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Literary theories for isolation
Literary theories for isolation
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“The Biggest Weakness” The Canadian Prairies are notorious for its winter’s harsh, unforgiving climate. They represent not only humankind’s perseverance for survival, but unrelenting isolation, and the despair that can follow. In “The Painted Door” by Sinclair Ross, a discontent housewife gives into temptation after being left alone by her husband. A person will attempt to defy isolation, because when left alone, they will give in to temptatious thoughts, affecting their view on their relationships. Physical solitude will dictate if an individual choose to give into temptation, and when they do, it will change their amorous affairs forever. An individual’s independent reflection after giving into temptation will reveal their true feelings, …show more content…
When Steven arrives, they are isolated together in the house, which allows Ann to truly give into her attraction. However, she insists that John will return, saying “He always comes.” John’s isolation from Ann greatly influences if she chooses temptation or not. If John came back, she could not have the freedom to choose Steven, as they would no longer be isolated. She hopes John will not return home, worrying that “it really might be John at the door.” Ann actively desires the isolation with Steven, so she can give into her temptation, reassured that there will be no consequence. Initially, Ann insists that John will come back so she does not have to be alone with Steven. If she accepts that she is alone with Steven and that they are isolated together, there will be nothing stopping her from following her temptation, as she already gave into her thoughts. As the night progresses, her temptation makes her cave into choosing him. However, the final push was the reassurance that John was not coming back and it was just Ann and Steven, alone together. When she conclusively decides to act on her temptation, she sees Steven differently, realizing “his smile…there seemed a kind of warmth…instead of his smile it was she had changed.” Their isolation is the deciding factor. If they weren’t alone together, Ann’s temptation would not have taken control and would not have changed …show more content…
After sleeping with Steven, she alone thinks about John, admitting she “In retrospect, found them to be years of worth and dignity, until crushed by it all at last.” When she looks back, she realizes that her temptation ruined her marriage with John, making her regret her decision. Influenced by temptation, her marriage, which she now thinks of in a new light, is “crushed by it all.” it is from her private thoughts, which she isolated and kept away, that she finds new desire for her marriage. She was so certain that giving into her temptation with Steven was right, but when she thinks about her choice, she realizes that she had made a horrible mistake, that the “sense of guilt that even her new-found and challenged womanhood could not entirely quell.” in her isolation, she realizes that her love for John is greater than her temptation. She recognizes while standing alone, that temptation did not solve her loneliness. Even now, she is still isolated. Blinded by her isolation, she acts on her subsequent temptation. She comes to terms with these feelings by herself, accepting that her temptation was only temporary and her choices might have lead to the destruction of her marriage. When she goes back to Steven, she thinks “It would be easier were he awake now with her, sharing her guilt….she came to understand that for him no guilt existed.” she learns that Steven will never face
“Even the distant farmsteads she could see served only to intensify a sense of isolation” (Door, 48).
The dilemmas, developed from the motivation, compel the characters to resolve their conflicts. In "The Painted Door", Ann is struggling in a violent tumult of mental and emotional anguish and trying to find importance in life. The conflict arises in her decision to gratify one of two goals; immediate satisfaction, sleeping with Steven, or long term satisfaction, the love and support of her faithful dependable husband. Ann also faces a conflict between a social need and an emotional need. Initially with John she feels she can't connect to society because "John never talks [He] never danced or enjoyed himself" (Ross 160-162), however after sleeping with Steven her guilt leads her to realize that "John is the man with him lay all the future" (174) and only with him can she be completely and emotionally fulfilled.
