Jane Eyre And Frankenstein Character Analysis

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Although Mary Shelley’s Frankenstein and Charlotte Bronte’s Jane Eyre are comparatively different, the characters are delicately crafted to unfold a captivating theme throughout each novel which embodies the idea of the social outcast. The Monster and Jane Eyre struggle through exile due to an inability to fit into the social norms presented by the era. The characters embark on a journey while coping with alienation and a longing for domesticity which proves to be intertwined with challenges. Character, developed as social outcasts are appealing and sympathized with by readers because of their determination to reach a level of happiness. The voyage toward domesticity, away from the exile of society which Jane Eyre and The Monster embark on …show more content…

Arguably, alienation and exile of The Monster in Mary W. Shelley 's Frankenstein begins from the moment of his creation. Developed by a process which is unknown to the reader, Doctor Victor Frankenstein pieces together the anatomical features of a man with what can be concluded as the scraps and remains of body parts and rare chemicals to produce The Monster. Doctor Victor Frankenstein rejects his own creation by failing to give it a name. Throughout the entirety of the novel, The Monster is incessantly referred to by severely degrading, dehumanizing terms resulting from a lack of identity. References to a character such as “monster”, “demon”, “it”, “wretch”, and “creature” further support the notion that The Monster is living as a social outcast. At an unbelievable eight feet tall, he enters the world as an anomaly. Inexperienced, unaware and frightened he undoubtedly attempts to integrate into society. Nevertheless, The Monster develops a harsh reputation due not only to his unappealing physical appearance, but also due to others unwillingness to look past his …show more content…

The Monster’s confusion about the world and his inability to understand why he cannot simply be accepted in society drives his actions. Dutoit elaborates on the not so apparent truth that The Monster goes to great lengths to assimilate by acquiring language, understanding mannerisms and participating in customs. The Monster grows fond of a family, at first he watches them carefully, paying close attention to the details of their life and even steals food, unaware of their poverty. Supporting evidence which allows for the conclusion that he is innately good and simply longing for domesticity is shown by The Monsters willingness to help the family with chores, in secret of course. Nevertheless, he is universally shunned by everyone he encounters, except for the old blind man who was willing to have a social connection with him, until his family returned home and in fear rebelled against The Monster. This constant exile only leads to a greater alienation from the social world he deeply longs to be a part of. Unfortunately, due to his outward appearance, his good intentions are ill received by the people he

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