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The hobbit j.r.r tolkien
The hobbit j.r.r tolkien
The hobbit j.r.r tolkien
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J.R.R. Tolkien's The Lord of the Rings
J.R.R Tolkien’s The Lord of the Rings strikes a cord with almost everyone who reads it. Its popularity has not waned with the passing of time, nor is its appeal centered on one age group or generation. Book sales would indicate that The Lord of the Rings is at least as popular now as it ever was, if not more so. Some estimates put it at the second highest selling work of all time, following only the bible.
While it is certainly an exciting and well written work of fantasy, which cannot help but grip the imagination, all this would be for naught except for the poignancy of the themes which serve as its backbone. Foremost of these is Tolkien’s determination to show the natural world as the measure of all things. His world revolves around nature, and his character’s affinity to it determines their place in Middle-Earth.
The structure of the history of Middle-earth is based on the natural cycle of life. Tolkien’s chronicle, stretching back through the various ages of the world, is at its heart a simple story of good vs. evil. The balance of power does not swing chaotically however. Tolkien sets the world on a cyclical system. As Gandalf says, “Always after a defeat and a respite, the Shadow takes another shape and grows again.”(Fellowship, 76).
Additionally, the world is also divided into various ages, declining in their greatness as time passes. The First age for instance, is filled with greater beings, both good and evil, who inevitably clash, often eliminating themselves in the process. In earlier days the elves were still numerous, the dwarves ruled their great holdfast of Moria, and evil beings such as Sauron and the Balrogs were but servants to the great dark lord Mo...
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...uity through art, a link which would preserve some of the faded glory of the past. (Stanton, 93)
Tolkien tells us “Farie contains many things besides elves and fays, and besides dwarfs, witches, trolls, giants, or dragons: it holds the seas, the sun, the moon, the sky; and the earth, and all things that are in it: tree and bird, water and stone, wine and bread, and ourselves, mortal men, when we are enchanted.” ( On fairy Stories, 9).
This applies well to The Lord of the Rings. Farie, representing nature, is an intrinsic part of our lives. To ignore it or destroy it can only bring us trouble. With nature man finds art, beauty, abundance, and joy. All good things from nature, and all evil comes from its lack and destruction. To Tolkien, a world without nature was no world worth living in, and in The Lord of the Rings, he doesn’t let us forget it.
It will be the contention of this paper that much of Tolkien's unique vision was directly shaped by recurring images in the Catholic culture which shaped JRRT, and which are not shared by non-Catholics generally. The expression of these images in Lord of the Rings will then concern us.
The Hobbit This hobbit was a hobbit, and his name was Baggins. Baggins had lived in the neighborhood of ”The Hill” some time, and people considered them very respectable, not only because most or them were rich, but also because they never had any adventures or did anything unexpected. You could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, and found himself doing and saying things altogether unexpected. He may have lost the neighbors’ respect, but he gained- well, you will see what he gained in the end.
In chapter four a massive storm hits and the dwarves and Bilbo find cover in a cave, which actually belong to a group of goblins. Durin...
In Tolkien’s lecture, “Beowulf: The monsters and the Critics,” he argues that Beowulf has been over analyzed for its historical content, and it is not being studied as a piece of art as it should be. He discusses what he perceives the poet of Beowulf intended to do, and why he wrote the poem the way he did. Tolkien’s main proposition, “it was plainly only in the consideration of Beowulf as a poem, with an inherent poetic significance, that any view or conviction can be reached or steadily held” (Tolkien). He evaluates why the author centers the monsters throughout the entire poem, why the poem has a non-harmonic structure, why and how the author fusses together Christianity and Paganism, and how the author uses time to make his fictional poem seem real. He also discusses the overall theme of Beowulf and other assumptions of the text. To support his viewpoints, Tolkien uses quotations and examples from the poem, quotations from other critics, and compares Beowulf to other works of art. Tolkien discusses several statements in interpreting Beowulf as a poem.
Tolkien, J. R. R., and Douglas A. Anderson. The Lord of the Rings. Boston: Houghton Mifflin,
C.S Lewis is the author of The Chronicles of Narnia: The Lion, the Witch, and the Warrdrobe. Lewis was born on November 29, 1898, in Belfast, Ireland. He was born Clive Staples Lewis to Flora August Hamilton Lewis and Albert J. Lewis. Lewis’s mother passed away when he was on ten years old. After his mother died he went on to get his pre-college education at boarding schools and he also received help from a tutor. Lewis served in World War I with the English Army, but unfortunately was sent home when he was wounded. Lewis was a graduate of Oxford University with a focus on classic philosophy and literature. As a child, he was disappointed with the Christian faith, but when he became older he found himself embracing Christianity. During World War II, he gave popular radio broadcasts on Christianity and they won many converts. Lewis’ speeches were collected in Mere Christianity. In the year of 1954, C.S. Lewis joined the staff of Cambridge University as a literature professor. He met an English teacher by the name of Joy Gresham and in 1956 they married each other and became a happily married family. The two were joyful during their marriage; unfortunately in 1960, the wife became ill with cancer died. Lewis began publishing his works in the mid- 1920s. Lewis started to publish The Chronicles of Narnia during the 1950s. The Lion, the Witch, and the Wardrobe was the first in the seven book series to be released. This was the story of four siblings who discovered a wardrobe with a magical land in the back of it (“Clives…”). In The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, Lewis describes Aslan, Edmund, and Lucy.