While in the prison like room, the narrator’s husband first places the idea in her head she is in a mental state and needs to be sent away for a while to recover. After a while she does not want to be in the house any longer. When she states her desire to leave her husband’s responds by giving her “such a stern, reproachful look that [she] wished, and have it whitewashed into the bargain.” The husband, John, refuses to let her make her own decisions. She is trapped by her husband in the prison of her room with nowhere to go (MacFarlane,
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
It is clear that in their marriage, her husband makes her decisions on her behalf and she is expected to simply follow blindly. Their relationship parallels the roles that men and women play in marriage when the story was written. The narrator’s feelings of powerlessness and submissive attitudes toward her husband are revealing of the negative effects of gender roles. John’s decision to treat the narrator with rest cure leads to the narrator experiencing an intense feeling of isolation, and this isolation caused her mental decline. Her descent into madness is at its peak when she grows tears the wallpaper and is convinced that “[she’s] got out at last, in spite of [John] and Jennie… and [they] can’t put her back!”
With nobody but herself at home, Ann strongly desires to talk to someone, and that someone who arrives at her house is Steven. Ann who has been feeling anxious and helpless while isolated suddenly feels relief when Steven comes as shown, “-and suddenly at the assurance of his touch and voice the fear that had been gripping her gave way to an hysteria of relief.” Steven helps comfort Ann, while Ann is being cautious of herself. She knows that Steven is enticing, but will not give in to him despite how attractive she finds him. Steven is the complete opposite of John and Ann compares John to Steven multiple times, “Steven’s smile, and therefore difficult to reprove. It lit up his lean, still-boyish face with a peculiar kind of arrogance: features and smile that were different from John’s.” and even favours Steven more than her husband. Ann is used to seeing John’s features but not Steven’s. This excites Ann and prompts her to develop feelings that are of a high school girls’, “She didn’t understand, but she knew. The texture of the moment was satisfyingly dreamlike.” It takes Ann a moment to realize that her object of temptation is right in front of her, and it does not take long for her to take the opportunity to ease her boredom and isolation through her upcoming
Ann is justified in her decision to "sleeps" with Steven, John’s friend. John has not been paying much attention to Ann and he leaves her alone in their house with Steven. Ann also has prior feelings for Steven from when they where in school together. Ann felt that she is unimportant to John because he frequently leaves her alone; she states, "It isn't right to leave me here alone. Surely I'm as important as your father." Ann just wants to feel loved by John but because he doesn't make her feel loved. She sees Steven as the only person who can give her the love and affection she needs.
In the beginning of the story, John has to go see his father who lives five miles away and help him as there is a blizzard expected. Since the snow was too deep, he had to walk over to his father's house due to the wagon would not be able to go through all the snow. Ann never being alone, argues that surely she is more important than John's father by saying, “[..]Surely I'm as important as your father.” This later end with her failure to remain loyal due to the fact that she starts comparing her own husband qualities to the qualities of Steven making her to be unfaithful to John who later sees Ann and Steven together. This was all a result to Steven’s ambitions to undermine Ann’s loyalty to John. But as the story continue we see that Ann remains loyal by keeping positive and also fully aware that John will always return home for her. So keeping this thought in mind, she keeps to a routine and decides to paint the bedroom door knowing that it's too cold for the paint to stay on the door. However, she keeps repeating, “'I'm a fool” leading to understand the frustration and the hate for living a life that includes so much
The theme of isolation is established and developed through the setting of Crow Lake. Located against the deserted territory of Northern Ontario, Crow Lake is a diffident farming settlement that is “... linked to the outside world by one dusty road and the railroad tracks” (Lawson 9).
Immediately this comes into effect as John says, "But...Between you and me, you understand?... Well, I wake in the night... and watch her dream... and sometimes her mouth even moves, just a little bit. It's like a whisper. I can never make that out. I don't know where she goes, in her dreams. I don't even know if I'm in them...I don't think I can bear losing her."
In the novel Into the Wild, by Jon Krakauer, the protagonist, Christopher McCandless, displays isolation and independence almost to the point of narcissism but it was not until he set out on his journey into the wild that those closest to him realized the true height of his individualism. In McCandless’s eyes, people in his society have forgotten about the value in the pursuit of personal knowledge, the chase of individual happiness, and the existence without materialistic objects. On his journey, McCandless takes drastic measures to uncover, find and discover who he is and what he is capable of, isolating himself physically and mentally, driven by the idea that society urges men to conform.
