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john donne as a metaphysical poet essay
john donne as a metaphysical poet essay
john donne as a metaphysical poet essay
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John Donne is recognized as being the poet who broke the Petrarchan tradition in England and created a new style of poetry: Metaphysical (The Norton Anthology of English Literature, 581, 585-586; TNAEL throughout). Metaphysical poems are not a completely new branch of poetry, but an extension of the point of the Elizabethan tradition (pg. 581, 585-586). “The Sun Rising,” by John Donne, is divided into three stanzas, each ten lines long. The rhyme scheme in each stanza is ABBACDCDEE. Lines one, five, and six are metered in iambic tetrameter, line two is in dimeter, and lines three, four, seven, eight, nine, and ten are in pentameter.
“The Sun Rising,” is a vivid lyrical poem envisioning a pair of lovers being entire worlds unto themselves. The poem begins with a couple lying in bed. The speaker scolds the rising sun, calling it a “busy old fool,” and asks why it is bothering them through the windows and curtains (line 1, 589). The devoted and trustworthy lovers are in so much love that nothing else matters. The speaker personifies the sun, and talks to it throughout the poem. As the sunlight beams through the windows, the speaker tells the sun to let them be, and leave them alone. He says that love is not a subject of seasons and time and he forcefully tells the sun, the “Saucy pedantic wretch,” to go irritate late “school-boys” and sour apprentices, to tell the “court huntsmen that the King will ride,” and to call the “country ants” to their harvesting. He feels that their life together is perfect, and that the sun is annoying (lines 5-8, 589). The speaker concludes the poem by telling the sun to shine only on himself and his lover. By doing so, he says, the sun will shine on the entire world as well.
Then, in the second stanza...
... middle of paper ...
...pond to the speaker’s speech while trying to get rid of the sun. The speaker then feels out-played and gives up trying to get rid of the sun, and has no choice but to allow the sun to stay and shine.
“The Sun Rising,” by John Donne is a metaphysical lyrical poem about two lovers who are in bed together and are interrupted by the sun. The diction and sounds of the poem flow well, throughout with a lot of anger in the beginning, and lightens towards the end. The imagery in the poem is strange and over-exaggerated, while the tone progresses from an “annoyed” to an “understanding/aggravated” attitude. There is a transition in the “annoyed” and “understanding/irritated” tones, when the speaker gives up on trying forcing the sun leave and lets it stay. “The Sun Rising,” is one of the various entertaining, metaphysical poems by John Donne that are intricate and enjoyable.
At times, ”Dawn”, can be a metaphor for a time of clarity. It is also called an “epiphany”. When a person has an epiphany, it may cause them to realize that there is a bigger problem the whole time. Similarly, as Romeo and Juliet were completing their final conversation before Romeo is banished, Juliet exclaims, “‘ As one dead in the bottom of a tomb’” (Romeo and Juliet 3.5.56). In Shakespeare's famous play, Romeo and Juliet, Juliet realizes that there is bigger problem because she has the epiphany of Romeo dead in a tomb. Likewise, while saying that there is too much pain and suffering, the narrator explains that, ‘“At sunrise …Too much pain, too much pressure’’”(doc.1). This quote from Campbell’s song, ”Sunrise”, demonstrates that epiphanies
“The Starry Night” by Anne Sexton describes her experience of visiting Van Gogh’s painting during a gallery showing. Anne Sexton’s Poem “The Starry Night” is written in reference to Vincent Van Gogh’s painting The Starry Night sent to his brother. She writes this poem with a heavy hearted tone, and the understanding of Van Gogh’s work to be a destructive painting, full of darkness and longing for death to come. Sexton views the town at the foot of the hills as decaying and silent as it slowly disappear below the starry night. More importantly Sexton sees the tree that looks like the hair of dead woman drifting in the blue sky which is like a serpent that is sly and deceitful. Like the understanding of the evil of the sea in the times of the ancient near east, she saw the swirling sky similarly. Through this she then sees the night like a beast that brings chaos and destruct, removing all that is beautiful. For she says the even the eleven starts, so beautiful with the moon will be swallowing up by the beast of the night. She writes as if all of this was once beautiful and a source of life to this earth, however is now destroyed, and source of longing for the destruction of life.
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
The relationship of the speaker to his surroundings is introduced into the main narrative in the opening of the poem, and is specific to when this occurrence is taking place, “At midnight, in the month of June”. June is the month in which the summer solstice takes place, in the Pagan culture of this time “Midsummer was thought to be a time of magic, when evil spirits were said to appear. The pagans often wore protective garlands of herbs and flowers.” (chiff.com) Today this concoction is used by modern herbalists as a mood stabilizer. Midnight is also known as the witching hour when ghosts are considered to have their most power. Black magic is also thought to be infallible at this hour as well. The speaker of the poem describes himself as standing beneath the moon, this sublunary expulsion is pertinent to the narrative of the poem, and he is admitting his mortality in this line. The moon is personified in the fourth line “Exhales from her out her golden rim”, which is ...
