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Rita Hayworth and Shawshank Redemption introduction
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INTRODUCTION
The cinematic rendition of Rita Heyworth and The Shawshank Redemption by Stephen King: The Shawshank Redemption, directed by Frank Darabont, brings many different emotionally connecting themes e.g. Redemption, Innocence, dehumanisation. Though these themes are quite confronting and thought-provoking themes, possibly one of the most significant themes in this film is the consistent representation of the idea of Institutionalism. Darabont explores the perspective that being so accustomed to the situation inside an intuition that the inmates aren’t able to re-assimilate to normal life in society once released from prison. This theme is brought out in the film through a number or characters, in particular: Brooks Hatlen, Tommy and of course the inseparable duo, Ellis ‘Red’ Redding and Andy Dufresne. All of these characters at times display the meaning and understanding of the term institutionalism and how it can have diverse effects on different people with different states-of-mind and different persona’s.
BROOKS HATLEN
Brooks Hatlen is an obvious example of institutionalism in the film. After a large term in Shawshank prison, Brooks is released on bail to a local town. He then commences to work at the local supermarket whilst staying in a hostel. During his time in the prison, Brooks was able to occupy himself by running the almost non-existent prison library. When Andy is assigned to the library Brooks displays a keen knowledge about the way the library runs. He also re-introduces Andy to a young rook bird he named Jake. Andy’s first connection with Jake was in the mess where Brooks fed the young Jake from a pocket in his jacket. This scene demonstrates Brooks’ prolonged time of serving his term in Shawshank and how h...
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...rough the way prison life has made him believe that a life of crime is the only viable way of life.
CONCLUSION
Frank Darabont and the cast and crew of The Shawshank Redemption represent the idea of institutionalisation, through their interpretation of Rita Heyworth and the Shawshank Redemption. They depict how an inmate can become so comfortable with prison life and the prison living circumstances through brooks that one can become irrational and possibly suicidal. Through tommy Darabont depicts how even when the obvious representation is on his wanting to reassimilate into normal life, that being institutionalised can be progress-halting and possibly counter producing represented by tommy’s lack of self-confidence. The Shawshank Redemption is a perfect representation of the idea of Institutionalism and Frank Darabont represented this theme quite substantially.
All in all, Kerman’s year sentence in jail opened her eyes to some of the many problems within the federal prison system. She witnessed favoritism, abuse, health violations, etc. that helped her realize that she never wanted to go back to prison, despite all the true friendships she made. Through her use of rhetoric, mainly ethos, Kerman showed her audience a firsthand account of what an actual prison sentence is like. She also explored the idea of how one bad decision can change a person’s life forever.
After reading Newjack, I clearly appreciate the difficulty, the chaos and the stress of an officers' job. I am less sure how they manage to do it, and I wonder at what cost to their sense of self it has on them. By contrast, with a few well-chosen stories, Conover humanizes individual prisoners: one who has lines from Anne Frank's diary tattooed on his back; a prisoner on the serving line who tries to sneak extra food to his friends; a young, emotionally needy prisoner grasping for attention from anyone, even an officer. As a result, the prisoners are often drawn “with more humanity” than the staff.
...they want to be not only respected but also being able to survive in the prison environment. In prison, there are so many inmates and not two inmates are the same. The inmates will disrespect the officers by calling them names, giving officers difficult times, but it goes the other way around too. It is disturbing image after learning that sometimes it is the officer’s fault and not just the inmates’ wrongdoings. There will be times when officers and inmates will engage in a conspiracy crime and times when the female staff is engaged in sexual actions with an inmate. Conover wrote this book to allow the audience to see the prison society from many different point-of-views and give future officers an early insight to becoming a correctional officer.
Morley Callaghan’s novel More Joy in Heaven follows the short life of notorious bank robber and gunman Kip Caley. Callaghan's novel is based off and follows Red Ryan's now forgotten story almost word for word. Red Ryan and the fictional Kip Caley both face the effects of a being an outsider in a forceful, high-class society. Individuals and organizations play a huge responsibility role to ex-convicts; readers of More Joy in Heaven unfortunately see the side effects when selfishness and thirst for glory play into this important, delicate role. Nonetheless that readers see what the wrong individuals will do to an ex-convict, readers will also see what kinder individuals can do to someone trying to reform. Yet what the public does and does not do is not to be blamed systematically; Red Ryan and Kip Caley crave societies attention and even begin to depend on it before their story is over. Their craving for attention makes them vulnerable to being abused by society. Both society and parolees want to live the upstanding lives, but neither takes into account what the others wants and needs are, so who’s fault is it when a parolee fails to meet societies precast expectations?
After reading the book I have gained a new understanding of what inmates think about in prison. Working in an institution, I have a certain cynical attitude at times with inmates and their requests. Working in a reception facility, this is a facility where inmates are brought in from the county jails to the state intake facility, we deal with a lot of requests and questions. At times, with the phone ringing off the hook from family members and inmates with their prison request forms, you get a little cynical and tired of answering the same questions over and over. As I read the book I begin to understand some of the reason for the questions. Inmate(s) now realize that the officers and administrative personnel are in control of their lives. They dictate with to get up in the morning, take showers, eat meals, go to classes, the need see people for different reason, when to exercise and when to go to bed. The lost of control over their lives is a new experience for some and they would like to be able to adjust to this new lost of freedom. Upon understanding this and in reading the book, I am not as cynical as I have been and try to be more patient in answering questions. So in a way I have changed some of my thinking and understanding more of prison life.
