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Difficulty in arthur millers the crucible
Summary of the Crucible by Arthur Miller
Essay on justice and injustice in the crucible by arthur miller
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Justice often masks an occurrence of injustice in many forms and in
the crucible by Arthur Miller, the leaders of Salem, believe that
the way that they are dealing with people of strange happenings is
right and just but is actually wrong and unjust.
Justice can be defined as the right and moral decision and general
beliefs. Injustice can be defined as unfairness and a lack of justice.
Someone who is done by an injustice may have been judged to harshly.
In "The Crucible" by Arthur Miller, the target audience is young
adults to the older generation. This play is based on real events
which occurred in 1692.
The Crucible is saying that in Salemat this time there is very little
justice, this is shown when Hale says "Goody Proctor, I have gone this
three month like our lord into the wilderness. I have sought a
Christian way, for damnations doubled on a minister who counsels men
to lie."
In this Hale is saying that he no longer follows the beliefs of Salem
and he now follows the beliefs of Christianity.
Justice is conveyed in Arthur Miller's "The Crucible" by having a
character like Hale, who comes into Salem as a man who strongly
believes that accusing and hanging people because of witchcraft is
right and just, but he later realizes that what he believes is wrong
and unjust. He then decides to change his ways.
Also at the end of Act 1, there are many quick accusations being made
which leaves the reader in suspense and a long wanting to know what
will happen to all these people who were accused.
The leaders of Salem believe that what they are doing is right and
just, but in reality it is an injustice. This is how justice can often
mask injustice.
Justice often being masked by an injustice can also be seen in the
text "Justice without a Conscience." This text is showing a statue of
Lady Justice, who usually represents, Anti-discrimination, fairness
and justice, is now representing discrimination, unfairness and
injustice by the statue not wearing a blindfold which allows her to be
discriminative against people, her scales are unbalanced which would
make things unfair. Also the blindfold is pulled over her mouth
stopping her from speaking which represents that justice is not always
heard.
There is a man passed out at the base of the statue. This is using a
high angle shot to show that the man is very insignificant and lady
justice is large and very important.
Another text which shows justice being masked by an injustice is a
cartoon where an upper class man has just shot a woman, killing her.
The first glance you’ve taken at those two statues, you just see a man standing there. They are not doing anything in particular, just standing there. That was only in the first glance of course. Now take a good look at each one. In the archaic Greek kouros figure, the pose of the figure is very frontal. The entire figure is relatively stiff with the exception of the left leg, which is in front of the body giving it the early contrapposto pose. Even though it does have a much more natural pose to it with the one leg out, the rest of the body is not in a pose as if the weight of the body was put into one leg. The head is stiff with the hair being geometric and with the hair falling back on the body. The physical stature of the body is moderately realistic. The muscles are not quite as well defined but they are still semi-realistic. They are portrayed as if they were tense. The arms are also at the side.
The Statue of a kouros represents a Greek male. With one foot forward, the statue at the same time, represents movement and is able to stand on it own. This also gives the over life size figure, visible weight. In this early figure, geometric forms seem to predominate, and anatomical details, such as the chest muscles and pelvic arch, are presented with somewhat of exaggerated lines. Although the exaggerated lines show where these muscles belong, the detail is still missing. Looking up and down this nude body, at this miss proportioned and lacking of detail body, the hair is what grabs my attention. The hair is carved with detail not noticeable in the rest of the body. As well, although the fists are clinched and still bonded to the body, the legs and elbows are separated. The ability to move around and inspect the statue makes a big difference than if it was up against a wall, or just looking at its picture. The legs, which support the weight of the statue, have a visible strength which is seen in the knees. The head is what carried the most detail, the ears although to far back, are intricately designed. It is the ability to walk around the entire statue that allows me to see the different aspects and places where attention to detail was placed. However, he does not expand into three dimensional space; he has a closed-off, column-like appearance
Both figures are in a very traditional, standing pose for the time period in which they were created. The sculpture of Augustus is based on the Greek classical statue of the Spear Bearer or Doryphoros by Polykleitos. He is standing in contrapposto, a very classical standing pose wherein the weight of the body is shifted naturally so the figure’s weight is more on one leg, with the other leg slightly bent behind and the hips tilted. Mycerinus and Kha-merer-nebty II are both in the standard Egyptian canon standing pose, in which the figures are rigidly frontal with the pharaoh’s arms down at his sides and fists clenched. Like Augustus, one leg is slightly ahead and one is behind, but there is no contrapposto, the figure’s weight is shared equally by both legs and the hips are squared and level.
This massive statue is 11 feet 6 inches tall. Typically a human sitting on top of a horse would not r...
The Augustus of Primaporta depicts the emperor standing with his arm raised and with all his weight shifted into one foot. This is slightly different than the Votive Statue of Gudea, both positions are symbolic of the way a rule from each time period would have addressed troops. Augustus, along with his youthful features, is exactly how Augustus would have wanted to be remembered. This is also true of the Votive Statue of Gudea. There are many other symbolic details that relate to mythology and history incorporated into the statue of Augustus.
