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Cinderella comparisons
Cinderella comparisons
Cinderella comparisons
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On May 4, 2018 I saw play called Into the Woods by Stephen Sondheim. I saw this play at Willow Glen high school in the little theater. Due to the curse of a witch whose vegetables got stolen, a baker and his wife can not have children. They, as the witch instructs, go into the woods to find the ingredients that will reverse the spell. During their trip, they meet Little Red Riding Hood, Rapunzel, Jack, and Cinderella who all are on a mission to get their wish. And on their way through the forest, they all manage to upset a scary lady giant.
The story worked very well, and it was very entertaining because it was a twist on the old characters. It, in my opinion took them out of their typical story and made then more human like and face more human problems. I did like the actual script because you can compare how you read it to how it actually looks when you view it on stage and how the characters can play it out.
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Baker was played by John and Little Red was played by the really pretty short blonde girl whose name i'm not aware of. They were very believable as characters and actually played the character better than what I could've imagined. John sings good as always and really taps into your emotions. When he sung i got chills because the passion he put into the character of the Baker. Little Red put the “kiddy” little girl act on. While also adding a touch of extra comedy, this made me laugh a lot. Little red also jumped around a lot when singing which is what i would except the character to
The story itself was quite interesting. The characters are believable and some had obvious arcs, the plot seems well paced, and most plot points are memorable. The dialogue didn’t seem forced, and flowed fairly realistically. The conflict, Devine Corporations vs the Beanfield (well, really, it’s owner but…), ended well, with Devine not being able to do anything about it, not for a lack of trying.
story, the plot was good. The liked the purpose of the author and the way
I thought this play was very tacky in a sense. There were only three actors in the play. Seth Reichgott one the actors played 13 different characters. James Goode plated up to 16 different characters.
Overall I think that the show was worth seeing, even though I let my parents pick the film--which I will never do again by the way-- I think that it was a good production. It was a little boring at first, which might have just been because I didn’t really want to see it in the first place, but the storyline was pretty good. I personally like humor, so I tend to pick shows that I know will have some humor, but I’m proud of myself for seeing something outside of my comfort zone.
Mr. Burns, A Post-Electric Play was a very interesting and excited play to see. Watching the play I really had to think because of the twists that came with the play. The author of this play was Anne Washburn, Michael Friedman scored it, and the lyrics were also from Anne Washburn. Casey Sams directed the play and Terry Silver-Alford was the musical director. I viewed this play at the Lab Theatre on Thursday, November 12, 2015 at 7:30 in the evening. The Clarence Brown Theatre and Lab Theatre located on the University of Tennessee main campus produced this production. Melissa David recognized, as Colleen/Bart is a San Francisco native that has been working as a MFA acting candidate for the past three years. Robert Parking Jenkins,
One of its numerous strengths was the costuming and set. This musical would not have been the same had these elements not come together to transport the viewer. In addition to the costuming and the set, the actors were very well cast. Each actor was in a role that fit them and they portrayed their characters very well. For example, the man who played Glen really seemed like a greedy Wall Street worker. The choreography was also well done. It fit true to the style of dance in the 1980s and added to the immersion experience. The only thing that could have made this experience better would be to add more music. This may just be a personal preference, but when I see a musical I like for the music to be central like it is in Hamilton or Les Miserables. However, this musical was very good and not much could be added to enhance the
In conclusion, the acting in the production was very good. I was held captivated by the accents and shocked by the language and dialect because I knew that this really happens and has happened. I felt like I could actually change what was happening on stage. For Instance, when the rumble is happening and Bernardo and Riff bring out the switchblades, I gasped. Silently to myself, I said "DON'T DO THIS. THIS WAS SUPPOSED TO BE A CLEAN FAIR FIGHT. YOU GUYS ARE MORE SIMILAR THAN YOU ARE DIFFERENT, JUST BEING FRIENDS." The same occurrence happened when Anita is assaulted by the Jets when attempting to find Tony to save him. I understood her feelings and wanted the Jets to get in trouble for their actions. I became invested in what happened to the
The “better story” is not always the one that is easy to believe. Sure, all the hypotheses are possible, but there is quite a fine line between the better story, and an absurd story. We only know so much about our characters in the story of In the Lake of the Woods. As for what is the truth, what really happened, well that’s up to the reader.
"Into The Woods," is a mixture of Cinderella, Little Red Ridinghood, Jack In The Bean Stalk, Rapunzel, and The Baker and The Baker's Wife. It was held at the Springfield Theatre on Lawrence Street, on the eighth day of the tenth month of the year 2000. The plays were not separated in their own section the whole time. They mixed them all together most of the time. It was very interesting and entertaining. This musical was set in the woods (the whole time). Every skit was just like the original ones, but they put a little twist to them to make them funnier.
I could see how Harold Hill’s tactic changed from something along the lines of ‘to deceive’ to ‘to woo’ around the song “The sadder but wiser girl”. Marian Paroo’s tactic also changes from ‘to avoid’ to ‘to love’ around “My white Knight”. These actors also projected extremely well, as I could hear everything being said. They articulated well too, which I believe must be hard for them as every character had a southern accent. The actors easily incorporated their character’s goals into their acting and onstage
Their acting chops were very impressive whether it was comedic, emotional, or just stunning overall. Yet, on the other hand, some minor characters weren’t as well heard as others. I feel as the play could be better if some of the minor characters had projected their voice more, allowing their character to be known. However, although some voices were much stronger than others, all actors were full of talent, capable of dealing with script’s requirements, and did a good job
Every father shows the love for his son in a different way. in this scene, we the father shows us the different way. However, a father gets angry about his son. The son asked a simple question but the meaning on that question was big. The question was "How come you ain't never liked me?". The Fences play by August Wilson, this play they did it more than once on some different times, places, actors, etc. However, in this paper you are going to find comparison between two scenes the first was on 1987 and the actor was James Earl Jones, The second scene by Denzel Washington on 2010. Now you will find the actor’s approach, approaching the idea from the text, and the effective and the ineffective of the scenes.
For my second article critique I chose to attend a play at the CORP Theatre in Rowlett to watch Steel Magnolias. Throughout the play my eyes were immediately drawn to many aspects of the play such as the characters and use of spectacles. My overall opinion of the play was positive. Although, unless you have seen the movie before it could be hard to follow along with.
the play was good. The first act was a little slow and tedious but the
In society there is a longing for a story to have a nice and neat happy ending. Broadway and the theater originally would give this to their audience, especially in America. Give the audience what the want! They want happy endings that mirror their own values and interpretations of how the world should be and at the end of it should be, “and they all lived happily ever after.” The fairy tale ending is something society hopes, dreams, and strives for since we could listen to our parents read us fairy tales with these sweet stories of finding true love and having to fight the odds to be the Prince or Princess you deserve to be. With Into the Woods, Lapine and Sondheim sought out to explore what could go wrong with “happily ever after.” Effectively leaving the audience with the adage, “be careful what you ask for…”