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Alienation theme in novels
Alienation theme in novels
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Although Mary Shelley’s Frankenstein and Charlotte Bronte’s Jane Eyre are comparatively different, the characters are delicately crafted to unfold a captivating theme throughout each novel which embodies the idea of the social outcast. The Monster and Jane Eyre struggle through exile due to an inability to fit into the social norms presented by the era. The characters embark on a journey while coping with alienation and a longing for domesticity which proves to be intertwined with challenges. Character, developed as social outcasts are appealing and sympathized with by readers because of their determination to reach a level of happiness. The voyage toward domesticity, away from the exile of society which Jane Eyre and The Monster embark on …show more content…
Arguably, alienation and exile of The Monster in Mary W. Shelley 's Frankenstein begins from the moment of his creation. Developed by a process which is unknown to the reader, Doctor Victor Frankenstein pieces together the anatomical features of a man with what can be concluded as the scraps and remains of body parts and rare chemicals to produce The Monster. Doctor Victor Frankenstein rejects his own creation by failing to give it a name. Throughout the entirety of the novel, The Monster is incessantly referred to by severely degrading, dehumanizing terms resulting from a lack of identity. References to a character such as “monster”, “demon”, “it”, “wretch”, and “creature” further support the notion that The Monster is living as a social outcast. At an unbelievable eight feet tall, he enters the world as an anomaly. Inexperienced, unaware and frightened he undoubtedly attempts to integrate into society. Nevertheless, The Monster develops a harsh reputation due not only to his unappealing physical appearance, but also due to others unwillingness to look past his …show more content…
The Monster’s confusion about the world and his inability to understand why he cannot simply be accepted in society drives his actions. Dutoit elaborates on the not so apparent truth that The Monster goes to great lengths to assimilate by acquiring language, understanding mannerisms and participating in customs. The Monster grows fond of a family, at first he watches them carefully, paying close attention to the details of their life and even steals food, unaware of their poverty. Supporting evidence which allows for the conclusion that he is innately good and simply longing for domesticity is shown by The Monsters willingness to help the family with chores, in secret of course. Nevertheless, he is universally shunned by everyone he encounters, except for the old blind man who was willing to have a social connection with him, until his family returned home and in fear rebelled against The Monster. This constant exile only leads to a greater alienation from the social world he deeply longs to be a part of. Unfortunately, due to his outward appearance, his good intentions are ill received by the people he
At first, The Monster is very kind and sympathetic. He has a good heart, as shown when he collected firewood for the family on the brink of poverty. Like every other human creation, he was not born a murderer. All the Monster wanted was to be accepted and loved by Victor Frankenstein and the other humans but instead he was judged by his appearance and considered to be dangerous. The Monster says, “like Adam, I was created apparently united by no link to any other being in existence…many times I considered Satan as the fitter emblem of my condition; for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (page 105). This line is an important part of the novel because the Monster lets it be known how like Adam he was created into this world completely abandoned and like Satan he is angry with those people who have found contentment and satisfaction in their lives. The rejection and unwelcome feeling he is faced with, is the main reason the Monster becomes a killer. Watching another family show love towards each other made the Monster realize how alienated he truly was. He did not know how to deal with his pain and emotions so he murders as
Analysis of Mary Shelley's Frankenstein. Analyzing a book can be a killer. Especially when it contains tons of subtle little messages and hints that are not picked up unless one really dissects the material. Mary Shelley's Frankenstein is a prime example.
Not quite a short story, but not quite a novel. Not quite human, but not quite robot. Mary Shelley, with some encouragement from fellow writers, created one of the most mashed up creatures never before seen. She combined mythological stories, science and human flaws to create this one of a kind ghost story. Mary Shelley’s fictional novella Frankenstein is the story about Prometheus with Victor as the tragic hero.
In the beginning of the story, we are under the impression that the creature was left on this earth without a person to connect with, yet has outstanding qualities and has admiration for man. Even though, the monster is not at fault, he
Mary Shelley’s Frankenstein, a truly famous novel that has been revisited by many, as well as revised by the author in the many years since its original publication. Within this novel Shelley conveys the tragic fictional story of Victor Frankenstein and his monster that he thoughtlessly brought to life, as well as the lives of those affected by his hideous creation. Throughout the novel it is made quite apparent that the monster was not inherently evil, in fact the monster was quite benign, however through its interactions with society the monster is slowly shaped into a being that can truly be called just that, a monster. All of the aforementioned change to the monster are brought about in part by the societal standards of the time period
Throughout Mary Shelley’s Frankenstein, the reader is lead to sympathize with the monstrous creature, which was created by Victor Frankenstein. Despite any internal contradictions, the creature has the indisputable outward appearance of a monster, one repulsive to even his own creator. Inevitably, the appearance becomes the creature’s most significant quality, which eliminates any recognition of other, more human, qualities. As a result, any possibility of acceptance within human society are completely destroyed. The creature himself even recognizes this fact. Expressing many human qualities, such rejection and the consequential loneliness has a tremendous impact on the creature, especially in the impressionable years after his initial animation. With the psychological effects caused by these factors, the creature is sent on a rampage, causing tragedy throughout the course of the novel. Many may question Victor’s culpability and lack of responsibility over his creation; however, the ultimate blame for the events must be placed while considering the situation on a larger scale. Without a structured beginning to life, the creature is subjected to the harsh society around him, whose reactions only lead the creature to exile and psychological torment, justifying his wrongful actions.
