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Analysis about dante's inferno
Analysis about dante's inferno
Punishments in the book of dante
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Inferno Research Paper
Anthony K. Cassell stated in his critical essay titled “Farinata” that “the methods of punishment in Dante’s Hell are exquisitely diverse.” The cantos in Inferno are focused on Circles or subdivisions of Hell that describe specific punishments for the suffering souls based upon the sin they committed. The deeper into Hell, the worse the sins that were committed, therefore the agonies of the punishments are greater. In Inferno, Dante brings the issue of sin into light by giving instances of sins he has taken note of. He places the guilty souls at different levels of Hell, depending on which crimes he believes are the worst to commit, showing “how Dante portrayed his understanding of God’s justice” (Cassell). Inferno, by Dante Alighieri should be seen as a manual of moral and religious instruction because it represents the theme of divine justice for sin.
Dante Alighieri was an Italian poet and moral philosopher. He was considered the father of Modern Italian. He was born into a family who had a history of involvement in the Florentine political scene. At the time of his arranged marriage to the daughter of a family friend, he was in love with another woman named Beatrice. Beatrice had a major influence in Dante’s epic. Dante was a part of the White Guelphs, but was exiled from Florence in 1302 by the Black Guelphs, the political faction in power at the time who was in league with Pope Boniface VIII, whom Dante encounters in Hell in his epic. This epic, The Divine Comedy, which Dante is best known for, is made up of sections of the three tiers of Christian afterlife: purgatory, heaven, and hell. On the Biography.com website over Dante Alighieri, it says Dante’s Comedy was “written as a warning to a corrup...
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“Inferno” IX-XVII.” University Of Toronto Quarterly 82.1 (2013): 1-19. Humanities Full Text (H.W. Wilson). Web. 9 May 2014.
In most ancient literature some sort of divine justice is used to punish people's acts in life. This is that case with Dante's Inferno, where the Author categorizes hell in 9 circles. Circle 9 being the lowest sins and punishments as the circles decrease. From the time this was written to now in days many things have changed, and things are not seen the same no more. Back then sins like greed and gluttony were ranked as high sins but now people would probably rank those very low with other things like murder way on top. Yet the basic structure set by Dante remains.
Ruskin, John. “Grotesque Renaissance.” The Stones of Venice: The Fall. 1853. New York: Garland Publishing, 1979. 112-65. Rpt. in Classical and Medieval Literature Criticism. Ed. Jelena O. Krstovic. Vol. 2. Detroit: Gale Research Company, 1989. 21-2.
164-69. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 341. Detroit: Gale, 2013.Artemis Literary Sources. Web. 5 May 2014.
The Middle Ages spawned a revolutionary arc in religious activity. Having welcomed Christianity, and taking roots from Greek and Roman spirituality, the arts had evolved alongside divine beliefs. Dante Alighieri’s Divine Comedy explored the realms of Christianity, which included Hell (Inferno), Purgatory (Purgatorio), and Heaven (Paradiso), with the fictitious account of Dante himself traveling to each individual place. As such, his masterpiece had become a wonder of the literature world. Alongside it, the artistic visions of Donatello and Brunelleschi had held Greek and Roman beliefs in high regards as a majority of their architecture, sculptures, and other artistic aspects had derived directly from those ancient beliefs. Finally, music had
Dante elaborates on Virgil’s idea of Hell by creating a new idea of Hell by giving it circles. Dante puts the sinners in specific circles based on what sin the sinners committed It is just like prison; criminals go to prison because they break the law. The only difference between prison and Hell is that in prison you have a certain time to serve; but in Dante’s Hell the sinner does not serve a set amount of time but still has to live with punishments forever.
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“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradise. Dante presents these principles in Inferno, where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell, the degrees of sin get progressively worse, as do the severity of punishment.
Seeing as this work was written by Dante, and the journey is taken by Dante, he has a unique opportunity to judge his fellow man and decide how they will be punished. He also gets to place his enemies in hell, forever besmirching their names for generations to remember. Perhaps unknowing to Dante, that is worse than any of the punishments that he placed his enemies in. The reality of The Inferno is unlikely and therefore these punishments are nothing but a fictiona...
Many arguments have been made that Dante’s Inferno glimmers through here and there in Milton’s Paradise Lost. While at first glance the two poems seem quite drastically different in their portrayal of Hell, but scholars have made arguments that influence from Dante shines through Milton’s work as well as arguments refuting these claims. All of these arguments have their own merit and while there are instances where a Dantean influence can be seen throughout Paradise Lost, Milton’s progression of evil and Satan are quite different from Dante. Dante’s influence on Milton is noted by many scholars and is very apparent in several instances throughout Paradise Lost, however, Milton shows a progression of evil through his own vision of Satan and creates a Hell that is less meticulously constructed than Dante’s and more open to interpretation.
The Divine Comedy is a poetic Italian masterpiece by Dante Alighieri composed of three parts which he called respectively: The Inferno, The Purgatorio, and The Paradiso. As this edition’s translator, John Ciardi puts it, originally Dante simply entitled his works as The Comedy, however, in later years, it was renamed The Divine Comedy for the connections that the public saw it had with human behavior and morality (Ciardi, 2003). For the goals and purposes of this review, we will focus specifically on the portion of the book called The Inferno. At a time when religious and secular concerns were at their peak in fourteenth century Italy, a tone of conflict broke out between the church and the government. Beyond the commonalities of corruption
Dante’s work Inferno is a vivid walkthrough of the depths of hell and invokes much imagery, contemplation and feeling. Dante’s work beautifully constructs a full sensory depiction of hell and the souls he encounters along the journey. In many instances within the work, the reader arrives at a crossroads for interpretation and discussion. Canto XI offers one such crux in which Dante asks the question of why there is a separation between the upper levels of hell and the lower levels of hell. By discussing the text, examining its implications and interpretations, conclusions can be drawn about why there is delineation between the upper and lower levels and the rationale behind the separation.
Wetherbee, Winthrop. "Dante Alighieri." Stanford University. Stanford University, 29 Jan. 2001. Web. 27 Apr. 2015.
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
- - -. “Literature Criticism from 1400 to 1800.” http://go.galegroup.com. N.p., 1988. Web. 9 Dec. 2010. .