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How does literature reflect culture
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“Looking for Alibrandi” is a novel written by Melina Marchetta. The novel is written in the first person, through Josephine Alibrandi’s perspective. Josephine Alibrandi is the main protagonist in the story, she is seventeen and is experiencing her final year at St. Martha’s. Throughout the novel, Josephine is trying to discover her true self and identity as she is stuck between her Italian and Australian culture. She believes that her Australian culture is her sole identity, but at the end, she realises that it is not only one culture but both of them that form her identity. The Australian lifestyle that Josephine is currently experiencing causes her to reject her Italian heritage. She finds it difficult to adapt to her heritage as it is different to the one she is currently living in. She doesn’t want the Italian to clash with the Australian culture as she reckons she won’t …show more content…
Josie feels as if her traditions will only give her more problems. “She wants to know why other Italian girls have Italian boyfriends and I don’t. If I want to go out with Australians, she objects. ‘What do they know about culture?’ she asks. ‘Do they understand the way we live?’”Nonna wants Josie to marry an Italian man in the future, but she herself had an affair with an Australian when she was young. She decides to hide the guilt and take the frustrations out on Christina and Josie by saying that “a daughter’s behaviour always reflects on how a good mother is.”. Josie’s relationship with Jacob lets her understand how relaxed the Australian culture is. Josie doesn’t want Jacob to meet her parents as she knows that they won’t accept him as he lives “without religion and culture.”, but it has let Josie understand that Australia is a multicultural country and that living there with another background does not make you
Firstly, being in an Italian in an Australian society has affected Josie in many different ways because the way people view her affects her in the start of the novel because she doesn’t know who she is because she hasn’t developed her cultural identity. Later in the novel, she accepts that she is a ‘wog’ and this affects
It was always difficult for Italian females ever since they moved to Australia because they were new. Josephine’s grandmother told her a story about when she first moved to Australia with her husband. She explained to Josephine that when she first moved to Australia her husband was always at work and never around to help or comfort her but she but a nice man by the name of Marcus Sandford who was there to do what he could not. Marcus helped her with all the things she needed and comforted her when she needed it but because she was Italian and Marcus was Australian so when people found out about those two they started to talk. This kind of thing happens during the book with Josephine and a boy named Jacob Coote. Josephine became close to Jacob Coote throughout the book and ended up dating but they were two completely different people. Jacob is Australian, Josephine is Italian, Jacob dressed all daggy, Josephine dressed nice and they argued all the time. At times when they argued Jacob would bring up the fact that she was ethnic and begin being racist towards her. No matter how much the two of them fought and no matter how angry Josephine got at Jacob, her feelings didn’t die down. Josephine and Jacob didn’t stay together; they broke up towards the end of the book after the terrible incident of John Bartons death.
...ugh the experience of making love with her he discovers that she is ‘too selfish’ (p.80) and that he really loves Rosie, who is an outsider, like Paul once was. Paul discovers that with her he doesn’t have to be alone and that it’s okay to be different. Their lasting relationship shows that he has not made a mistake in choosing her (his own desires) over Megan (society’s collective desire). This theme of conformity presented in Maestro was a growing trend in Australian society in the 1960s/1970s and is still influential in modern Australian society today. This continuing thematic relevance helps more Australians identify with this literary work and aids in recognising ourselves as Australians – though we value the traits of the larrikin it is more likely that we will be drawn to following the crowd, making Goldsworthy’s novel more relevant in recognising ourselves.
In the scene ‘Tomato Day’, Josie states “This might be where I come from, but do I really belong here?”
The play focusses on three generations of Women, Nan Dear, Gladys and Dolly and where they felt as though they belonged. Nan Dear knew where she belonged and that was the humpy in the flats with her daughter and granddaughter. Nan Dear knows that she won't be accepted into white society just because she is an Aboriginal and those of a different colour or foreign country weren't accepted. Gladys and Dolly both wanted to be accepted into white society, they wanted to feel as though they belonged there.
Every person thinks about a certain question at least once in the lifetime. The question that is most thought about is, ¨Who am I?¨ Many people would respond with their name, their parents, or where they live. Others use their reputation, their occupation, and their looks. At last, a few others identify themselves by their significant actions they have done. In some stories, characters try to find out who they really are. In the short stories ¨Fish Cheeks¨ by Amy Tan, ¨Two Kinds¨ by Amy Tan, and ¨Papa´s Parrot¨ by Cynthia Rylant,the characters learn about their identities through significant moments.
She is such a strong willed and introverted person, that allowing folks to know she is not the devil in disguise would mean the end of how she lives and flourishes in her world. Josie dreams deep down of a life of pleasure and peace but she knows she could never have what her younger brothers were given, a chance to love. She understands that her life must be lived alone with her ailing father. On page 22 Josie and her father have a discussion about her marring a man named Tyrone and Josie says to her father "What about the farm?" Josie knows she could never leave her father because it would mean leaving him alone and Josie loves him to much. She is afraid of what might really happen if she walks away from all her father has begged, borrowed and stole. In a sense, Josie is giving up her life, to help her father finish his life. Not to mention Josie has no real thoughts or, she hides them so well, of what it would really be like to love someone other than her own father.
