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Women portrayal in movies
Sexuality presented in pop culture
Representations of sexuality in films
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Jurassic Park, a Spielberg masterpiece that brought joy to millions. It showed the struggle a group of people had to go through to survive and not destroy the last remaining dinosaurs in the world. In the whole series, which I will be covering, men and women are showed differently. One may show the relationship of men and women as equals and partners. Another may have them as ex’s and awkward, and another may reverse or show stereotypes. Women and men are neither positive or negative, many can argue it’s negative and others can argue it’s positive or has no negative effect, it changes from film to film, from character relationship to character relationship, and I believe that there is no negative effect, it portrays women in a positive light. …show more content…
Laura Dern ,the lead female role, who played Dr. Ellie Sattler was shown as a strong independent women who had to survive on her bravery to save her friends. In moment she had to do many things that many men, women and children would dread doing, she had to travel alone in a dark corridor trying to restore power to the island, so her fellow scientists can get off said island. However some moments in the film may make you think is offencive, and wrong, and just might make you want to protest. However the incident in question in the film is the scene where the female nerdy scientist is too caught up in her work and all the small details to see something bigger “This species of vermiform has been extinct since the cretaceous period. This thing - - Grant, never tearing his eyes from the brachiosaur, reaches over and grabs Ellie's head, turning it to face the animal.” (Crichton, Marmo 22). Makes her seem incapable to noticing the larger themes around her and need a man to snap her into reality. Even though this had comedic intentions it may seem offencive to some people. On the other hand it is argued men got the short end of the stick, through the …show more content…
The dialogue between Malcolm and Dr. Ellie is a prime example of this, “Malcolm lowers his voice, becoming more seductive now. MALCOLM (cont'd) Life's a lot like that, isn't it? You meet someone by chance you'll never meet again, and the course of your whole future changes.” (Crichton, Marmo 56) Malcolm in a way uses his superior knowledge of chaos theory to seduce another scientist, Dr. Ellie. What was the appeal Malcolm had to Dr. Ellie is unknown. It may have been the fact she is an attractive woman, or the intelligence she possessed is what brought him in, it may even be the fact she the only member of the opposite sex in the party. However this is not the only relationship in the film Dr. Grant and Dr. Ellie had a positive relationship. “After Grant speaks explains how dangerous velociraptors were to the fat little bastard he asks Sattler "You want to have one of those?" to which she responds "I don't want that kid but a breed of child Dr Grants could be intriguing." So it's pretty safe to assume they were a couple.”, (Roboto) in the film they have a positive healthy relationship which make people think they have a relationship. However, it is safer to assume they were close colleagues and friends, which in my personal view is a positive
“Don’t judge a book by its cover” is an overused cliché that has been analyze by many people. The movie Finding Forrester, by James W. Ellison, shows this theme in a more analytical manner. The movie focuses on an unusual relationship between a young man, Jamal Wallace, and a famous writer, William Forrester. Jamal is expected to fail in school and only excel on his basketball career, except he excels in both and never stops trying to achieve his dreams. He is faced with several obstacles, including racial comment and stereotypes assumptions by his teachers, peers, and mentor.
It is no secret that there is an obvious difference of how women are portrayed in the media versus men. This movie discussed female characters never having lead roles and stated that when they did it ended in the women depending on, loving, or having to have a man. One young high school girl said, “Women never play the protagonist. The girls are
In a future class, the question “what is a woman?” should be addressed with a study of the musical film Hedwig and the Angry Inch because Hedwig reveals how a façade can lead to authenticity. Many women today are under the impression that they must fit a certain gender binary mold in order to live up to the definition of their gender. Women plaster on makeup and create personas centered around societal beliefs and not personal beliefs. Hedwig and the Angry Inch highlights how the gender binary mold lead individuals to choose a gender and within that set gender mold, express themselves to a limited extent. In other words, makeup and playing into the gender binary isn’t terrible. However, it leads to a constricted form of self-expression that
RaStereotyping is a way of thinking about groups of people. It ignores the differences of the group, while emphasizing its similarity. One belief, that is a stereotype, is that red-haired people are hot tempered. Another belief is that Scottish people are stingy. Such thinking ignores many even-tempered redheads and generous Scottish people. Stereotyping emphasizes many differences between groups while ignoring their similarities to other people. It ignores that many blond and brown-haired people also lose their tempers. Stereotyping overlooks the fact that many American, Brazilians and French people are stingy.
