Julius Caesar Rhetorical Analysis

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William Shakespeare’s historical play, Julius Caesar, is a tragic display of betrayals of friendship due to power. A betrayal of friendship is shown when conspirators -which consisted of close friends to Julius Caesar –plan against him in fear of Rome putting him in the position to be a dictator. Following the brutal murder, citizens of Rome are upset with the conspirators, so they start an uprising against them. Realizing what they have done and the trouble that they have made, the conspirators feel incredibly guilty, especially Marcus Brutus, who was Caesar’s closest friend. One after another, the conspirators take their own lives as a result of the heavy burden of guilt they brought upon themselves. Shakespeare’s display of multiple rhetorical …show more content…

A good example of the use of ethos is when Shakespeare writes, “Octavius, I have seen more days than you…” (4.1.18). Antony uses the power of character while talking with Octavius telling him that because he is older and more experienced, he gets to make the final decisions. Another useful example of ethos is when Brutus tells Messala, “Now as you are a Roman tell me true” (4.3.186). Not wanting to disgrace Brutus and lie, Messala keeps good character and tells the truth to Brutus. A third example of the use of ethos is when Clitus asks Dardanius, “What ill request did Brutus make to thee” (5.5.11)? Dardanius then replies that Brutus made the request “to kill him, Clitus…” (5.5.12). Brutus used his power to have his army fulfil his final requests of killing someone. The use of ethos through the play helps the reader understand how much power and character played a role in how decisions were made in those times. Only those who were in power were able to make final decisions or have things done for them, because they were loved and backed by the people of the …show more content…

The presence of logos in the play allows the reader to think about the thoughts of the characters in the play. When Brutus hears about the death of his love, Portia, he replies, “Why, farewell, Portia. We must die, Messala, with meditating that she must die once…” (4.3.189-190). Brutus uses logic while trying to endure the pain that his love is gone. By saying that we all must die at some point, he tries to accept her death. A second use of logos by Shakespeare is within the conversation when Cassius tells Brutus, “’Tis better that the enemy seek us; so shall he waste his means, weary his soldiers, doing himself offense…” (4.3.197-200). Cassius is trying to explain his thinking of waiting and giving the soldiers a rest while the enemy uses up energy looking for them. A final example of logos is when Lucilius states, “When you do find him [Brutus], or alive or dead, he will be found like Brutus, like himself” (5.4.24-25). Lucilius knows that no matter how they find Brutus, he will be his brave and strong self, not changing for anything or anyone. Logos is a useful tool throughout the play that Shakespeare incorporates multiple times which improves the play in many

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