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Contributions of John Keats to romantic poetry
Contributions of John Keats to romantic poetry
Contribution of john keats to romantic poetry
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John Keats has many memorable and distinct poems. He is well known for his ability to write and adored by many. Ode on Indolence is a poem that can be relatable to its readers due to its idea of how indolence interferes with life’s opportunities, in particular the three mentioned in the poem, love, ambition and poesy. Keats refers to these three figures as “ghosts” (51) therefore insinuating that they once lived, but now they are mere figments of energy and air.
Keats’ poem six stanzas of ten lines each in iambic pentameter, he begins his poem with a passage from Matthew 6:28, “They toil not, neither do they spin”, he uses this as reference for describing the three figures of the poem. In other, simpler words, he is saying that the figures do not work hard, relating somewhat to the title. The speaker of the poem sees but does not identify the figures in the first or second stanzas. Instead in the first stanza, he describes the first two times he encounters them. The first being graceful, “like figures on a marble urn” (5). The second time they appear, they become strange characters, the speaker says that they are “shades” (7) and they are strange to him, unlike before. The second stanza then begins and immediately, they are no longer figures but shadows, “How is it, shadows, that I knew ye not?” (11). Already the readers begin to see that these forms are taking on an image that is a copy of something other. While love may be copying emotions, or fulfilling them, ambition is the copy image of hard work, while poesy is the reproduction of both the emotions and hard work. The speaker then continues to digress into a speech of why he does not understand the slyness of the shadows. He believes that they are there to take away his la...
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...nts to do, write. This is a well-acknowledged disadvantage of being a writer of any sort today it is referred to as writer’s block and many writers find themselves unable to write a sentence of complete a poem/story.
Keats writes encouragingly to every aspiring author as well as every past author. Ode on Indolence is a perfect example of how large passions such as love and ambition may not be the only motivating factors to writing. He allows the readers of this poem to understand the reality of what discouragement truly does; it creates an atmosphere that writers have difficulty getting past. The poem expresses this clearly throughout the stanzas and Keats does not allow readers to forget what indolence truly is.
Works Cited
Keats, John. “Ode on Indolence”. Romanticism An Anthology. Ed. Duncan Wu. Oxford: Blackwell Publishers, 2012. 1470-1471. Print.
...agery artistically to creatively examine, whether death really is the end of all humanity or whether life was merely purgatorial, a period of time allocated on earth for the purpose of atoning for our sins just like the ‘purgatorial rails’ in this poem. Alternatively it can be argued that religion is not life affirming and only death reveals, the indoctrinatory nature of religious teachings. For example the ‘sculptured dead’ were ‘imprisoned in black’ connoting everlasting torment. It almost contradictorily argues that faith on one hand is a sufferance gladly taken by citizens so they may reap their rewards in the afterlife but on the other hand Keats is demonstrating how religion is restricted and there is really no life after death. This is interesting because it controversially subverts conventions of the time that he was writing in.
When it comes to poetry there are various ways in which people interpret it. Depending on the person and his or her experiences a poem can hit a person a certain way, especially with a great poet such as John Keats, who has written a great amount of beautiful poems that fascinated the literature world. The great poetry he has written has left him as one of the greatest poets of all time. It is unfortunate that he deceased at such a young age considering he was at his prime when it came to writing poetry. Keats writing is brilliant and can really paint several images in the reader’s head. The way he was able to paint a vivid image by the use of symbolism and the metaphors he is able to incorporate into his poems.
White, Keith D. John Keats And The Loss Of Romantic Innocence.(Costerus NS 107). Minneapolis: Rodopi BV Editions, 1996. Print.
John Keats’s illness caused him to write about his unfulfillment as a writer. In an analysis of Keats’s works, Cody Brotter states that Keats’s poems are “conscious of itself as the poem[s] of a poet.” The poems are written in the context of Keats tragically short and painful life. In his ...
Baron, forlorn in the loss of his Madeline. Does Keats merely make tribute to this classic idea of
”To Autumn” is an ode written by John Keats on the 19th of September 1819. While walking near Winchester along a river, Keats became inspired to write the poem. The Rest of his other odes were completed in the spring of 1819. John died on the 23rd of February 1921 at the age of 25, just a year after the release of “To Autumn”. However, throughout his life he inspired many poets, but most notably Percy Shelly. In mourning, he wrote the elegy “Adonais” for Keats.”To Autumn “is his final poem and many have said it is his best. Keats use of imagery takes the reader on an adventure through the scenes and sounds of autumn. He achieves this by his use language, imagery, tone and structure. This is also what creates the mood and consequently allows him to challenge the notion that music is usually associated with spring. Thus, in this essay I will show how he challenges this belief, by looking at his use of imagery, tone and form. In addition I will look at what his influences were and the context in which he wrote the poem.