In Ridley Scott’s film Alien, I observed how the film for its time was unique, in the sense that it comprehensively dealt with gender and sexual politics in a direct manner through its content and text which in contemporary films still remains rare. One of the most obvious way Ridley Scott dealt with gender was by having a strong lead female character. Ellen Ripley, the protagonist of the film, who still currently stands out as a top action hero as her character refrains from falling under the cliched portrayal of women in horror films. Most classic Hollywood film often associate women as the secondary, weak and passive characters, who are often killed or rescued by the typical strong masculine lead. A common trope about female characters within Classic Hollywood horror film typically involve two endings which include either death as punishment or marriage to the masculine male protagonist as salvation. However, in Alien the roles have reversed, the character who makes active, wise decisions and survives the attack of the monster is a female,
Film, or the concept of it, has been around since the beginning of the 18th century. The lens of the camera has captured some of the most beautiful things, but also the most prejudice. Stereotypes of races, ethnicities, and gender have always been around but widely seen as acceptable when the crisp, new films were showing them. Almost as long as there has been film, there have been people fighting for equality to be presented on the big screen. Danez Smith is one of these modern fighters in his free verse poem “Dinosaurs in the Hood.” As Smith uses his words to create a poetic trailer for this stereotype free movie, he tells the story of a young African American boy but rather being focused on his color, he focuses on his heroic actions when
The most important events of this film all revolve around the female characters. While there are some male charac...
movies are about men’s lives, and the few movies about women’s lives, at their core, still
In the comedy text Hunt for the Wilderpeople, the character of Hec, as an outsider, is a more rounded and developed character than Mad Jack Lionel is in Jasper Jones, provoking a greater connection with the reader through prejudice. Originally, Hec is depicted with an explosive nature and bad attitude, however, in the epilogue of the film, he exhibits vulnerability through the haiku, "Me and this fat kid/ We ran we ate and read books/ And it was the best". These moments of light enable more defined points of shade, allowing the audience to see a different perspective on prejudice. On the contrary, Mas Jack Lionel is seen as a static and flat character who is described by Charlie as "probably not even mad. He's just old and sad and poor and lonely.". Thus,
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
By dissecting the film, the director, Jennie Livingston's methodology and the audience's perceived response I believe we can easily ignore a different and more positive way of understanding the film despite the many flaws easy for feminist minds to criticize. This is in no way saying that these critiques are not valid, or that it is not beneficial to look at works of any form through the many and various feminist lenses.
The attitude towards women has changed dramatically since 1990, the year that this film came out; you will however, find a few men who still have the attitude that women were put on this earth for their enjoyment. In the early nineties, women were hyper-sexualized and viewed as pawns in a game. MTV showed music videos with scantily clad women, which were seen as extremely scandalous at the time. The nineties was also an era of growth, liberalization and sexual discoveries that carried over from the eighties.... ...
and many more. These films have shaped the behaviors and characters of both the feminine and masculine species in the society.
We were able to see the distinct gender roles given to both female and male during this film. In this movie the male AI were given the higher position then the female. But it also gave the female equal opportunities since the females in the spaceship had careers in science. We are able to see this when the astronauts are talking to each and start describing their jobs the females have jobs in the STEM field. What this shows us is that females are getting better movie roles as time progresses. Women are given better jobs, and movie roles as time passes by since we are able to see that we are giving them equal opportunities. We also see inequality in the film since the female AI are given receptionist jobs while the males are given better AI jobs. This is shown when the astronauts have to sign a paper the AI has a female voice. The male AI is given the job of controlling the spaceship. This show us that the males are still given the full control of things. Since the male AI goes out of control and is the one that decides the faith of the astronauts. The creator of the film wanted to give us a contrast between the male dominance in society, and the equality of both male and female in the film. This film changed the way movies were created since it made it possible for females to be given stronger roles in movies. Even though gender inequality is still a problem. Gender
Feminism is a movement that supports women equality within society. In relation to film, feminism is what pushes the equal representation of females in mainstream films. Laura Mulvey is a feminist theorist that is famous for touching on this particular issue of how men and women are represented in movies. Through her studies, she discovered that many films were portraying men and women very differently from reality. She came up with a theory that best described why there is such as huge misrepresentation of the social status quos of male and female characters. She believed that mainstream film is used to maintain the status quo and prevent the realization of gender equality. This is why films are continuously following the old tradition that males are dominant and females are submissive. This is the ideology that is always present when we watch a movie. This is evident in the films from the past but also currently. It is as if the film industry is still catering to the male viewers of each generation in the same way. Laura Mulvey points out that women are constantly being seen as sexual objects, whether it is the outfits they wear or do not wear or the way they behave, or secondary characters with no symbolic cause. She states that, “in traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote it-be-looked-at-ness.”(Mulvey pg. 715). Thus, women are nevertheless displayed as nothing more than passive objects for the viewing pleasure of the audience. Mulvey also points out through her research that in every mainstream movie, there is ...