The Lord of the Rings: The Fellowship of the Ring. The Lord of the Rings: The Fellowship of the Ring, by J.R.R. Tolkien, is the first book in the fantasy-based trilogy of the Lord of the Rings. The book begins with Bilbo Baggins celebrating his one hundred and eleventh birthday. After his party, he then decides to leave everything behind and join a Fellowship, which has a task of destroying the ruling ring, which will give supreme power to whoever has possession of it.
· Urang, Gunnar. "J. R. R. Tolkien: Fantasy and the Phenomenology of Hope" Religion and Fantasy in the Writing of C. S. Lewis, Charles Williams, and J. R. R. Tolkien. United Church Press, 1971
The first play, A Midsummer's Night's Dream has a lot of nature metaphor is in families. The very first conversation in it has a king blaming the moon and night time for his not being able to marry. Theseus wanted to marry Hippolita right away but four moonshines were delaying him. Another example comes from Lysander. He saw roses in Hermia's cheeks and rain falling from her unhappy eyes. When Lysander wakes up and sees Helena, He decides he wants her instead of Hermia. He says, " things growing are not ripe until their season . . . [which] leads me to your eyes" (MND II, 2,100-110). He compares himself to unripe fruit or something that has not reached its final or mature stage in growth. Lysander said that he only fancied Hermia because he was young and naïve but now that he was "ripe", he wanted Helena. This is a parallel made by Lysander to nature. Not only did he believe that nature controlled all actions but he truly believed everything followed the same life pattern. Later, Lysander is confronted by Hermia and he compares her to terrible things like animals and serpents because he no longer saw her as his love but as someone he outgrew. This reference shows a part of life that is not wonderful and pretty but loathsome and dirty.
The story starts with the 33rd birthday-party for Frodo Baggans, and the 111th birthday party for Bilbo Baggans, Hobbits who live in a mythical land called the Shire. Frodo’s best friend is his gardner Sam. Frodo owns a magic Ring which makes him invisible when he wears it, a gift from his cousin Bilbo who stole it from Gollum years ago.
It is likely for one to assume that a classic piece of literature set in a fantasy oriented stage will have no merits to the youths of today. The Hobbit by J. R. R. Tolkien, however, with its crafty of usage symbolism, displays its relevance to issues that often trouble teens. As the story progresses from a children’s tale to an epic, the main character Bilbo undergoes a series of development, his experiences often overlapping with ordinary people. Reading the Hobbit will provide teens with opportunities of exploring the importance of several common but serious topics. People may encounter many of the themes presented in the book elsewhere repeatedly, but it’s possible that they never appreciated the applications it might have on themselves. When teens read the Hobbit, they perceive it as a simple fiction of adventure. Under proper guiding, they will be able to recognize and utilize the lessons of the Hobbit, and improve their attitudes and ideas about life.
In the world of Robert Jordan’s bestselling fantasy series, "The Wheel of Time", the life of the ordinary people has been undergoing some extraordinary changes. The legendary Dragon has been Reborn, and the Last Battle to decide the fate of humanity draws nigh. Meanwhile, outside of this world sit millions of readers, from all reaches of life, waiting anxiously for the next chapter in the story to be told. They debate what has happened, what it means in the context of the story, what it means for the future of the Wheel, as well as how it impacts their lives’. The Wheel of Time is a world where absolute good battles absolute evil, and yet shades of grey cloud the landscape. A world of hope and despair, a world of peace and war. From this world a following has grown. People from different cultures, different languages, and different political ideologies gravitate together forming a cohesive group that helps to spread the word about the work of Robert Jordan. In much the same manner that J.R.R. Tolkien created a myth for the modern ages with his saga "The Lord of the Rings" and George Lucas has done with his "Star Wars" series of movies, so has Robert Jordan entered into the realm of mythology with his work "The Wheel of Time". And this myth, like those which have come recently, and those from antiquity, has created a community of followers around it. They are drawn together initially because of a personal interest, and they stay not only for that interest, but because of the community that grows as a result of engaging themselves with this story.
J.R.R. Tolkien's concept of too much power is summed up by Lord Acton when he once said, "Power corrupts, but absolute power corrupts absolutely." In Tolkien's first book of his fantasy based trilogy, Lord of the Rings, the Fellowship of the Rings tells a story of a quest to destroy a powerful ring throughout Tolkien's created "Middle Earth". This quest was headed by a "Hobbit" named Frodo Baggins who, in the end, becomes corrupted by power himself. This corruption begins when Frodo uses his ring to become invisible over and over again to escape certain situations. The quest to destroy the powerful "Ruling Ring" forms the basis for this story.
Nature is often a focal point for many author’s works, whether it is expressed through lyrics, short stories, or poetry. Authors are given a cornucopia of pictures and descriptions of nature’s splendor that they can reproduce through words. It is because of this that more often than not a reader is faced with multiple approaches and descriptions to the way nature is portrayed. Some authors tend to look at nature from a deeper and personal observation as in William Wordsworth’s “I Wandered Lonely as a Cloud”, while other authors tend to focus on a more religious beauty within nature as show in Gerard Manley Hopkins “Pied Beauty”, suggesting to the reader that while to each their own there is always a beauty to be found in nature and nature’s beauty can be uplifting for the human spirit both on a visual and spiritual level.
Through the poems of Blake and Wordsworth, the meaning of nature expands far beyond the earlier century's definition of nature. "The road of excess leads to the palace of wisdom." The passion and imagination portrayal manifest this period unquestionably, as the Romantic Era. Nature is a place of solace where the imagination is free to roam. Wordsworth contrasts the material world to the innocent beauty of nature that is easily forgotten, or overlooked due to our insensitivities by our complete devotion to the trivial world. “But yet I know, where’er I go, that there hath passed away a glory from the earth.