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How historians think bebop changed jazz
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A man who used his life to the highest potential possible created something no other person had done before his time. John Birks Gillespie created music in other ways people believed were not possible. From Bebop, Gillespie's famous style of Modern Jazz, to leading the United Nations Orchestra! Gillespie was a man of his time and was unlike any other. All of this tied in to Gillespie getting inducted into the South Carolina Hall of Fame in 1985.
Thesis Statement – John Birks Gillespie was inducted into the South Carolina Hall of Fame in 1985 because he represented the United States by playing in the Teddy Hill Orchestra on a world tour, designed the Bebop Revolution in Jazz music, and established the UN Orchestra.
While in the Teddy Hill Orchestra, Gillespie represented the United States by playing in the United States world tour. During his time in the Orchestra, Gillespie stood out to many people as the ambassador of Jazz. Gillespie wanted to expand his career in music so he moved to New York City. There, he played in small bands but soon found out that, “Teddy Hill needed an experienced trumpet player because the original trumpet player did not want to go on tour” (PBS). Going on this tour made Gillespie’s name stand out upon other famous musicians at the time. To widely brighten his career, Gillespie implemented his newly created version of Jazz, Bebop (PBS). This was a new style of playing Gillespie used while playing Jazz that many people really enjoyed at the time.
In the middle of his life, Gillespie designed the Bebop Revolution in Jazz music. Bebop was created when, “Gillespie was with Charlie Parker during his tour at after-hour late night jam sessions. While playing, Gillespie started playing random s...
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...t care much about music. What I like is sounds.” This goes to show why Gillespie earned everything he did.. The United Nations Orchestra, the Teddy Hill World Tour, and the design of Bebop all flows together and concludes Gillespie into one word, honorable. People may not know how a song got into their head, but they can thank John Birks Gillespie, one of music’s great pioneers.
Works Cited
"Dizzy Gillespie." Encyclopedia of World Biography. Detroit: Gale, 1998. Biography in Context. Web. 8 Apr. 2014.
“John Birks (1917-1993) Trumpeter, Composer, and Band leader.” PBS, n.d. Web. 23 March 2014.
Marshall, Marilyn. “Dizzy Gillespie.” 24 March 2014: 1. Student Research Center.
Boone, Mary. American Jazz Dizzy Gillespie. Mitchell Lane, 2013. Print.
“Dizzy Gillespie.” Contemporary Black Biography. Vol 1. Detroit: Gale, 1992. Biography in Context. Web. 30 March 2014.
Due to the fast chord progressions and sporadic nature of the songs in general, the sound range would be all over the place. Bebop is also very upbeat, which fits the mood of higher notes as it brings more energy to the song. The use of hitting a higher range of notes is used to express the adventurous nature of bebop. According to Eddie S. Meadows, author of Bebop to Cool, “bebop was without a doubt disjunct compared to cool jazz.” This meant there were a lot more jumps in range in consecutive notes, which is very different from cool jazz. Combined with less straight tone quality and more vibrato, bebop’s sound characteristics are very different from cool
"Dizzy Gillespie – Jazz and Blues Masters ." american jazz musician . b 1917 . d 1993.
The difference with Bebop and the Swing Era are with the melodies and how the bands are setup. Starting with bebop it his more of a complex tempo with a four to five piece band then what a swing era band would normally have about five Saxes players, three trombones players, four trumpets players and with a rhythm section playing a big dance hall unlike bebop the sound would be only heard in small jazz clubs. The music can be heard and seen played faster with the drummer keep the time for the whole band. You’re able to hear this in the tune “Tempus Fugue-It”, the piano can be heard playing solo sporadically as if it sounds out of control but the player is with in control as the drummer keeps the tempo going with a sound of a moving
Developed in the early 1940's, Bop had established itself as vogue by 1945. It's main innovators were alto saxophonist Charlie Parker and trumpeter Dizzy Gillespie. In this stage in jazz, improvisation differed immensely. Bebop soloists engaged in harmonic improvisation, often avoiding the melody altogether after the first chorus. Usually under seven pieces, the soloist was free to explore improvised possibilities as long as they fit into the chord structure. Popular and influential jazz artists include: Louis Armstrong, Miles Davis, & Cannonball Adderley. Armstrong is most known for his involvement in hot jazz as a trumpeter, but is especially renowned for his improvisation capabilities. Louis Armstrong, born August 4, 1901 right in the beginning stages of the jazz movement, was originally from New Orleans. Armstrong was a bandleader, soloist, comedian/actor, and vocalist. Another famous, Miles Davis, is what some consider to be the best trumpeter of the era. Davis was born on May 26, 1926 in Alton, Illinois. One unique thing about Davis was that he was taught to play without vibrato, which was incredibly contrary to the popular way of
Jazz music of the 1940’s and 1950’s was defined by a history of change since its beginning at the dawn of the 20th century. Almost every decade brought a new flavor to the movement, and by the 1940’s jazz had developed into a mature, complex form of music, with many nuances and avenues for continued change. It is important to trace the early movements in jazz to better understand the innovations of the Bebop and Cool jazz eras of the 40’s and 50’s.
