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World War 2 and how it affected the film industry
Essay about war movies
Romanticized war in movies
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Hollywood has represented World War II films seemingly in the same manner. Most of the films produced have had the same characteristics of camaraderie, survival, and violence. Hollywood, for the most part, gives the audience a good representation of the hellish effects of war also giving the audience an environment that these soldiers have to battle through. Whether these environments are in open terrain or in a small confinement inside a submarine, the horrors of war are felt the same way. Even in some films the protagonist dies demonstrating that no one is safe in battle including the hero. To get a more accurate understanding of how Hollywood represents films it will be more fitting to see every side of the war and how their films are produced. Hollywood also gives the audience a different side of war by seeing it through the enemies’ eyes. Hollywood portrays each countries film in a similar fashion from the epic American Hollywood film of Saving Private Ryan to the virtually unknown Japanese side of the war in Letters from Iwo Jima. Even though Hollywood can never duplicate the brutalities of war these different films gives the audience a depiction of the war that was never seen before.
Hollywood has had a history of making World War II films during the war itself from the years of 1942 to 1945. During the years of World War II Hollywood would make war films to prepare the “American audiences for what was to come, as well as to profit from the popularity of anything pertaining to the war.” Hollywood also portrayed a lot of violence on the theater screens, usually not censoring anything. “For many American civilians, these films provided prototypes of American soldiers and represented how they were expected to perform i...
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... the six servicemen who had raised the second flag (which was the only flag to be captured on film) of Iwo Jima. Even though Bradley had lived of somewhat of a normal life he was still haunted with the memoires of his fellow servicemen dying next to him. Flags of Our Fathers depicted Bradley as avoiding the spotlight as much as possible; this was also true in real life. “In 1985, Bradley gave his only taped interview at the urging of his wife, who had told him to do it for the sake of their grandchildren. During that interview, Bradley said he would not have raised the flag if he had known how famous the photo would become. He stated that he did not want to live with the pressures of the media and desired to live a normal life. He also stated, during the interview, that anyone on the island could have raised the flag and that he was just there at the right time.”
Films are necessary in our time period because the human eye can articulate the message intended through sight allowing visual imagination to occur. In the book, world 2 by Max Brooks, he creates a character by the name Roy Elliot who was a former movie director. Roy Elliot manages to make a movie titled “Victory at Avalon: The Battle of the Five Colleges” and some how it goes viral. Similarly, Frank Capra’s film, “Why we Fight” expresses a sense of understanding the meaning of wars. Films do not inevitably portray truth because they display what the film director views as important and beneficial for people to know.
Jesse Woodson James was viewed in two ways; a modern Robin Hood and a killer. He was born in Kearney, Missouri on September 5, 1847. Some people say it was the cruel treatment from Union soldiers that turned Frank and Jesse to a life of crime during the Civil War. During the Civil War, at age 15, he joined Quantrill's Raiders, a group of pro-Confederate guerillas. He was part of the Centralia massacre in 1864. He is also known to have been a spy for the rebel army.
The overall appeal of the cinema to the masses was particularly evident during the interwar era. Audiences worldwide wanted to watch the variety of films, particularly American produced films, and they always went back. The visibly attractive and glamorous Hollywood movies often depicted the success of the underdog over unjust authority. Values of cash over culture were often a theme in the early American films and societies with restricted social mobility, such as those in Europe, could dream of such a triumph. The working class and unemployed could fantasise about wealth, fame and freedom which America as a country was portrayed as offering.
Hollywood is a master of revisionist history, especially when that history is its own. One of the defining moments in the histories of both Hollywood and America was the series of Congressional hearings held by the House Un-American Activities Committee, or HUAC, and led by Senator Joseph McCarthy in the late 1940′s and early 1950′s in order to ostensibly eliminate Communism from the United States. Hollywood was intimately involved in the HUAC hearings, and one of those targeted most viciously in the controversy was acclaimed film and theater director Elia Kazan.
were designed to rally Americans behind the war effort. The films were nothing else but
In the 1930s and 1940s many Hollywood writers, actors, producers, and directors were suspected for communist affiliations. During this time, communism was a popular political movement in the United States, especially among young liberals. There was a growing fear of communism invading American society. By the end of World War Two an event known as the Red Scare resulted in communism become increasingly feared and hated by many in the United States. The Hollywood blacklist caused the Hollywood industry a lot of harm in its business and reputation.
“Saving Private Ryan” is set during World War II; however, it still greatly affects our current society through helping people understand how bad war really is.