Unfortunately, the life in America is not as cheerful as Antonia taught it would be as she experiences lots of hostility, hardship, and misfortune. However, throughout all the predicaments and obstacles, Antonia preserves her beliefs and never succumbs to the values of a new, American culture in an attempt to shape her life. Antonia is a very positive, generous, hardworking, and exceptionally independent character. These innate traits of her personality follow her through the “thick and thin” as she swears by them under all the circumstances. For example, besides the language barrier and cultural differences, Antonia suffers the death of her father who committed suicide as the result of disappointment that he had experienced in America. Instead of scorning the meaning of life, she did whatever it took to provide for her family, which was experiencing an immense economics hardship. Everything that she earned, she gave to her family as she valued them over herself. Eventually, due to her wit and charm, Antonia got a job in the town where she found her passion for dance and made friends. Unfortunately, her passion for dance was viewed as inappropriate and her boss insisted that she chooses between her friends and the job. Unwilling to follow the orders and disappoint her friends, Antonia
As a native Hawaiian, Kristiana Kahakauwila has extensive knowledge on Hawaiian customs and culture. Though she was not raised in Hawaii, Kristiana is still connected to the culture. Her upbringing in California did not separate her from the customs of Hawaii. Kristiana has a master’s in fine arts and a degree in comparative literature. Her degrees and background with Hawaiian culture led her to write the book “This is Paradise,” which is composed of multiple short stories. Each short story unveils a new layer of Hawaiian culture that many people tend to overlook. Before the first short story begins, Kristiana sets the tone for the novel with the cover of the book.
Josie comes to see a number of contrasts in Jacob. He is tough yet sensitive and loves him family. These contradictions are mirrored in the Italian community where a woman must wear black after her husband dies, however he is allowed to remarry. Josie would like to be in love with John and to have people look at her with envy, however it is Jacob that she is attracted to.
Josies aspirations reach much farther than that of her families ambitions for her life. It is at this point in time where a classic example of culture clash begins. Josie feels the need to rebel against the stero-typical female in an Italian culture. This determination stems from her education and desire to step away from her Italian life and responsibilities, breaking away not only from her family and their narrow mindedness but also the entire Italian culture. This is a major leap for Josie who aspires to be the first Alibrandi female to take control of her life. This motivation of freedom is strong in Josie and her rebellious ways demonstrate this.
As the world evolves so do the people within it, but without much surprise some things do not change that drastically and one of those things is the culture in which a person was born and raised. Even though ones culture or way of life may progress in some ways, it does not totally change. The topic of discussion for this paper will be that of the Italian culture. Who are they really? What types of challenges do they face? Many other topics will be discussed about the Italian society, but first we begin with the basic facts as to who they were.
Alvi also employs the use of end-stopped lines in key moments of the poem to highlight key aspects of identity. At the height of the poem, when Moniza Alvi is feeling deeply connected to her culture, she claims she has “new brown veins.” This is the first end-stopped line we encounter in the entire poem, and Alvi uses it to accentuate her connection to this newfound aspect of her identity. The “brown” she if referring to is the henna that someone is making on her hand of a peacock. The henna, as well as the peacock, is symbolic of India, and the Indian cultural identity, as henna is something associated with India, and the peacock is the Indian national bird. The fact she has “new brown veins” shows the magnitude of how the speaker has been impacted by her hennaing experience, as the brown, of the henna and the peacock, is inside her, meaning that the Indian cultural identity is within her. Not only is it within her, but it has become her “veins”; it is necessary for her to live, as we need our veins to carry the blood to our body. This illustrates to the reader how significant the speaker’s experience was, as not only has it affected her, but has become crucial to her very survival.
What is personal identity? This question has been asked and debated by philosophers for centuries. The problem of personal identity is determining what conditions and qualities are necessary and sufficient for a person to exist as the same being at one time as another. Some think personal identity is physical, taking a materialistic perspective believing that bodily continuity or physicality is what makes a person a person with the view that even mental things are caused by some kind of physical occurrence. Others take a more idealist approach with the belief that mental continuity is the sole factor in establishing personal identity holding that physical things are just reflections of the mind. One more perspective on personal identity and the one I will attempt to explain and defend in this paper is that personal identity requires both physical and psychological continuity; my argument is as follows:
Zora Neal Hurston’s book, Their Eyes Were Watching God, reveals one of life’s most relevant purposes that stretches across cultures and relates to every aspect of enlightenment. The novel examines the life of the strong-willed Janie Crawford, as she goes down the path of self-discovery by way of her past relationships. Ideas regarding the path of liberation date all the way back to the teachings of Siddhartha. Yet, its concept is still recycled in the twenty-first century, as it inspires all humanity to look beyond the “horizon,” as Janie explains. Self-identification, or self-fulfillment, is a theme that persists throughout the book, remaining a quest for Janie Crawford to discover, from the time she begins to tell the story to her best friend, Pheoby Watson. Hurston makes a point at the beginning of the novel to separate the male and female identities from one another. This is important for the reader to note. The theme for identity, as it relates to Janie, carefully unfolds as the story goes on to expand the depths of the female interior.