The mourner’s role is expressed by his pose; he leans forward as if trying to communicate with the deceased. The mourning man is positioned so that the viewer will see him three-dimensionally, with his shoulders foreshortened so that his left shoulder is hidden from our eyes. The majority of the pigment on the White-Ground Lekythos has either flaked off or faded away over time. However, there remains a faint gray stain on the white-ground where detailed patterns previously existed. The man shown on the White-Ground Lekythos has been drawn as an outline, with details like his muscles and the outer borders of his clothing. This outline was created with a black pigment, which was also fired onto the vase. The stillness and calm body language of the man depict the ancient Greek values of restraint and
Throughout history arguments and debate have been used to decide the fate of kingdoms, challenge a ruler’s authority or even decided where homes would be built. Without arguments our world would be bland and nothing like it is today. Being able to form a well built argument and use it properly is known as rhetoric. Ancient Romans and Greeks considered rhetoric to be one of the most important skills for students. Even today rhetoric is considered a great feat for all scholars. Two great men who were able to use rhetoric and excel at using it were Cicero and Machiavelli. They both argued in some of their most famous works that at times injustice was defendable. Cicero did this in his piece called The Defense of Injustice. Machiavelli did this in his work called The Prince. Each of these men was from completely different times in history, yet both were able to use rhetoric to help make people support their argument. Although rhetoric has many rules and many different formats one of the most well know and organized format is known as the Toulmin method. With the two pieces of work and using Toulmin’s method of rhetoric we can evaluate and discover who makes the best argument and why.
The statue is made of marble, instead of the bronze statue. This statue is one of the earliest marble statues of a human figure carved in Attica. The statue is a kind of symbol; he does not in any way a likeness. This is my first expression when I saw the statue: the statue is showing me a simple, clear action that was used by Greek youth sculptures throughout this period. Looking at this statue, he expanded into 3D space, because he is standing straight and facing forward without any exaggerated movements, thus the post makes him look closed-off and a column his limbs are locked in space. Therefore, the standing posture, the decorations on his body, his hair and knee’s texture and how the Egyptians impact Greek art, is what makes me interested in it. A question that has always been in my mind is
The book The Mask of benevolence by Harlan Lane, has opened so many thoughts, feelings, and questions. I don't know if the book hit me harder because I am pregnant or because I am caring and feel everyone should have the right to be treated equal even if they are not the same. There is many things in the book that have caught my attention and made me really think about my own life and the life's of other people and others thoughts about themselves or others. What the cochlear implant has done and not done for people.
Anderson, Barrie “Marginalization and Wrongful Convictions” in Manufacturing Guilt: Wrongful Convictions in Canada, 2nd Edition, pp. 7-25. © 2009 Fernwood Publishing Co., Ltd..
This stone sculpture is a naked human-like figure standing six feet tall. The body is in chiasmos stance with the left leg slightly bent and the left foot slightly behind the right. The head is turned slightly downward and to the right, and its size is approximately 1/6 of the body. The hair is cropped closely to the head with no part. The body has a defined musculature, however the forearms appear to be missing. There is an object behind and to the right of the right leg that is about 2 feet tall and 10 inches wide.
Morality ivolves distinguishing which human behaviors are right or wrong and good or bad. Morality covers topics such as harm, rights and justice, and therefore it is mainly concerned with protecting every idividual. There has been a culture of war between liberals and conservatives all based upon human morality aspects (Haidt & Graham, 2007, p. 1). Cultural war can be termed as the division in personal opinions and thoughts between open-minded people or liberals and the conventional or traditionalists, also known as conservatives.
The ideal society we would all be considered equal, but reality often defies this idealism. When we think of police officers, we think of people working hard to keep us all safe, but this may not always be the case in today 's society. This is demonstrated in an opinion piece published in the Miami Herald, entitled “Need a ‘big, bad dude’? White criminals need not apply” by Leonard Pitts Jr. The article opens by discussing the shooting of African-American man Terence Crutcher, where the police officer who shot him stated it was due to him not obeying her orders and reaching inside his SUV for a weapon. However, the video of the shooting shows that this did not happen. The article also goes on to discuss other African-Americans shot in recent
“Is justice, equality and fairness really being shown in the modern world?” This is a question that most people ponder about. In reality, these three terms are very closely related, and many wonder if the truth and value of justice, equality and fairness are still upheld in this era. I believe that although it is true that the righteousness of the world has been corrupted by evil, there is still a fragment of peace, harmony and impartiality is still present is some specific cases.
Many art works such as statues are placed throughout the world in different settings. The most common setting for statues is found in funerary settings. The importance of statues in funerary settings is that they are use to project the power the person had before his death. The seated statue of Khafre enthroned from Gizeh, Egypt, illustrates the idealized pharaoh. Another sculpture is Kouros, from Anavysos, Greece that depicts the heroism of Kroisos dying in battle. The Kouros and Khafre are similar in the way that they both radiate power and serve the purpose of honoring the dead men, yet Khafre has a greater significance because it illustrates the pharaoh in a flawless form and the audience can tell that he was a great ruler by the perfect cut sculpture.