Dickinson begins the first line of her poem by writing in iambic tetrameter. In the second line she switches to iambic trimeter and proceeds to alternate between the two. This rhyme scheme proves to be particularly effective in complimenting the subject of the poem-- the ocean. When a reader looks at the poem it is easy to see the lines lengthening then shortening, almost in the same fashion that the tide of the ocean flows and ebbs.
"The Sun Rising," by John Donne, is a lyric poem about two lovers. The poem is divided into three stanzas, each ten lines long. The rhyme scheme in each stanza is ABBACDCDEE. This is a dramatic poem where the speaker and his lover are in bed together. The speaker personifies the sun, and is speaking to it throughout the poem. As the sunlight comes through the windows, the speaker tells the sun to leave them alone. He seems to feel that their life together is complete, and that the sun is being a nuisance. He then tells the sun that his lover is worth more than anything the sun can ever find outside their bedroom.
In the poem, Donne structures each stanza individually as a different personification of love. In the first stanza, Donne compares love to a plague when he says, “Yet not that love so soon decays…that I have had the plague…” (3/6) It is the latter line that Donne implements his use of imagery and conceit. Love is not often compared with “the plague” and this is a very strong interpretation. However while these two images seem different, they do interconnect through the pain and anguish that love can foster. This first comparison of Donne’s is very ef...
Personification of the sun is shown where the narrator indicates that the sun passed them in lines 12 and 13. This presents a highly styled poem that has used diverse stylistic features to communicate to the readers. Symbolism and objectification has been extensively used to communicate where the narrator uses first person to narrate the story.
It is quite feasible to state that poetry at its finest is a dazzling and expressive art of words. A poem not only can expose the diplomatic beliefs of societies, but can also articulate passions and sentiments of the author to whom the poem belongs. One of the many fine poems that have been prevalent among the study of literature that is irrefutably powerful is Meditation 17 by John Donne. This poetic essay exposes John Donne’s opinions and beliefs on humanity, and covers much cogitation from religion all the way to death. Of course, the poem has been written so profoundly that one may not grasp it completely at first glimpse, however John Donne does use explicit strategies to better convey his message to readers of all sorts. John Donne utilizes situation, structure, language, and musical devices to enhance the poem and to aid in delivering his message efficiently.
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
Andrew Marvell successfully writes about a delicate subject without coming off as dirty or disrespectful to the subject of sexuality. Each stanza carries a different way of looking at the same subject. The way Marvell speaks in the first stanza shows that he is not being impetuous, that he does love his mistress. He creates a sense of timelessness and then in the second stanza he sweeps that away and introduces death as frightening but unavoidable. He realizes how precious time is and is very effective in convincing his mistress of this fact as well. The last lines leave the reader with the image of this couple conquering and taking advantage of time by making the sun run. This poem would not be what it is without the detailed imagery, symbolism, and metaphors that Marvell applied to each stanza.
In ‘The Sun Rising’ the tone and the language Donne uses when interacting with the sun at the beginning of the poem is demeaning and powerful starting immediately with ‘Busy old fool, unruly Sun’, which shows Donne addressing the sun directly and perhaps scalding the sun for disturbing the sleeping lovers. Donne shows what the experience of love means to him by expressing his dislike for the sunrise of ultimately a new day, which represents the separation of the couple after spending the night together. In the first stanza Donne asks direct rhetorical questions which enquire about the sun’s existence ‘Must to thy motions lovers’ seasons run? This proves that Donne disagrees with the fact that the sun controls what the lovers do. It is also important to note that Donne uses a capital when addressing the ‘Sun’ as if it is personified and highlighting its importance in the poem. He continues to address the sun’s actions and is most reprimanding when he states ‘Go tell court-huntsmen that the king will ride’, suggesting that the sun should not disturb the couple as it is per...
Metaphysical wit and conceit are two of the most famous literary devices used in the seventeenth century by poets such as John Donne. Emerging out of the Petrarchan era, metaphysical poetry brought a whole new way of expression and imagery dealing with emotional, physical and spiritual issues of that time. In this essay I will critically analyse the poem, The Flea written by John Donne in which he makes light of his sexual intentions with his lover.
What do you feel when you see a sunset? Warm, happy, amazed, awe-inspired? The sun rose yesterday, and will again tomorrow, and will again the day after that, it’s not as if the sunrise is a miraculous event, yet the emotions are visceral. It’s beautiful, and this strikes a deep, primal chord inside. John Berger attempts to unravel this mysterious attraction to beauty in his essay, “The White Bird”. The white bird in question is a small, wooden carving of a white bird, hung in the kitchens of certain cultures that experience long winters, such as the Haute Savoie region in France. According to Berger, the birds are an attempt to hold onto the fleeting beauty of nature, and a reminder of the spring to come. “Nature is energy and struggle. It
Donne's narrator begins the metaphor in the first stanza, addressing the sun as its morning rays awaken him, through the curtain. He scolds it as if it were an unruly butler, calling the sun a "busy old fool" (Line1). It is suggested that the sun should be attending to more important concerns at that hour, rather than waking to lovers: