Judith Baca's "The Great Wall of Los Angeles," by Kristy Pollick In the late 1970's and early 80's, The Great Wall of Los Angeles was hardly a scar, but rather a vibrant rebirth of a poverished, low income neighborhood in the San Bernadino Valley. The community was united and transpired by the colorful creative collaborative work on this long mural that transended the Tujunga canal for almost a mile. Sewn from the creativity and passion for California history, muralist Judy Baca, along with other artist, and the Social and Public Art Resource Center (SPARC) began the "beautification efforts" of this otherwise run down poverished neighborhood. This project's purpose of this project, not only united the Californians who had been otherwise …show more content…
The vibrancy of contrasting warm and cool colors used, had a way of making the images jump out at the viewer. The viewer becomes part of the painting in all of it's large scale and three-dimentional greatness, personalizing the politcial messages that existed within the history of Californina's indigenous people, immigrants, minorites, women and multiple ethnicities among it's people . It was a celebration of community pride that transformed California and the eventually the lives of those involved in this triumphant experience. Baca's use of bold strong lines along with her color blocking technique made the focal objects seemingly jump out from their contrasting backgrounds. that like the story being told, could nt be ignored. Some of her work could be compared to the likings of Pop-art artist, Andy Warhol because of its bold color contrast and messages conveyed within the work. Baca used exaggerated colors to depict her subjects, and the well-defined shadows characteristic of pop art while entertaining a message. The paintings reflect a brightness in the contrast of darker background and white or very bright, light tints of color to hightlight the foreground objects or faces. Her use of patterns, like that in the braids in the , "Uprising of the Mujeres," or the curvy bold lines in the torch flames of the "Olymics 1983" are only a couple examples of how the artist gives the painting movement taking your eyes on a journey within each segment and from one segment to the
Lisa Hooker Campbell is an active volunteer in the Nashville area. She has served on numerous boards and chaired several of Nashville's most prominent philanthropic events.
Besides bright or dim colors, and fine or rough brush strokes, artists use centralized composition to convey their interpretations in "The Acrobat's Family with a Monkey," "Amercian Gothic," "The Water-Seller," and "The Third of May,1808.”
Chavez Ravine was a self-sufficient and tight-knit community, a rare example of small town life within a large urban metropolis, but no matter how much the inhabitants loved thei...
Gwen Harwood is a well renowned poet for her poems written during the 1950’s-90’s as she explores the realm of universal human concerns which are the source of her poetic inspiration, these include; love, friendship and memory. Today these concerns are still relevant in our society and are what connects us to each other and immortalises our sprit. Throughout many of Harwood poems she exposes her life in writing to create an intimate relationship with the paper. These documents create a personal account of the struggles and the love a woman feels in moments in changing times. This becomes evident in Harwood’s interpretation of marriage, motherhood and love. She uses symbolism and tone to hint to the undelaying meaning of the poems and the importance of them to her.
Elisabeth Vigée-Lebrun was one of the most successful painters of her time. Over the course of her life, spanning from 1755-1842, she painted over 900 works. She enjoyed painting self portraits, completing almost 40 throughout her career, in the style of artists she admired such as Peter Paul Rubens (Montfort). However, the majority of her paintings were beautiful, colorful, idealized likenesses of the aristocrats of her time, the most well known of these being the Queen of France Marie Antoinette, whom she painted from 1779-1789. Not only was Elisabeth Vigée-Lebrun the Queen’s portrait painter for ten years, but she also became her close, personal friend. She saw only the luxurious, carefree, colorful, and fabulous lifestyle the aristocracy lived in, rather than the poverty and suffrage much of the rest of the country was going through. Elisabeth kept the ideals of the aristocracy she saw through Marie Antoinette throughout her life, painting a picture of them that she believed to be practically perfect. Elisabeth Vigée-Lebrun’s relationship with Marie Antoinette affected her social standing, politics, painting style, and career.