Keats presents his feelings on how he no longer wishes for impossible goals, and how it is much more preferable to enjoy life as much as possible. It is of no use longing for things we cannot have, and so we must learn to live with the myriad of things we already have, of these one in particular appeals to Keats: the warmth of human companionship and the passion of love.
While Lord Byron's poem enhances the beauty of love, Keats' does the opposite by showing the detriments of love. In “She Walks in Beauty,” the speaker asides about a beautiful angel with “a heart whose love is innocent” (3, 6). The first two lines in the first stanza portray a defining image:
John Keats’ belief in the beauty of potentiality is a main theme of him great “Ode on a Grecian Urn.” This idea appears in many of his other poems that precede this ode, such as “The Eve of St. Agnes,” but perhaps none of Keats’ other works devote such great effort to showcase this idea. The beauty of the Grecian Urn (likely multiple urns), and its strength as a symbol, is a masterful mechanism. Just about all facets of this poem focus on an unfulfilled outcome: but one that seems inevitably completed. Thus, while the result seems a foregone conclusion, Keats’ static world creates a litany of possible outcomes more beautiful than if any final resolution.
Death is inevitable. Chidiock Tichborne and John Keats in their poems “Tichborne’s Elegy” and “When I have fears that I may cease to be” convey death in opposite ways. Tichborne through his poetic style, shows an acceptance of his death, as a result of reflecting on a life fulfilled, but unrecognized. While Keats, expresses a fear of death, where he contemplates that he will not be able to experience love or fame. Both these poets have lead lives that varied from each other in ways that are most revealed through their use of form, metaphors, repetition, punctuation and rhyme schemes. Moreover, both poets express and explore deep rooted human emotions such as, nostalgia, pain, love and a feeling of insatiability. Although “Tichborne’s Elegy” and “When I have fears that I may cease to be” share a common theme because each speaker contemplates the inevitability of his death, their perceptions differ mainly as a result of their circumstances.
Arguably one of John Keats’ most famous poems, “Ode to a nightingale” in and of itself is an allegory on the frail, conflicting aspects of life while also standing as a commentary on the want to escape life’s problems and the unavoidability of death. Keats’ poem utilizes a heavy amount of symbolism, simile and allusion to idealize nature as a perfect, almost mystical, world that holds no problems while using imagery taken from nature, combined with alliteration and assonance, to idealize the dream of escape from the problems life often presents; more specifically, aging and our inevitable deaths by allowing the reader to feel as if they are experiencing the speaker’s experience listening to the nightingale.
For example, in the first line is him contemplating his fear that he may never live to share all of his knowledge. It is a strange fact that we, as humans, believe that we will not die; we think this until there is that one point in life that we first see death. For many, a sense of mortality does not hit until a loved one’s light suddenly goes out and all that is left is a stream of hazy memories of that person. Keats knew his flame was flickering, so he wrote down his feelings and thoughts with vigor. When people of his time read what he put down on paper, they were not ready to accept the inevitable because they only saw a man belligerent about his life. Is has been said that, “the generally conservative reviewers of the day attacked his work, with malicious zeal, as mawkish and bad-mannered, as the work of an upstart." (The Poetry Foundation) After his death at such a young age, people began to see why he was contemplating such a dark concept. Basically, Keats gives the example that although the words of today can sometimes be ignored, there may be a time in the future when those words mean the world to
Keats presents a stark contrast between the real and the surreal by examining the power of dreams. For the narrators of each work, dream works as a gateway to the unconscious, or rather, a more surreal and natural state of mind. Keats presents the world as a place where one cannot escape from his/her troubles. For the narrator in “Ode to a Nightingale” he attempts to artificially medicate himself as a means of forgetting about the troubles of the real world which cause him to feel a “drowsy numbness” (Ode to a Nightingale 1) which “pains / My senses, as though of hemlock I had drunk,” (1-2). The narrator, seemingly in search for both inspiration and relief, drowns out these feelings through an overindulgence in wine as a way to “leave
The second stanza of John Keats’s “Ode on a Grecian Urn” begins with the line, “Heard melodies are sweet, but those unheard / Are sweeter.” With this line Keats is saying that while spoken word is important and beautiful, a picture is worth 1000 words. The first four lines of the stanza set the stage for the story of the Urn to be told, and there is a clear separation between the first four lines of the stanza and the last six. Keats makes this separation obvious with his rhyming scheme. The first four lines of the stanza go ABAB with B being an implied rhyme, and the last six lines go CDECED. Each line of the second stanza has ten syllables except the
The third stanza marks a solid transition into Keats’ open and almost (excessive) praising of the goddess. While this isn’t too remarkable as the entire poem is focused on lavishing Psyche with extraordinary praise heaping complementary metaphor upon complementary metaphor onto her.Keats makes sure that it is clear nothing can compare to Psyche’s perfection. Keats allows this repetition to build on itself, driving the point even more home.