Judging others is a natural characteristic for humans, but many take it too far. From sharing their opinion when unnecessary to making rude comments towards another with no lack of remorse, people fail to realize the effects that judging others can have on their behavior and emotions. Holden Caulfield, from J. D. Salinger’s The Catcher in the Rye, underscores this concept. Throughout Salinger’s novel, the reader obtains the conclusion that Holden is extremely judgmental of those around him. Holden’s critique of others is a defense mechanism based on fear because he feels judged by the adult world that surrounds him; he in turn pushes his feelings upon other people to justify his own thoughts, hiding behind a “phony” exterior that he has created to deflect the criticism he feels from others.
When looking at a person, one automatically judges him/her based on their overall appearance. Holden does this often, starting with Selma Thurmer. He declares, “she had a big nose and her nails were all bitten down and bleedy-looking and she had on those damn falsies” (Salinger 3). He instantly judges her because he inquires that she appears ugly and trying too hard to look pretty when, but in his opinion, she is not. Holden’s judgment is slightly based on the fear of the unknown; “he places women on a comfortably distant pedestal” and never thinks twice about it (Maple). However, fears not the only aspect driving Holden's judgment; it is his idea of having to live up to the standards of you don't well that is nearing his future.
The adult world disturbs him by it's sophisticated ideas and values. "What disturbs Holden about the world in which he finds himself is adults and their values; he feels that the world belongs to adults and it...
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...rown, 1951. Print.
Seng, Peter J. "The Fallen Idol: The Immature World of Holden Caulfield." College English 23.3 (Dec. 1961): 203-209. Rpt. in Children's Literature Review. Ed. Gerard J. Senick. Vol. 18. Detroit: Gale Research, 1989. Literature Resource Center. Web. 10 Mar. 2014.http://go.galegroup.com/ps/i.do?id=GALE%7CH1100000724&v=2.1&u=m ans90319&it=r&p=LitRC&sw=w&asid=58f8cd6a219854ea610c056c5b8d534.
Tolchin, Karen R. "Optimism, Innocence, and Angst in The Catcher in the Rye." Part Blood, Part Ketchup: Coming of Age in American Literature and Film. Lanham, Md.: Lexington Books, Inc., 2007. 33-45. Rpt. in Children's Literature Review. Ed. Jelena Krstovic. Vol. 181. Detroit: Gale, 2013. Literature Resource Center. Web. 10 March 2014.http://go.galegroup.com/ps/i.do?id=GALE%7CH14201140 74&v=2.1&u=mans90319&it=r&p=LitRC&sw=w&asid=7d81a8521e4ee766775 5115e976291ac.
J.D. Salinger, the author of The Catcher in the Rye, uses the behaviour of protagonist Holden Caulfield to shape his personality in the way he alienates himself from the rest of the world. Holden alienates himself from the society he lives in, his relationships with others and also the relationships he has with himself. Holden struggles to cope with the fact that eventually he will have to grow up, and so will everyone around him. Holden see’s the world not being perfect as a huge problem that he alone has to fix because everyone else is too much of a ‘phony’ to do it. The novel explores Holden’s weekend after he got kicked out of his fourth school, Pency Prep, and the struggles he faces with alienating himself.
Since Holden was isolated from his family, in order to not get hurt again he tries to find hypocrisy in people to stop himself from trusting others. Holden feels isolated after being sent to a boarding school that “was full of phonies” by his parents (Salinger 90). Salinger’s message to the audience with this quote is that when
Immaturity of Holden in J.D. Salinger’s The Catcher in the Rye In J.D. Salinger’s The Catcher in the Rye, the main character, Holden, cannot accept that he must move out of childhood and into adulthood. One of Holden’s most important major problems is his lack of maturity.