Even visual media, which has improved remarkably over the last several decades, cannot express these feelings accurately. Today’s movies, photography and other digital media about wars are considerably more visual and realistic than in the past. They are capable of portraying events very close to reality. However, these photos and movie scenes still cannot make a person experience the exact feelings of another person who actually fought in a war.
Jesse Moncell Bethel was born in New York City, New York on July 8, 1922. He was born to Jesse M. Bethel and Ethel Williams. His father left the home when he was only six months old and his mother died when he was only three and a half years old. Being an orphan now, he was raised by his grandmother in Arkansas. He then moved to Oklahoma where his family sharecropped cotton and cornfields. Bethel attended elementary school while in Oklahoma and later graduated from Booker Washington High School there too. Bethel attended Tillotson College in Austin, Texas. He graduated there with a Bachelors of Science degree in chemistry. He later attended graduate school in 1944 at the University of California Berkley.
It would be near insanity to say Letters from Iwo Jima constitutes an everyday war movie. Clint Eastwood not only created a film that sympathizes with the Japanese, but also acknowledges the fact that both the Japanese and Americans were wrong. The Japanese assumed Americans were cowardly fools and the Americans had been taught the Japanese were mindless imperial machines. These stereotypes are quickly cast aside as viewers of this movie acquaint themselves with Saigo and his friends. However, although this movie effectively accomplishes its goals, it still contains many inaccuracies. These errors eventually culminate to the point that the movie may seem sensationalized or even overly dramatized at points. More importantly, the cultural, geographical, and propagandized inaccuracies make it difficult to believe what Letters from Iwo Jima is trying to say; the Japanese fought even more bravely than the Americans despite what public opinion was.
...this really portrays the realism of war. Overall the use of de-saturated film and handheld cameras is an effective way of portraying the film. It does not only portray the film but also realistically portrays war. Scenes which are sometimes horrific or disturbing to watch give us a tiny insight in to the horrific scenes of war. I feel this is the most realistic war film without actually being there. Spielberg successfully took this film to new levels with not always showing brave and noble men. Spielberg has reached the limits of modern film with his effects and constant persistence to find realistic effects. The opening scene is like a starter of a meal or a taste of what is about to come. It shows how these men are brave but scared. I think the film portrays the diversities of emotions experienced by the men. Overall I think this is a realistic and effective film.
...tures. One of this winter's mostly eagerly awaited releases is Lord of the Rings, based on J.R.R. Tolkien's brilliant books about warfare and other adventures in a mythological Middle Earth realm. Fans may not pigeonhole these as war films, but part of their appeal comes from their place in a long tradition of war-centered fiction stretching back at least as far as Homer, whose Iliad and Odyssey have been cited as sources for Apocalypse Now and other combat films. It is sometimes seen in movies that they do not own up to being a true war movie, but there is a basic sense of what a war movie is. In The Things They Carried , novelist and Vietnam vet Tim O'Brien wrote that “if at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been the victim of a very old and terrible lie. As a first rule of thumb, you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil. You can tell a true war story if it embarrasses you.” That is Memento; a movie that exposes all of the realities of its own story and leaves the audience ashamed of rooting for their fallen hero.
... middle of paper ... ... Larry Ceplair and Englund stated in the book The Inquisition in Hollywood, “The destruction of the motion picture Left not only transformed the political atmosphere in Hollywood, but also adversely affected the kind of product which the studios turned out. “ In the early 20th century Hollywood reframed from producing politically controversial films in fear of becoming a target of McCarthy or the HUAC.
Unlike the WWII era, the Vietnam War brought realism into literature and film. There were no heroic movies of men fighting in Vietnam. Men could no longer shoot fifty enemy combatants on top of a tank without being hurt. Instead, popular culture brought a realistic view of war, death, pain, and destruction. Author Tim O’Brien, like many war veterans, struggled with his Vietnam experience and expressed them through writing. Tim O’Brien exposed the truth behind war stories because he shows the difference between WWII romanticism and Vietnam realism.
The filmmaking industry of Post-war Germany was virtually non-existent, but was in the process of being rebuilt. Firstly, the Allies dismantled the Nazi propaganda industry. Then, they used films to re-educate Germans. Hollywood jumped at the chance to distribute their films in Germany again. Without import quotas in West Germany, American films could cheaply enter the market, which subdued domestic filmmaking. The few German films that did get made had a typical hero of a “little man,” and portrayed Germans as victims of Nazism rather than as the ones responsible for it. These films weren’t artistic, and had mostly conservative messages, rarely acknowledging the country’s Nazi past. The low point of German cinema came at the 1961 Berlin Film Festival in which no Federal Film Prize was awarded because no film made was worthy of it. The New German Cinema arose under these