Individual Guilt For The Holocaust In The Pianist

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The Complexity of Individual Guilt for the Holocaust in The Pianist Plot Summary Roman Pilanski’s The Pianist (2002) depicts Polish-Jewish pianist Wladyslaw Szpilman’s struggle for survival in the Warsaw Ghetto during the Holocaust. The Pianist provides a linear account of Szpilman’s gradually worsening circumstances at the hands of both Nazi soldiers and his Polish compatriots. The film begins on September 23, 1939, with twenty-eight-year-old Szpilman conducting a concert on what would be the last broadcast of the Polish Radio before Nazi occupation. Szpilman’s concert was brought to a sudden end when the broadcasting station was struck by artillery. While evacuating from the station, Szpilman is hastily introduced to his friend’s sister, Dorota, with whom he is immediately smitten. The darkness surrounding Szpilman (the destruction of his place of work, the defeat of the Polish Army after merely three weeks of fighting and imminent Nazi occupation) is juxtaposed with the opportunity of new love. Unbeknownst to Szpilman, the gloom of these …show more content…

He discovers that Captain Hosenfeld was subsequently captured by Russian soldiers and sentenced for war crimes. Szpilman tried in vain to secure Captain Hosenfeld’s release, and we are told that Captain Hosenfeld died in a Soviet prisoner-of-war camp in 1952. The film ends with Szpilman conducting a concert in front of a large audience in Poland. As the camera pans to the handsomely dressed crowd, it is easy to imagine the several Poles that nearly ensured Szpilman’s demise to be sitting amongst the audience. While these people are enjoying the concert, Captain Hosenfeld is being tortured in a Soviet prison as recompense for ‘undeniable’ guilt. Much like the Polish soldiers mistakenly shooting at Szpilman, accepting a man in a Nazi coat as anything but evil proved to be an imperceptible shade-of-gray in the immediate post WWII black-and-white

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