J. D. Salinger's notable and esteemed novel, Catcher in the Rye, reflects the hypercritical views of a troubled teenager, Holden Caulfield, towards everyone around him and society itself. This character has a distinguished vision of a world where morality, principles, intelligence, purity, and naivety should override money, sex, and power, but clearly in the world he inhabits these qualities have been exiled. Holder desperately clings to and regards innocence as one of the most important virtues a person can have. However, he son becomes a misfit since society is corrupted and he yearns for companionship, any kind of connection with another to feel whole and understood again. Ironically, despite his persistent belittling and denouncing of others, he does not apply the same critical and harsh views on himself.
This reveals Holden’s fantasy of an idealistic childhood and his role as the guardian of innocence. Preventing children from “going over the cliff” and losing their innocence is his way of vicariously protecting himself from growing up as well. Holden acknowledges that this is “crazy,” yet he cannot come up with a different lifestyle because he struggles to see the world for how it truly is, and fears not knowing what might happen next. Holden’s “catcher in the rye” fantasy reflects his innocence, his belief in a pure, uncorrupted youth, and his desire to protect it. This fantasy also represents his disconnection from reality, as he thinks he can stop the process of growing up, yet
Holden Caulfield is a sixteen-year-old who explores New York City after he is expelled from his prep school (Salinger). He cannot return back home because he is afraid of his parents’ response and takes no responsibility for his actions whatsoever. Holden hates the adult world, where he calls all adults “phonies.” In his world, one can’t go back to childhood, but one can’t grow up because that will make one a phony (Bloom, The Catcher in the Rye 124). Holden is stuck in between a world, where he doesn’t want to remain a child or grow up into the adult he is expected to become. According to Chen, Holden fears the “complexity, unpredictability, conflict, and change” of the adult world. He occasionally acts like an adult, when he hires a prostitute (Salinger 119), checks into a hotel room (Salinger 79), and takes care of his sister, Phoebe. As a result of Holden’s immense fear of growing up, he tends to partake in childish tendencies, such as wearing a bright red hunting hat. These actions are his way of isolating and protecting himself. Holden is stuck in his own little world. These actions are very immature; Holden does not accept the adult world for what it is. He needs human contact, care, and love, but he has built a barrier, preventing himself from these interactions (Chen). He also acts like a child by acting out “pretend” scenarios even when no one is
Holden is like most teenagers: he’s trying to find his place in society without having any sort of direction. One of the main reasons this is hard for Holden is because he doesn’t have any role models and is misguided. His brother D.B. lives all the way in Hollywood “being a prostitute” (Salinger 2) and he resents his parents. Everyone around him seems to be “phonies “and Holden is continuously trying to be different but notices that the lifestyle he wants just doesn’t fit in the world he lives in . He constantly rejects certain ways of living but can’t seem to find the purpose for his own and because of this he criticizes the life of the...
Holden cannot accept the loss of innocence as a step into the growing up process. The ones that he loves most, are those who are younger to him, they are innocent, and untouched by society’s truths. Holden says, “…I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody’s around-nobody big. I mean – except me.
To begin with, Holden’s love for the innocence and purity of childhood makes him very hesitant to transition into an adult life. Generally, he finds children to be straightforward, easygoing, and simply pure in every way. This is because they always say what they mean, and never try to set a false façade for...
J.D Salinger’s novel, Catcher In The Rye is about a teen, Holden Caulfield, the protagonist of the narrative. Holden is full of unique problems and most of the time lost in his own world, that can’t face reality. The psychoanalytic theory arranges a lens of definition when working at Holden Caulfield. Holden is seen as a lonely, rebellious teen who flunked out of an all boys private school, Pencey Prep. Failing school exemplifies how Holden controls his own decisions in the real world. As stubborn Holden is, opening up his persona and experiences to people is very hard for him, “I’ll just tell you about this madman stuff that happened to me…” (Salinger 1). From a Freudian psychoanalytical perspective Holden would seem to keep all his thoughts all bottled up, not speaking, and opening up to people. “The preconscious holds information we’ve stored from past experience or learning. This information can be retrieved from memory and brought into awareness at any time.” (Nevid 469). Holden is one step closer to becoming a better changed person by speaking to his psychiatrist, and there is only way to find out if he did.