In 1990, when he was 22 years old, Christopher McCandless ventured out into the Alaska wilderness in search for true happiness, and 2 years later he suffered a tragic death. An aspiring writer, Jon Krakauer, found McCandless’ story fascinating and chose to dedicate 3 years of his life to write a novel about him. The book entitled “Into the Wild” tells the tale of Christopher McCandless, an ill prepared transcendentalist longing for philosophical enrichment, who naïvely, failed to consider the dangers of isolating himself from human society for such a long period of time. Though Christopher McCandless made a courageous attempt to separate himself from society, in order to achieve self-fulfillment, the stubborn nature of this reckless greenhorn led him to his unfortunate demise.
In order to gain that experience they will be unfaithful to their partners. Curiosity is a characteristic that many people have. In order to satisfy their curiosity they search for an exciting adventurous journey to go on. In this short story it clearly states that Ann has the desire to be adventurous as shown in the statement: “She was young still, eager for excitement and distractions”(54). Whereas John is the polar opposite of Ann. Therefore Ann betrays John with Steven since Steven gave her these feelings that she wanted to rediscover. He gives her his full attention, something that she lacked from John. This is shown from the actions of steven: “he was watching her, smiling”(62). Following this action, Ann “raised her head and met his eyes again”(62). In this moment it truly pictures a typical love-stricken couple which is not visible in Ann and John’s relationship. In addition, her new relationship with Steven is just like the start of a new adventure. Moreover, people would love to experience the thrill again of discovering new love. In the short story, Ann portrays characteristics of someone who has just discovered new love as she acts rigid and forgets to breath while in front of Steven. This is shown when the author describes her: “She dared not move, unclench her hands, or raise her eyes”(62) and “Intending that it should be for only an instant, just to breath
Gilman shows through this theme that when one is forced to stay mentally inactive can only lead to mental self-destruction. The narrator is forced into a room and told to be passive, she is not allowed to have visitors, or write, or do much at all besides sleep. Her husband believes that a resting cure will rid her of her “slight hysterical tendency” (Gilman 478). Without the means to express herself or exercise her mind in anyway the narrator begins to delve deeper and deeper into her fantasies. The narrator begins to keep a secret journal, about which she states “And I know John would think it absurd. But I must say what I feel and think in some way - it is such a relief” (Gilman 483)! John tells his wife that she must control her imagination, lest it run away with her. In this way John has asserted full and complete dominance over his wife. The narrator, though an equal adult to her husband, is reduced to an infancy. In this state the narrator begins her slow descent into hysteria, for in her effort to understand herself she fully and completely loses herself.
Without realizing it, she has created a struggle between a friend in whom she can confide but cannot love like a husband and a husband whom she can love as such, but in whom she cannot confide. The saddest part of the story, and the part which finally shows the consequences of the wife 's ineptitude, is the final scene. Upon awakening from a stoned slumber, she finds her blindman, her confidant, sharing a close conversation with her husband, her greatest desire, as they draw a picture of a Cathedral together. Her makes her jealousy evident when she exclaims, “What are you doing? Tell me, I want to know...What 's going on?” like a child shouting to be heard (Carver 193). Her desperate tone stems form the fact that she must observe her heart 's greatest desire occur before her eyes, but from the side lines. She so desperately desires to become a part of the relationship forming between her husband and the blind man, but she cannot. Once again she falls behind, this time spiritually as her husband experiences a revelation, while she remains in the dark. The husband realizes the importance letting people “in” ones life at the blind man 's words, “Put some people in there now. What 's a Cathedral without people,” but the wife does not (193). Obsessed with becoming a part of their conversation, she completely overlooks the relevance of the