in the movie project. Kiss Kiss Bang Bang twists and adds to the traditional styles of classic noir so that the movie does not seem right, but is changed so that the detective, who is usually the main character, is just a friend of the main character and the femme fatale is not really very fatale at all and is really just a party girl looking for her sister. The movie uses all of the classical noir elements, but in such a way that the elements contradict themselves and in doing so make the movie also seem contradictory. There are lots of hints throughout the movie that have to do with classical noir themes, such as the ending when the Warner Bros icon seems to burn out as if there is a hot light bulb behind it. The characters themselves all relate to some part of classical noir and most of them fit more or less into classical noir archetypes. The movie itself is a combination of comedy and noir that creates a neo-noir movie unlike most others with its color picture that still manages to employ the use of noir themes throughout. The movie was based relatively off one of the 1950’s hardboiled detective novels and reflects some of the themes from those detective novels, such as the detective and the sexy femme fatale archetypes, only from a twisted and comical viewpoint.
The main character is a thief and gives the impression of being more of a common criminal until later in the movie. Alt...
... middle of paper ...
... expand the neo-noir genre into a more modern and perhaps into a more comical direction by exploring a new direction into a new, yet undiscovered, area of neo-noir. The film is also branching out and making a statement about how movies should not be classified or categorized by genre. “Kiss Kiss, Bang Bang brings to light the dangers of shutting movies into corners; Black shows us a film that cannot possibly be characterized, and therefore escapes the scope of categorization (BlogSpot).”
Works Cited
"Anne Goes to the Movies: Kiss Kiss, Bang Bang: Noir or No?" Anne Goes to the Movies. Anne Goes to the Movies, 1 Mar. 2009. Web. 23 Mar. 2014. http://annegoestothemovies.blogspot.com/2009/03/kiss-kiss-bang-bang-noir-or-no.html.
"Kiss Kiss Bang Bang (2005) - Quotes." IMDb. N.p., n.d. Web. 23 Mar. 2014. http://www.imdb.com/title/tt0373469/trivia?tab=qt&ref_=tt_trv_qu.
destructive, exotic and a self-determined independent who is cold hearted, immortal and less of a human. The females portrayed in the noir were primarily of two types - either projected as ethical, loyal loving woman or as ‘femme fatales’ who were duplicitous, deceptive, manipulative and desperate yet gorgeous women. In
Film Noir is a genre of distinct and unique characteristics. Mostly prominent in the 40s and 50s, the genre rarely skewed from the skeletal plot to which all Film Noir pictures follow. The most famous of these films is The Big Sleep (1946) directed by Howard Hawks. This film is the go to when it comes to all the genre’s clichés. This formula for film is so well known and deeply understood that it is often a target for satire. This is what the Coen brothers did with 1998’s The Big Lebowski. This film follows to the T what Film Noir stands for.
Keathley, Christian. "Trapped in the Affection Image" The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Ed. Thomas Elsaesser, Alexander Horwath, Noel King. Amsterdam: Amsterdam University Press, 2004. 293-308. Print.
The Narrative or storyline is much the same as any other film noir movie. It has a ‘hard boiled’ cop (Russell Crowe) who we grow attached to. The narrative of any film must have certain ‘key conventions’ which are apparent for the audience to tell the genre of the film. The narrative can be used to provide an explanation as to why the film contains certain things, or why a character does something.
Janey Place and Lowell Peterson article “Some Visual Motifs of Film Noir” establishes noir as a visual style and not a ...
Film noir (literally 'black film,' from French critics who noticed how dark and black the looks and themes were of these films) is a style of American films which evolved in the 1940s. " The Internet Movie Database LTD. Film noir typically contains melancholy, and not so moral themes. Another characteristic of film noir is just because the main character has the title hero, that does not mean that he will always be alive at the end of the book, or that the hero is always "good." Marlowe in The Big Sleep is a prime example of this concept.
The genre film noir has some classical elements that make these films easily identifiable. These elements are displayed in the prototypical film noir, Billy Wilder’s Double Indemnity. These elements include being filmed in black and white, a morally ambiguous protagonist, and a prominent darkness. However, the most striking part of a film noir is the femme fatale, a woman who craves independence through sexual and economic liberation. In his film, Chinatown, Roman Polanski uses many of the classic elements of a film noir, however he twists many of them to reflect the time period. This is particularly evident in his depiction of his “femme fatale,” Evelyn Mulwray.