Richard Serra, a known American sculptor, created an artwork called the “Tilted Arc” in the middle of Federal Plaza, in a downtown New York City business district. This curving wall of steel or CorTen steel was measured 120 feet long and 12 feet high made in 1981. Serra was commissioned to create this artwork for the Federal Plaza space; however, the public was against his art and was a target for criticism. Although the “Tilted Arc” was seemed as worthless and the “ugliest work of outdoor art”, people who opposed needed to understand that the point of art is not the “traditional” beauty, but the true meaning and the purpose of it. Many are narrowed minded when it comes to viewing and perceiving art, when it should be viewed by trying to understand
For the general survey, I have interviewed my classmate, Cynthia Obaigwa. Her height is 5’3 feet, which is equivalent to 63 inches. Her weight is 107lbs or approximately 49 kg. The vital signs are T 37C, P 70, R18, BP 106/68.
During the late 1840's California did not show much promise or security. It had an insecure political future, its economic capabilities were severely limited and it had a population, other than Indians, of less than three thousand people. People at this time had no idea of what was to come of the sleepy state in the coming years. California would help boost the nation's economy and entice immigrants to journey to this mystical and promising land in hopes of striking it rich.
As can be seen throughout history, art is a powerful expressive model that has the capacity to instruct and construct social change within a community. The art born out of the Chicano Movement of the 1960’s is a perfect example of this phenomenon. In response to the struggle for civil rights for Mexican-Americans immigrants, Chicanos and Chicanas created an art aesthetic that embodied the activist spirit of the movement. As Alicia Gaspar de Alba once stated, “the Chicano art movement functioned as the aesthetic representation of the political, historical, cultural and linguistic issues that constituted the agenda of the Chicano civil rights movement.” By taking an activist approach to challenge the stereotypes, economic inequality and xenophobic shortcomings of the dominant mainstream and by promoting awareness of history, culture and community the visual art of the Chicano Movement served as a political tool to enact social change for Mexican-American Immigrants of all generations.
Art movement’s characteristics vary from nation to nation, but painting can be used as a critique of the socio-political reality in a given nation. It is a creative way to communicate with a population about economic, education and social issues. Therefore, The History of Cuernavaca and Morelos: Crossing the Barranca (ravine) Detail (1929-30) Fresco by Diego Rivera is a good example of how an artist uses his creativity to connect with people in relation to Mexican history. Art is an inspired way to share the complexity and challenge of a community. It can be used a way to respond to them likewise. Therefore, the concept of accessibility takes ingenuity. With his deepen knowledge of European and ancient Mexican art, it was not a documentation
There is a multitude of museums a person could choose to visit in Southern California, each one carrying unique exhibits from different eras and cultures. I chose to visit the Bowers Museum which has numerous exhibits ranging from Pre-Columbian art to more Contemporary and Modern art. California: The Golden Years is one of those exhibits. The exhibit contains the painting called Marinescape by Edgar Payne. The Marinescape painting shows the beauty of California’s coast through the use of impressionistic techniques. These techniques depict the ocean's strong force through light and soft colors, which provide a breathtaking image of the Laguna Beach Coast.
“Freedom was in the very air Californians breathed, for the country offered a unique and seductive drought of liberty. People were free from censure, from Eastern restrictions, from societal expectations.”1
The first reason I chose Gillian Armstrong for my research paper is because I admire her dedication and ambition to become a director even though it was a male-dominated job at the time. She is an extremely ambitious and independent woman that didn’t let anything get in her way of pursuing her goal to become a director. The second reason I picked Gillian Armstrong is because she is the director of Little Women, which has been an all-time favorite film of mine since I was little.
Evelyn Glennie is a true musician. There are a lot of people out there that want to do what she did, and what she’s still doing, but frankly not many people are willing to put that much effort and time into achieving what she has. Not to mention that almost everyone lacks the talent. Evelyn hopes that the audience will be stimulated by what she has to say (through the language of music) and will therefore leave the concert hall feeling entertained. That is true musicianship.