At first glance, J.D. Salinger’s The Catcher in the Rye simply tells the story of Holden Caulfield, who is often characterized as annoying and whiny by the people around him. The anti-hero frequently speaks on impulse, making quick and often inaccurate observations of others. Holden’s immature and overly critical attitude turns off those he encounters, who are displeased with how callow he is. However, what these characters fail to understand is that there is actually a sort of sophistication behind Holden’s reasoning. In fact, throughout the novel, Holden disguises his maturity through outward displays of childishness.
The Catcher in the Rye, by J.D. Salinger, is a classic novel about a sixteen-year-old boy, Holden Caulfield, who speaks of a puzzling time in his life. Holden has only a few days until his expulsion from Pency Prep School. He starts out as the type of person who can't stand "phony" people. He believes that his school and everyone in it is phony, so he leaves early. He then spends three aimless days in New York City. During this time, Holden finds out more about himself and how he relates to the world around him. He believes that he is the catcher in the rye: " I keep picturing all these little kids playing some game in a big field of rye and all. Thousands of little kids, and nobody's around-nobody big, I mean-except me. And I'm standing on the edge of some crazy cliff. What have I to do, I have to catch everybody if they start to go over the cliff..." (173). He briefly enters what he believes is adulthood and becomes a "phony" himself. By the end of the story, Holden realizes he doesn't like the type of person he has become, so he reverts into an idealist; a negative, judgmental person.
Over the years, members of the literary community have critiqued just about every author they could get their pen on. One of the most popular novels to be critiqued has been J. D. Salinger's The Catcher in the Rye. In favorable critiques, Holden Caulfield is a good guy stuck in a bad world. He is trying to make the best of his life, though ultimately losing that battle. Whereas he aims at stability and truth, the adult world cannot survive without suspense and lies. It is a testament to his innocence and decent spirit that Holden would place the safety of children as a goal in his lifetime. This serves to only re-iterate the fact that Holden is a sympathetic character, a person of high moral values who is too weak to pick himself up from a difficult situation.
What was wrong with Holden, the main character in The Catcher in the Rye, by J.D.Salinger, was his moral revulsion against anything that was ugly, evil, cruel, or what he called "phoney" and his acute responsiveness to beauty and innocence, especially the innocence of the very young, in whom he saw reflected his own lost childhood. There is something wrong or lacking in the novels of despair and frustration of many writers. The sour note of bitterness and the recurring theme of sadism have become almost a convention, never thoroughly explained by the author's dependence on a psychoanalytical interpretation of a major character. The boys who are spoiled or turned into budding homosexuals by their mothers and a loveless home life are as familiar to us today as stalwart and dependable young heroes such as John Wayne were to an earlier generation. We have accepted this interpretation of the restlessness and bewilderment of our young men and boys because no one had anything better to offer. It is tragic to hear the anguished cry of parents: "What have we done to harm him? Why doesn't he care about anything? He is a bright boy, but why does he fail to pass his examinations? Why won't he talk to us?"
Holden's nervous impulse to protect women seems to have sprung up in his psyche from a very young age. After his brother, Allie, started to experience more severe symptoms of leukemia, Holden notes that his mother seemed "nervous as hell." His own mother's emotional problems (Lombardi) transfer to Holden on a very deep, psychological level because he feels partially responsible for his brother's fate in the first place. Seeing his mother in such a distraught state makes him feel even guiltier. The unintended consequence of this is that Holden grows up with a constant fear that he is going to hurt any woman that he grows close to. This manifests itself many times during his time in New York, with one of the earliest examples being his meeting with Sunny in the hotel room. Holden protects her innocence, but not for any particularly noble reason. He hangs her dress back up and insists that he just wants to talk, but Holden did not do this in an attempt to be some paragon of righteousness. Holden, on a deep, psychological lev...