The film stays in line with classic noir in many ways. The usage of dark sets and high contrast lighting, which creates heavy shadows on the actors faces, makes the movie feel like it all happens at night and in dark alley ways. The story focuses on the inhumane parts of human nature. Each of the main characters experiences some kind of tragedy. For Vargas his tragedy was in dealing with Quinlin who has set out to frame him and his wife. For Quinlin his entire life represented a man consumed with darkness who lives his life with a “Touch of Evil.” Menzies was a hopeful man who looked up to Quinlin but was let down. For the viewer, film noir represents truth, even if it is not a truth that all people would like to hear.
The viewer sees a private eye and beautiful client. First thought, "It’s definitely another Hollywood crime drama." On the surface, Chinatown has all the elements of a film noir: the presence of a beautiful but dangerous woman, otherwise known as the femme fatale, a gritty urban setting, compositional tension (highly contrasting light and dark colors or oblique camera angles), and themes of moral ambiguity and alienation. Chinatown, however, is different. Polanski shot Chinatown with color film, and though his colors do appear especially vivid, color film precludes the contrast intensity that black and white film offers. In addition, Evelyn is not the classic femme fatale. Though Jake mistakes her for her husband’s killer at first, Mrs. Mulwray eventually emerges as the story’s most tragic victim. Yes, Chinatown for the most part conforms to the structure of film noir, but this film departs from the general genre, creating an entirely different element in which Roman Polanksi examines not only big-money corruption and its malignant obsession with money, but also larger, more human themes such as ignorance, authority, and the pervasiveness of evil.
Films that are classified as being in the film noir genre all share some basic characteristics. There is generally a voice-over throughout the film in order to guide the audience's perceptions. These movies also involve a crime and a detective who is trying to figure out the truth in the situation. This detective usually encounters a femme fatale who seduces him. However, the most distinctive feature of the film noir genre is the abundance of darkness.
The movie Crash is in the streets of Los Angeles. If you notice all of the characters seem to play the victim and accuser in different racial situations. There is a story behind each character over a two day period. There is the detective who is prejudice against his own race whose younger brother is a criminal. There is Jean who is prejudice against black people after getting robbed. John is the cop who is racist against all black people and sexually assaults Christine in front of her husband. This movies show’s so many of the social psychological principles through the story of each individual.
While there are many different ways to classify a Neo-noir film, Roman Polanski’s, Chinatown captures many. The 1974 movie consists of many of these elements, including both thematic and stylistic devices. One of the main themes of neo-noir film that is constant throughout the film is the deceptive plot that questions the viewers’ ideas and perceptions of what is actually happening in the film. Every scene of Chinatown leads to a twist or another turn that challenges the practicability of the film’s reality. All of the never-ending surprises and revelations lead up to the significant themes the movie is trying to convey in the conclusion of the film.
This film is a multi-genre film— science fiction and film noir— which creates a very unique stylistic world. The film is characterized in the science fiction genre with flying vehicles— police cars and advertising blimps—, the futuristic city with congested streets, and advanced technology—picturesque billboards, Voight-Kampf machine, picture phones, and voice activated photo analyzers. It also depicts the movie genre of film noir with its low-key lighting consistent throughout Bryant’s office and Deckard’s apartment, the claustrophobic framing with various characters—the overcrowded nightclub—, heavy shadows caused by venetian blinds in Deckard’s apartment, and the rain soaked landscapes during the night.
Joseph Straubhaar (2009) stated that television genres continue to develop over time in response to changes in audience tastes and original creative ideas. Indeed, television genres will keep on developing to meet the expectations and satisfaction of the audience. Crime drama series have become one of the most popular television genres within our society. It attracts the audience by dealing with themes and issues relating to the news and current affairs that the viewers are aware of. Crime fiction has various sub-genres including detective fiction such as Monk (2002-2009) where a detective investigates and solves a crime. Furthermore, Law & Order (1990-2010) represents the legal thriller and courtroom drama sub-genres as these crime dramas focus more on the struggles of the law and deal with many criminals such as rapists, murderers etc...and the strain of defending the innocent people.
This is a movie about a professional killer, or "Cleaner", named Léon played by Jean Reno, and his unlikely interaction with a 12-year old girl, Mathilda played by Natalie Portman. Mathilda's family is murdered by corrupt Drug Enforcement Agents (DEA) lead by Agent Stansfield played by Gary Oldman. Agent Stansfield, is portrayed as a drug addict, mentally unstable and an overtly violent and corrupt law enforcement team leader.