In Mary Shelley’s Frankenstein, Shelley characterizes the female characters as passive, disposable and serving an utilitarian function. Women such as Safie, Elizabeth, Justine, Margaret and Agatha provide nothing more but a channel of action for the male characters throughout the novel. Meaning, the events and actions acted by them or happen to them are usually for the sake of the male character gaining new knowledge or sparking an emotion. Each of Shelley’s women serves an important role by way of plot progression are otherwise marginal characters. Yet, this almost absence of women is exactly the reason why they are important. This use of the female character introduces a concept of feminism; here, female politics exists due to the vacancy of a “role model.” Women such as Justine, Agatha, Elizabeth and Margaret in Mary Shelley’s Frankenstein play a key role, whether it’s for mere plot progression or by their absence.
In the story Frankenstein, Frankenstein creates a creature. So the creature doesn’t know any better than to think that he is a regular human being. But, he is not he is very different from normal humans. His appearance is the first thing that you can notice about him that is monstrous. He has all different
In any novel the author is free to create and shape their characters in whatever way they see fit. In Frankenstein, Shelley does an excellent job of shaping her characters, be it however minute their part in the story, so that the reader gets a clear picture of Shelley's creations. It seems that each character in Shelley's Frankenstein is created by Shelley to give the reader a certain impression of the character. By doing this Shelley creates the characters the way she wants us to see them. She tells us certain things about them and gives them certain traits so that they will fit into the story the way she wants them to. In particular I will examine the characters of the monster, Elizabeth, and old man De Lacey.
In the novel Frankenstein by Mary Shelley, geography separates the characters Robert Walton and Victor Frankenstein, but many commonalities unite them. Divided by an immense amount of land, Frankenstein and Walton grew up having no knowledge of each other’s existence; however, despite living most of their lives separated, they developed similar personality traits and intellectual interests. When the two men meet, these similarities create a connection between. This connection causes the characters to feel sympathy for their respective struggles and achieve “the highest ideal of social interaction”(Bloom 126). The author connects Victor Frankenstein and Robert Walton through their inclination to stay connected with their family, desire to
In Frankenstein, Mary Shelley combines three separate stories involving three different characters--Walton, Victor, and Frankenstein's monster. Though the reader is hearing the stories through Walton's perspective, Walton strives for accuracy in relating the details, as he says, "I have resolved every night,...to record, as nearly as possible in his [Victor's] own words, what he has related during the day" (Shelley 37). Shelley's shift in point of view allows for direct comparison and contrast between the characters, as the reader hears their stories through the use of first person. As the reader compares the monster's circumstances to those of Victor and Walton, the reader's sympathy for the monster greatly increases.
In 1847, Charlotte Bronte, although a woman, published her semi autobiographical Jane Eyre. She wrote her novels in Thornton, Yorkshire, England. This novel later became a classic literature novel. ( Bronte) She wrote in the 1800’s and her novel reflects the time period, which she wrote in with the various techniques and themes. In the novel Jane Eyre, Charlotte Bronte uses literary devices such as, imagery and themes like religion and feminism to demonstrate the time period in which she wrote.
If not, elsewhere they meet with charity.The main character of this gothic, the titular “Frankenstein”, is Victor Frankenstein. In Shelley’s era, “Franken”, was a word meaning a builder or creator of some sort. This caused, Victor, as the doctor prefers, to become adept in piercing persistence, his most conspicuous quality. A lot of phenomenons that his creation, Frankenstein, creates are blatantly defeated by his unprovoked and often never ending persistence. The actual evidence of Victor’s persistence is known at the beginning letters of the book read by Robert Walton. The letters, show the settings of the ice caps in the arctic where Victor says he has chased the monster to. As Walton writes, we find out
Frankenstein Book Review – Lawson White Frankenstein is a novel written by Mary Shelley, which was published in 1818. The book is considered a gothic horror novel, and is one of the first gothic horror novels to be written. This book would be considered this genre because in the 19th century it would have brought fear to many. The story is written in first person as a series of letters from an explorer to his sister. Although the story is told via a sailor in the North Pole through the letters, the events of the story happen all over Europe, from Geneva to the Alps to France, England, and Scotland, as well as the university at Ingolstadt.
The novel Frankenstein is a one of the first Gothic novels that entails both gothic and romantic elements in its plot. The novel explains how Victor creates Frankenstein, the process by which he collects body parts and how life is given to Frankenstein. Its plot is in old scary European buildings and is filled with war between good and evil. It also shows how the characters are able to connect both the mortal and supernatural world. This novel is about the war between good and evil that will eventually get to have Frankenstein on their side (Donawerth). On the other hand, the novel on Jane Eyre is a gothic novel that takes place in Europe. It is filled with old buildings and shows how a young orphaned Jane Eyre is neglected by her adopted family especially after her adopted father dies. She undergoes through periods of success and hurting in her life until she meets a man by the name Edward who later breaks her heart. This leads her to the quest of finding her spirituality (Adams). This novel shows how one gets to know their spirituality and how it leads to their strengths and succe...