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Modernism and it's main elements
Analysis of modernism
Modernism and it's main elements
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Modernists believe in rational thoughts while postmodernists believe everything is irrational. Postmodernism is a late-20th century movement, which is against and critiques modernism. Postmodernism knows to mock important topics such as war, and includes dark humour and sarcasm. However on the other side, modernism has a completely different approach in comparison to postmodernism. The modernist period started at the end of the 19th century and lasted up until 1955. Modernism focuses on traditional values, and often comments on the Victorian period. Despite focusing on traditional values, modernism also accepts modern values. The song “I Feel Like I’m Fixin’ To Die Rag” by Joe McDonald is a postmodernism song, while poem “The Red Wheelbarrow” …show more content…
Postmodern authors were not the first to use irony and humour in their writing, however for some authors this became their style of writing. Postmodern irony is mocked and not taken seriously, and the song “I Feel Like I’m Fixin’ to Die Rag” is an example of postmodern irony. Making fun of and being cold towards a serious subject are postmodernism characteristics. The song makes fun of the possible humankind total nuclear destruction by saying “Just hope and pray that they drop the bomb/ they drop it on the Viet Cong” (McDonald, verses 19-20). However, the poem “The Red Wheelbarrow” has imagism in it in comparison to the postmodernist song. Imagism was a movement in early 20th century Anglo-American poetry that favoured precision of imagery with a clear and sharp language. The poem itself has a series of images starting with the line, “a red wheel/ barrow” (Williams, lines 3-4). The author adds details for the reader to visualize the image in their mind. Without the colour red added to the text the reader wouldn’t have an accurate image of the poem. With the author adding specific details to the poem the reader is able to make conclusions and add meaning to the story. Imagery and irony are two of the different characteristics of modernism and
When I read poetry, I often tend to look first at its meaning and second at how it is written, or its form. The mistake I make when I do this is in assuming that the two are separate, when, in fact, often the meaning of poetry is supported or even defined by its form. I will discuss two poems that embody this close connection between meaning and form in their central use of imagery and repetition. One is a tribute to Janis Joplin, written in 1983 by Alice Fulton, entitled “You Can’t Rhumboogie in a Ball and Chain.” The second is a section from Walt Whitman’s 1,336-line masterpiece, “Song of Myself,” first published in 1855. The imagery in each poem differs in purpose and effect, and the rhythms, though created through repetition in both poems, are quite different as well. As I reach the end of each poem, however, I am left with a powerful human presence lingering in the words. In Fulton’s poem, that presence is the live-hard-and-die-young Janis Joplin; in Whitman’s poem, the presence created is an aspect of the poet himself.
For instance, the novel reads, “… my right arm prickles and then numbs and my chest all of a sudden feels like it’s splintering, like inside some man is throwing his shoulder against a door again and again” (21). Corrigan’s anorexia often comes with dangerous consequences. It is evident in this excerpt that she is in a state of pain as she compares how she feels to being hit again and again by a man seemingly inside her. Although the reader is not able to experience her physical pain, they are able to understand to some extent the pain in which she is feeling. Poetic devices allow readers to recognize a character’s emotions by comparing it to a different circumstance. Likewise, the author wrote, “… I spread the local paper out on my kitchen table, looking for the movie listings and a slim column on the front page rose up: North Brunswick Man Shot and I only stopped to read it because that’s where you lived—in the sprawling neighborhood as secure and tended as a tiny national park…” (56). Corrigan’s old boyfriend, Danny, was known to be suicidal and one night decided to shoot himself in the head with a handgun. The bullet entered his head and ricocheted off his skull, narrowly missing his brain. For Corrigan, discovering this in her local paper came as quite a shock to her and she wondered how such an event could happen in a
In conclusion both Ezra Pound’s poem “In the Station Metro” and Emma LaRocque’s poem “The Red in Winter” state the author’s perception of the world very well through imagery that is very subjective to interpretation. Even though they have similarities in style they are almost polar opposites in terms of meaning as Pound’s talked about art and LaRocque’s talked about politics. The two poems are extremely good examples of imagist poems, that used imagery and economy of verse.
Figurative language can be found all around us including music. The famous line “Do you ever feel like a plastic bag, drifting through the wind wanting to start again?” is a figurative language in the song Firework by Katy Perry. This simile was used to compare a real life emotion, how people can feel so worthless and insignificant like a plastic bag at times. Sometimes you just feel so worthless and insignificant in life, you just want to start all over again. You feel the need to start a new life and move away from people, and places you currently know. Your life starts to feel like a waste, like a plastic bag so insignificant and worthless. You start think that you don’t belong in the life you live in. But like Katy Perry says, “You don’t
Poetry is more than just a correlation of words; poetry contains power. Poetry works by sculpting the English language in such a way that it produces sound, while endeavoring to recreate experiences. I really grasped this concept when we read Dulcem Et Decorum Est, by Wilfred Owen. Among other things, this poem contains haunting imagery, and a rhythm that produces the sound of being in the trenches. While reading this poem, Wilfred Owen’s words made me fearful and paranoid. The slightest sound could hold my attention. I also noticed how silent the room felt after we finished the poem. We were all struck and disturbed by the old phrase Dulcem Et Decorum Est.
The poem The Bean Eaters (see the included poems) is a fine example of all three of these key elements. First and foremost is the use of ordinary speech. For instance the lines They eat beans mostly, this old yellow pair / Dinner is a casual affair. Each of these words are easily understandable. Though plain speech, each word is used more differently and more intensely than in ordinary discourse. Old yellow pair resounds with more meaning than old couple. “Yellow” implies faded or old; “Pair” is more compassionate than “couple”, suggesting more of a connection than just a matchup. Though easily readable, the first line sets a tone of tenderness. Dinner is a casual affair is also a unique statement. Though five plain words, each is used effectively to create an irony which is maintained for the rest of the stanza. “Dinner” and “affair” imply more formal situations, but yet are described as “casual.” This vague irony is further developed in the next two lines, Plain chipware on a plain and creaking wood, / Tin flatware. Chipware is Brooks’s own term, which originates from flatware. “Dinnerware” implies wealth and elegance, while chipware implies aged dishes used by the poor. Yet, chipware also calls up the dignity of dinnerware. The “plain and creaking wood” or table reinforces a sense of poverty. Consistent with the preceding images, “Tin flatware” implies cheapness because of tin, but also refinement from “flatware.” Each word is used to add or ...
In William Carlos Williams’ poem, “The Red Wheelbarrow,” he artistically paints a picture using words to depict a simple object that to some may appear mundane. Through his illustration the red wheelbarrow, which might otherwise be overlooked, becomes the focal point of his poem and the image he is creating for the reader. He paints the illusion through his writing style, use of color and word choices to remind the reader of the importance of a simple object, the wheelbarrow.
On the surface the poem seems to be a meditation on past events and actions, a contemplative reflection about what has gone on before. Research into the poem informs us that the poem is written with a sense of irony
Post modernism is a very difficult concept to define. A French philosopher once defined post modernism as an "incredulity toward all meta narratives," which basically means a skeptical attitude toward all claims of absolute truth. Post modern writers use elements and techniques that provoke the reader to question their reading experience and scrutinize their own personal understanding of life and the values of their society. There are excellent examples of post modern writers using elements of post modern writing, such as irony, magic realism and fragmentation in the short stories read in Ms. Reynolds's English 4U class. The use of post modern elements in these short stories forces the reader to further their reading experience by going more in depth into the writing and figuring out how the story is significant to them and their view on the world.
"I FEEL LIKE I'M FIXIN' TO DIE RAG” was written by Country Joe McDonald. It also calls “The Fish Cheer", and it is a song by the American psychedelic rock band Country Joe and the Fish. I FEEL LIKE I'M FIXIN' TO DIE RAG” remains one of the most popular Vietnam protest songs from the 1960s. "I FEEL LIKE I'M FIXIN' TO DIE RAG” was one of the popular protest songs against the Vietnam War, and it recognized by many Americans. It used dark humor and satire for its topic. It is a classic of the counterculture era. Lyrics of this song are about passing the buck to the US politicians, senior military officials, and industries and enterprises started the Vietnam War. In 1965 summer, McDonald’s compose "I FEEL LIKE I'M FIXIN' TO DIE RAG”. It became a
Throughout history, poets had experimented with different forms of figurative language. Figurative language allows a poet to express his or her meaning within a poem. The beauty of using the various forms of figurative language is the ability to convey deep meaning in a condensed fashion. There are many different figures of speech that a poet can use such as: simile, paradox, metaphor, alliteration, and anaphora. These examples only represent a fraction of the different forms, but are amongst the most well-known. The use of anaphora in a poem, by a poet, is one of the best ways to apply weight or emphasis on a particular segment. Not only does an anaphora place emphasis, but it can also aid in setting the tone, or over all “feel” a reader receives from a poem. Poets such as Walt Whitman, Conrad Aiken, and Frances Osgood provide poems that show how the use of anaphora can effect unity, feeling, and structure of a poem.
It is imperative for us, especially all poets and writers of prose that use language to express figurative meaning, to critique this theory because it only decreases creativity and denies that artist say anything beyond the literal with their words and metaphors. Davidson's ideas violently affront to the purpose of our craft. If we become completely dependent upon objective, literal meaning and learn to reject subjective, figurative meaning in words, we will consequently become less human and more detached from the world, from our natural surroundings, from our fellow human beings, and from the spontaneous, creative voices deep in our guts that often speak of truths literal expression cannot capture.
The Modernist era of poetry, like all reactionary movements, was directed, influenced, and determined by the events preceding it. The gradual shift away from the romanticized writing of the Victorian Era served as a litmus test for the values, and the shape of poetry to come. Adopting this same idea, William Carlos Williams concentrated his poetry in redirecting the course of Modernist writing, continuing a break from the past in more ways than he saw being done, particularly by T.S. Eliot, an American born poet living abroad. Eliot’s monumental poem, The Waste Land, was a historically rooted, worldly conscious work that was brought on by the effects of World War One. The implementation of literary allusions versus imagination was one point that Williams attacked Eliot over, but was Williams completely in stride with his own guidelines? Looking closely at Williams’s reactionary poem to The Waste Land, Spring and All, we can question whether or not he followed the expectations he anticipated of Modernist work; the attempts to construct new art in the midst of a world undergoing sweeping changes.
Irony is an effective way for a poem, playwright or author to lighten an otherwise dark or cryptic story while simultaneously putting emphasis the story’s dark elements; in its obvious absence, the darkness of the story becomes more apparent. This is effective in many poems, such “Annabel Lee” by Edgar Allan Poe, which is about the death of a childhood lover. The persona, assumed to be male, highlights the youth of the his lover, Annabel Lee, referring to her as “this maiden” (Poe line 3) and “a child” (line 7) to underline the fact that she died too young and too soon. He blames this on the angels, who “coveted” (line 12) them and their love. Poe uses irony to contrast, and, therefore, puts emphasis on, the negative circumstances surrounding Annabel Lee’s death by retelling the events in an idyllic tone. Poe’s irony is successful due to his employment of diction and rhyme, which cause the poem to emulate the sing-song style of a nursery rhyme.
For a small poem, “The Red Wheelbarrow,” by William Carlos Williams, has a great meaning behind it. This poem uses images, symbolism, and form to get the entire picture of the poem across. Meyers defines images, ”as a word, phrase, or figure of speech that addresses the senses, suggesting mental pictures of sight and sounds, smells, tastes, feelings or actions.” (Meyer 1593). Symbolism is, “ a person, object, image, word, or event that evokes a range of additional meaning beyond and usually more abstract than it’s literal significance.” (Meyer 1604). Then there is form, “images and symbolism, as the overall structure or shape of a work which frequently an established design.” (Meyer 1591). Williams uses images, symbolism and form to catch ones attention, tell a simple story, and tell a greater story behind it all.