It represented a new world of confinement that removed the convict from his community and regimented his life. It introduced society to a new notion of punishment and reform. (Curtis et al, 1985)
The movie Shawshank Redemption analyzing various aspects of prison life. These characteristics include prison culture specifically guard subculture and inmate subculture. The movie explores how prison is used as a punishment and can be seen as a form of machine. Argot roles, in prison as explained by Gresham Sykes, display the beliefs and attitudes of prisoners expressed in a rather distinctive manner (Lovell, 1998). They are exemplified through the inherit meanings generation by the prison environment and tied together through the prisoner social world. The language is a significant aspect of prison, and therefore it is essential to understanding the social worlds of prisoners. These argot roles represent a framework in which the social world can be further understood. There are several argot roles found in a prison. In specific, throughout the movie Shawshank Redemption, many of the characters are labelled and interpreted to be play such roles signifying how common these roles are in a prison.
He cares about people and believes that the safety of individuals is decreasing because criminals are not punished effectively by imprisonment and that some even receive a “sign of manhood” from going to prison (1977). Additionally, he is upset that the ineffective system is so expensive. His concern for his audience’s safety and his carefully argued grounds, which he uses to support his claim, create a persona of an intelligent person of goodwill. Jeff Jacoby does an excellent job informing his audience that the current criminal justice system is not any more humane than the physical forms of punishment used in the past.
Throughout his novel, Texas Tough: The Rise of America’s Prison Empire, author and professor Robert Perkinson outlines the three current dominant purposes of prison. The first, punishment, is the act of disciplining offenders in an effort to prevent them from recommitting a particular crime. Harsh punishment encourages prisoners to behave because many will not want to face the consequences of further incarceration. While the purpose of punishment is often denounced, many do agree that prison should continue to be used as a means of protecting law-abiding citizens from violent offenders. The isolation of inmates, prison’s second purpose, exists to protect the public. Rehabilitation is currently the third purpose of prison. Rehabilitation is considered successful when a prisoner does n...
The film illustrates the subculture within the fictional Shawshank State Prison in Maine. In this prison, inmates fulfill certain roles such as the dominant, masculine male, the helpless, feminine man, and the inmate that stands out. This is similar to real prisons and helps develop specific culture, expectations of behaviors and norms, and values within the prison. Furthermore, the inmate that plays the role of a smuggler of outside items, helps to establish the norms of currency between the inmates. Lastly, for the inmates, Shawshank is
This cultural phenomenon is not exclusive to music, of course. One need not be a sociologist or anthropologist to clearly see this Africanist presence operating in the linguistic as well as aesthetic elements of popular culture today; however, a particularly fascinating and recent development in the use of blackness can be seen in recent Hollywood cinema. No longer a mere source for cultural self-realization, blackness now actively aids in the empowerment and redemption of whiteness and in no other film is this made quite as clear as it is in Frank Darabont’s adaptation of Stephen King’s The Green Mile. A period piece not unlike Darabont’s previous film, The Shawshank Redemption, The Green Mile is also set in a prison during the first part of the twentieth century. The central character, Paul Edgecomb (Tom Hanks), is an affable guard placed in charge of Cold Mountain Correctional Facility’s death row, called The Green Mile by the prison population.
The first social issue portrayed through the film is racial inequality. The audience witnesses the inequality in the film when justice is not properly served to the police officer who executed Oscar Grant. As shown through the film, the ind...
Although prisons have the primary objective of rehabilitation, prisoners will likely go through many other troubling emotions before reaching a point of reformation. Being ostracized from society, it is not uncommon to experience despair, depression, and hopelessness. Be that as it may, through reading various prison writings, it can be seen that inmates can find hope in the smallest things. As represented in “Hard Rock Returns to Prison from the Hospital for the Criminally Insane”, the author, Etheridge Knight, as well as other black inmates look up to Hard Rock, an inmate who is all but dutiful in a world where white people are placed at the top of the totem pole. However, after Hard Rock goes through a lobotomy-esque procedure, the motif
Take for example, One Flew Over the Cuckoo’s Nest by Ken Kesey. There is no doubt in my mind that the mental institution that comprises the primary setting of the narrative is intended as a metaphor of societal oppression. This symbolic novel relays the story of an inmate standing up against the powerful forces that operate a psychiatric hospital, but it represents much more than just a classic case of “man versus the establishment”. The questions raised by Kesey are almost as chilling as his descriptive tales of inmate abuse. Kesey compelled me to ponder just how thin the line is that separates insanity from sanity, and treatment from control. Representing a heroic struggle of personality against an institution of mindless conformity, I found “One Flew Over the Cuckoo’s Nest” to be one powerful piece of literature.
I am, You are is a psychological drama film taking a glimpse into the institutionalization of Stuart, a young man who’s mental struggles go unnamed, yet resemble elements of depression. On the surface, the film observes issues related to mental health, treatment of mental health as well as the patients themselves, and how such issues can lead to suffering from not only the patient, but also his/her family. However, much like One flew over the Cuckoo’s Nest’s metaphor of society, I am, You are goes beyond these surface level interpretations. In fact, my inspiration to write this film stems very little from the reasoning previously mentioned.