The music of jazz became an important aspect of American culture in the early 20th century. The crisp syncopation of ragtime and the smooth tunes of the blues seeped into American mainstream music through dance halls and saloons and later through ballrooms. Instruments like the piano, trumpet, trombone and clarinet became important and symbolized the “swing-feel” of jazz because of their capability to syncopate and improvise precisely. With the help of the booming recording industry, musical geniuses were discovered and their talent and contributions to the emergence of jazz spread throughout the entire country. Such musicians include composer, arranger and pianist Jelly Roll Morton who heavily influenced the development of early jazz by his unique piano style, his “invention” of musical notation for jazz, and his compositions that have become the core in the jazz repertory. Because the style was new and different and so successful in drawing in large audiences, musicians around the world tried to mimic it. Furthermore, Morton’s masterpieces were the first to show notation for complicated jazz music and thus, formed the basis for standard notation in jazz compositions today.
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In the mid 1930s, Benny Goodman sparked the beginning of the Swing Era of jazz music shortly after leading his first band, which was monumental to the development of jazz. This marked a transition from the early Jazz Age, which resulted from combining aspects of ragtime and blues music over the previous two decades. Through Goodman’s live performances at various gigs and NBC’s radio show Let’s Dance, he gained increased recognition as a jazz performer and band leader. Following his pivotal Palomar Ballroom gig in Los Angeles, Goodman’s music inspired teenagers to create dances to accompany his new jazz style. As a result, his music grew to gain national acclaim and popularity among many different types of people. Goodman greatly influenced
He is the greatest and most important musician in jazz history, and he made an innovation of jazz music. It is no exaggeration to say that, in a sense, Armstrong pioneered jazz history.
A single artist can have a very strong impact on a whole genre of music. We have seen this time and time again through artists such as Charlie Parker, David Brubeck, John Coltrane, Art Blakey, Miles Davis, and many others. All of these artists had tremendous influences on the different eras that evolved throughout the history of Jazz. Bill Evans, an American jazz pianist, was no different. Just as Charlie Parker had started the evolution of Bebop and influenced the subsequent generations of Jazz Artists, Bill Evans has influenced Modern Jazz and the generations of artists that followed him.
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
Teachout, Terry. "John Hammond's jazz." Commentary 122.3 (2006): 55+. Academic OneFile. Web. 16 Nov. 2011.
Though Jazz has changed, the background behind it still inspires those today. Even though each artist has their particular style or expression, they all can agree that music is art. They can all agree that Music is emotions and feelings. Through the years, just as all things do, Jazz and Bebop have grown and flourished across America and the World. All in all Jazz for African Americans opened the doors in America, jazz alone opened doors and ears all across the Earth.
The term modern jazz generally referred to the musical period after bebop, when musicians begun to approached harmony in different aspect. Modern jazz was often overlooked, often defined as jazz derivation or hybrid and was influenced by variety of musicians; among them was Bill Evans. He was one of the most important jazz pianists, and remained to be one of the most influential musicians of post-bebop jazz, due to his prominent sound that made him recognizable to everyone. According to Bert Konowitz, “Bill Evans Sound is created by using chords in the left hand that often do not have the root of the chord on the bottom, as well as voicing chords with tone clusters” (198). Bill Evan’s sound was distinct and involved unique technique like chord cluster and block chord. Bill Evans was an important figure that influenced the development of modern jazz, including the progress of modal jazz technique, the re-harmonization by chord voicing and the expressivity of jazz.
Andrews, John. (1998). What bebop meant to jazz history. A review of Scott Deveux’ book “The Birth of the Bebop: A Social and musical history.”