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Human Geography
Importance of monuments
Monument message and purpose
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Through exploring the geography of everyday life within Toronto, we are also able to explore the presence or absence of power. One of the ways in which we can view relations of power within a city is through the use of analyzing and exploring monuments. Within the GTA, there are numerous amounts of monuments present that commemorate or provide remembrance of the city, various individuals or a variety of different groups and communities. According to Donohoe (2002), we all encounter monuments however we may not necessarily notice them within our everyday lives. A Monument is a structure that calls for individuals to be reminded and mindful of important events or the lives of individuals (Donohoe, 2002). They provide the power of retelling history …show more content…
As a result, this paper seeks to explore the Piazza Johnny Lombardi monument to demonstrate the ways in which monuments establish a sense of meaning to a given area. Exploring how this monument is used as a way to view the city as a cultural artifact will demonstrate the importance of history. In addition, the monument helps to recognize the importance of place and time. Lastly, this paper will investigate how the Lombardi monument demonstrates how urban spaces can often be viewed as creating assertions of power.
It is important to understand that, many individuals believe that monuments play various roles within urban spaces. For instance, James Mellon (2008) understands the city as a work of art and expresses the notion of space, place and meaning in order to emphasize how place
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While the Piazza Johnny Lombardi monument wishes to evoke a sense of remembrance of multiculturalism, Nicholas Harney (2006), expresses his concerns that certain monuments can create power for groups of individuals over others. He believes that “ the placing of monuments and institutions are assertions of group presence in, familiarity with and control over specific territories.” (Harney, 2006, p.26). The Piazza Johnny Lombardi monument can be seen as an example of this because it is placed in a location that is prominently of Italian individuals which can be viewed as the Italian community having claims over this urban space. Having this monument present in little Italy, allows for the image of the Italian community to be consumed by the public. Although, the creation of the Lombardi monument was not to give power to the Italian community over other communities within Toronto, this raises many questions and concerns with the politics of power in certain places. This can also be related to the ideas that Wells (2007) provide in demonstrating how monuments are created as a way of governmental power, however in this case it can be viewed as the power of the Italian community. The ideas of
Monuments and museums are arenas of public history and for the formation and articulation of identities and narratives.[1] Decisions taken as to the formation of museums and the selection, display and organisation of exhibits are influenced by criteria which are not necessarily politically neutral; these may especially involve devices of political elites to emphasise aspects of communal togetherness and thus exert control over communities.[2] Memory and commemoration of past events and generations is by its nature a political and contested act, especially in sharply divided societies.[3] It is no surprise that recently established governments and states should particularly concern themselves with the production of such forms of festivities, commemorations, and monuments.[4] As rulers of a sharply divided society, unionist elites in Northern Ireland in the aftermath of its eventful creation in 1920-1 had particular reasons to concern themselves, and did concern themselves, with such strategies of power.[5] The integration of the province's Catholic minority may have been, or may have been felt to be, beyond the rulers of Northern Ireland;[6] but this very fact heightened the importance of preserving the highest possible degree of political unity under unionist hegemony among the Protestant majority.[7]
Castex, Jean. Architecture Of Italy. Greenwood Publishing Group, 2008. eBook Collection (EBSCOhost). Web. 5 Feb. 2012.
The Bloor Street Viaduct acts as a catalyst in Michael Ondaatje’s revision of Toronto’s civic history to weave together the stories of those responsible for building the city, rather the “functionaries and their visions” who ordered the city built. (Gamlin 68) “One of the principal objectives-and successes- of the novel is to ‘betray official history’ and reveal, however faintly, the presence of the human element in such Toronto landmarks as the Bloor Street Viaduct.” (Sarris 188)
When the terrorist attacks of September 11, 2011 rocked New York City, Pennsylvania, and Washington D.C., the word “tragedy” was used on a grandiose level around the world. For the people who lived close enough to experience the events first-hand, they may not have even called it a tragedy; perhaps they called it a misfortune, retaliation, lack of a strong government, unreal, or maybe even rebirth. In the coming years after the attacks, everything between standing united as a nation to declaring a war had flourished; but how has that left us - the land that has no distinct ethnicity - feel about each other? Why is it that fear is usually missing in the affective mnemonics of memorial sites, which, after all, are signifiers of some of the most horrific violence in human history? Do memorials dedicated to these attacks bring us together in terms of understanding, or is it just continual collective grief? This paper will cover the global complexity of the 9/11 attacks, the Empty Sky 9/11 Memorial in Liberty State Park, NJ, and factors and theories that memorials do influence a sense of complexity. The ground of public memory is always in motion, shifting with the tectonics of national identity. I chose the Empty Sky 9/11 Memorial as my topic of observation as I, personally, visit a few times throughout the year to pay respects to people I personally knew who perished in the attacks to the World Trade Center. I was in the 5th grade when this happened, and had absolutely no clue what was going on until my father did not return home until two days later with a bandage wrapped around his head and his devastating recollection of what happened just before he arrived to his job. The emotions that I feel within myself compared to others will...
...’s book accomplishes a lot in its timid three hundred pages, it lacks more examples of modern architecture and historical landmarks such as the ones discussed above. Also, the lack of chronological order is a new approach, but it might not appeal to all readers.
A monument is used to memorialize events or people, whether it is used to honor moments of great achievement or to pay tribute to deep sacrifice. Several factors are considered when creating a monument or a memorial; materials, design, and location. Each factor needs to be carefully considered to make a monument memorable and intriguing.
Last but not least, the Italian-American’s contributed greatly to America’s past and left quite an imprint on our ‘melting pot’ culture. The Italian-Americans came to America following a dream; whether it be temporarily ‘escaping’ South Italy or a lifelong aspirations toward music. There perseverance and bravery left an impact stronger than words can express which assisted our future successes. Slowly yet steadily, Italians rose up the social ladder, opening up like a blossoming flower to their fellow Americans. Establishing their roots, then blossoming into a beautiful flower, revealing all beyond everyone’s expectations. Today, Italians have surpassed all the other ethnic groups in average job income and job prestigious, a true example of hard work paying off. As for, “Chi la dura la vince,”-He who perseveres wins at last...
Monuments are items or statues that symbolizes certain individuals or groups of people. A monuments composition primarily symbolizes the individuals importance. for instance a statue of solid gold would normally be for a very important person, as a stone statue would be for someone not nearly as important. The statue of Christopher Columbus is relatively small in comparison to the Washington monument. People generally consider three factors when memorializing people or actions. the first being Importance. The second being area. The last being time in history.
History has a strange way of coming back around when it comes to human civilization. It has been said repeatedly that those who do not know history are doomed to repeat it. However, just because there is a potential for danger in the future, this does not mean that humanity must ignore what once was. History is normally remembered through what is known as a memorial. When a memorial is put into a physical representation, it is then known as a monument.The need to memorialize events or people is complex; in some cases, monuments honor moments of great achievement, while in other cases, monuments pay homage to deep sacrifice. A monument's size, location, and materials are all considerations in planning and creating a memorial to the past. Examples of such feats are the Washington Monument, Lincoln Memorial, and even Mount Rushmore. For the latter of the
A memorable monument is a historical structure that represents a significant person or event. They are designed to show the importance of either the person or event. Monuments are intended to last forever so the subject will never be forgotten to society. The factors that should be considered when creating a memorable monument are that the subject must be powerful and meaningful to society and the design should resemble the significance of the subject. These factors help communicate the magnitude of the individual or group’s sacrifice, as well as honor moments of great achievement in history.
Gilbert’s use of imagery emphasizes the wild, vibrant, energetic nature of the city of Naples. It becomes clear that, In Gilbert’s eyes, Naples is a city unlike any other. The author writes, “An anthill inside a rabbit warren, with all the exoctism of a Middle Eastern bazaar and a tough of New Orleans voodoo” (Gilbert 175). This shows us how Gilbert sees Naples better than if she had chosen to describe the city detail by painstaking detail. Gilbert combines aspects of places in other countries in a way that gives the reader a clear image of Naples overall atmosphere. Gilbert writes, “The city is all decorated with the laundry that hangs from every window and
As an idealist, compelled by the detailed imagination of the Venetian, he listens and intervenes within interludes of these chapters. They both start off by exploring the wonders that behold these cities. This gradually led them to question the reality of what has been imagined or is their imagination idealized to the point that it has become their reality. The book is a reflection of how everything interweaves with one another; the mind, matter itself and time all have a relation that are part of our reality. These were broken down throughout each chapter and demonstrated how a city’s foundation is made up of these thoughts and translated through its construction from which its people produce and live within.
The style of Baroque architecture is say to be overwhelm, in other word, heavy and powerful. In order to bring out the sense of solemn, holiness, it is presented in the form of massiveness and movement. The St. Peter’s Basilica, completed in 1626, designed by Donato Brama...
Monuments are a symbol of a significant time in history. Monuments represent life, death, success, and struggle just to name a few. They have become as important to society as the events they represent. They bring history alive to new generations and memories to those who experience them firsthand. Monuments create a bridge between generations. Many parents feel a certain indescribable joyfulness when they see the look in their child’s eyes they had went they viewed the same monument.
A city has to be beautiful, though the definition of “beauty” is so vague. The beauty can be physical, such as enjoyable parks, streetscapes, architectural facades, the sky fragment through freeways and trees; or it can be the beauty of livelihood, people, and history. As landscape architects, we are creating beautiful things or turning the unpleasant memorial.