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Figurative language in a literary work
Examples of figurative language in a short story
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The internal changes that happens to these particular figures show once they are outside of their comfort zone. When it comes to Kavitha, she already could feel that her relationship was not going to last that long because she was seeing facial feathers on her husband that she did not like weeks and months after getting married. You could see that she went from being a wife that tried to get to know her husband to living vicariously through her young neighbor’s relationship. When the opportunity came for her to leave her marriage, she did it in a flash without too much remorse for leaving her husband behind because she already felt the relationship was lost a while ago. For Theo he only shows some emotion when it comes to the car he has been wanting for some time now. He normally stays on the same schedule, work and come home to a house that does not express …show more content…
That thought was this: What if this was something beautiful that he had shut himself off from his whole life? What if they were wrong, the watchers? Maybe there was really nothing bad with this. Had he been mistaken his whole life? Until now, near the end’’. (39) Once he finished up with his third visit he laid back on his car and enjoyed the moment not caring if anybody noticed him because he knew his life had changed. The protagonist in the three stories all started out trying to please others and sacrificing their happiness for the good of a current or pass relationships. Soon these three faced decisions that would test their consistent need to please. Kavitha was stuck in her unhappy relationship, Theo felt like he was not getting enough respect, and McHenry could not get pass the idea of people judging him. Eventually they all made choices that went against who they were and even though some might see the pathways they have taken as bad ones, it was the way they could get some inner peace within
Firstly, the authors use the use of protagonists to show how they can present similar ideas in different ways. The two protagonists which the authors present are Keating from Dead Poets Society and McMurphy from One Flew Over the Cuckoo’s nest. These characters have readers intrigued and on their feet from the beginning. These characters always keep the readers guessing what they’re going to do next for example when Keating says “No matter what anybody tells you, words and ideas can change the world.” The Protagonists are presented as very different people but are in reality extremely similar and serve the same purpose. The authors present them as
is shown to be “not quite there” to the readers. He cannot keep his mind on the present, he ...
In the beginning of both of the pieces of literature, the main character(s) have not had the experience that will shape their values yet. Rather, as time moves forward in the stories, the
“I have almost forgot the taste of fears. // The time has been my senses would have cooled // To hear a night-shriek, and my fell of hair // Would at the dismal treatise rouse and stir // As life were in ‘t. I have supped full with horrors. // Direness, familiar to my slaughterous thoughts, // Cannot once start me. // Wherefore was the cry?”
After having read the three short stories, the characters chosen for the literary analysis are Sammy and Connie. The first story is “A & P” by John Updike and the second story is “Where are you going, Where have you been” written by Joyce Carol Oates. These stories both describe young teenagers who are in the search for their identities and are going through struggles trying to prove their worth. These two characters Sammy and Connie are barely the reflections of the same person, they are both naive and want to change the world by their way but in the real sense they are not ready for this. There are still a lot they do not know, but their naivety and ignorance blinds them on the journey of trying to prove their worth. The thesis is that
At the beginning of the story the man takes a moment to reflect upon the
the truths and struggles about each character’s lives and how their lives are so different from
And yet none of his certainties was worth one hair of a woman 's head. He wasn 't even sure he was alive, because he was living like a dead man. Whereas it looked as if I was the one who 'd come up emptyhanded. But I was sure about me, about everything, surer than he could ever be, sure of my life and sure of the death I had waiting for me. Yes, that was all I had. But at least I had as much of a hold on it as it had on me. I had been right, I was still right, I was always right. I had lived my life one way and I could just as well have lived it another. I had done this and I hadn 't done that. I hadn 't done this thing but I had done another. And so? It was as if I had waited all this time for this moment and for the first light of this dawn to be vindicated.”
The characters rise out from their misery and gain new perspective over their lives, with their rediscovered inner self, and the book ends on a satisfying note; but that is not the only recurring theme, there seems to be another existing theme which comes with a deeper analysis. A bunch of underlying questions that seems to ask to be explained. Why must every character go through some experience to rediscover their inner self? Is it that only suffering can bring one closer to oneself? Only when things seem to go down, that we allow ourselves to recognise the presence and power of our
"Poor little Faith!" thought he, for his heart smote him. "What a wretch am I, to leave her on such an errand! She talks of dreams, too. Methought, as she spoke, there was trouble in her face, as if a dream had warned her what work is to be done tonight. But, no, no! 'twould kill her to think it. Well; she's a blessed angel on earth; and after this one night, I'll cling to h...
In any of them, rebellion was part of theses relationships; on the contrary, the four characters end up loving and respecting each other even more. The first, a father with widely different interests and personality than his son, shows him how to live his life to the fullest. The kid narrates one specific event with details to show how the event has completely changed his mindset. The ending line of the story describes what the boy took away from his experience with his father, “if you haven’t driven on fresh powder, you having driven”, meaning if a person has not tried to live their life completely, why is it worth even living. The second, the father presents to his son a world that makes him learns he must be in charge of his own safety and security. He learns life is full of darkness and mystery. Parents do not know everything. No one else can live his life for him and that he cannot stay safe at home
The struggles both characters face demonstrate character development and contribute to the themes of the stories. Both short stories prove to be literally effective in that they disclose the main themes at the outset of each story. Although the themes may alter over the course of the stories, they are clearly defined in their respective introductions.
In about 150 AD (the date is often disputed), Kautilya, also known as Chanakya and Vishnugupta, constructed the ‘Arthashastra’ and with its help proved to be the Kingmaker that he is recognized as today and established the Gupta dynasty. He is often regarded as
We see these characters as struggles that every human being on the face of the earth has to deal with at some point in life. “Everyman” shows us that in the end, all that we are left with is our good deeds. We have nothing else that will truly matter when the end comes.
For nearly ten minutes he stood there, motionless, with parted lips, and eyes strangely bright. He was dimly conscious that entirely fresh influences were at work within him. . . The few words that Basil’s friend had said to him – words spoken by chance, no doubt, and with willful paradox in them – had touched some secret chord that had never been touched before, but that he felt was now vibrating and throbbing to curious puls...