Hypocritical Tendencies in Chaucer's Canterbury Tales

The portrayal of the Pardoner in the Canterbury Tales gives Chaucer a chance to satirize religious men in their deceitful, lying ways. The Pardoner is a liar. He persuades people to purchase certificates of forgiveness by preaching his moral stories. Chaucer creates the Pardoner to be a very greedy and deceitful preacher when he writes, "'And thus I preach against the very vice/ I make my living out of--avarice,'" (Chaucer 24-25). The Pardoner is telling his crowd that he preaches certain stories to make a living rooted in greed. He is so obssesed with greed, and want for money, the Pardoner will blatantly lie every day of his life. Chaucer is satirizing religious men in the story to make fun of them, and try to improve their behavior in the

The Pardoner’s Tale:  Use of Verbal and Situational Irony In “The Pardoner’s Tale,” Geoffrey Chaucer masterfully frames an informal homily.   Through the use of verbal and situational irony, Chaucer is able to accentuate the moral characteristics of the Pardoner.   The essence of the story is exemplified by the blatant discrepancy between the character of the storyteller and the message of his story.   By analyzing this contrast, the reader can place himself in the mind of the Pardoner in order to account for his psychology.

The Canterbury Tales by Geoffrey Chaucer is a collection of stories by a group of pilgrims who are heading to Canterbury Cathedral. In this book, the pardoner and the reeve show antipodal characters in many ways. The pardoner is beautiful blonde hair man who is being loved by everyone. However he is very corrupted and smart and sells fake religious stuff to people saying very good compliment. On the other hand, the reeve is very serious and honest business man. He is very smart enough to know what criminals think and do. The pardoner story-tells a great example (or tale?) of seven deadly sins and reeve’s story is mocking of the miller. These very different characteristic men tell story telling that human beings are always punished for being greedy. The crooked pardoner and the honest reeve have different purposes for telling their tales, but their stories have the same major theme; sins deserve punishment.

Tales written in Canterbury Tales divulge the characteristics of 31 characters, each one particularly refined in their own unique way. Geoffrey Chaucer made it easy for the reader to divulge oneself in the characteristics of just one character. One of these characters includes the Pardoner. In many of the stories in Canterbury Tales, they often reflect the characteristics of the character telling them, as if each story is meticulously crafted to reflect upon the characters telling them. The Pardoners allegoric tale appears to be especially evident to this, as The Pardoners tale conveys many personal traits including greed, hypocrisy, and arrogance.

Leticia Romero Mrs. Dale English IV B-4 17 December 2013 Domination over a Knight Back in the late 1300’s, Geoffrey Chaucer, a famous English poet, wrote a book called The Canterbury Tales. The Canterbury was about a man named Chaucer and a group of his close friends that were traveling to the city Canterbury and had time to kill so each person started multiple short stories and made a competition out of it. As a result as to who won the story telling competition, the rest of the people in the trip had to pay for one of their meals. Boring rides to the destination might be boring but not when Chaucer is around. The Canterbury Tales shows crime, punishment and justice medieval style.

Geoffrey Chaucer’s Canterbury Tales became one of the first ever works that began to approach the standards of modern literature. It was probably one of the first books to offer the readers entertainment, and not just another set of boring morals. However, the morals, cleverly disguised, are present in almost every story. Besides, the book offers the descriptions of the most common aspects of the human nature. The books points out both the good and the bad qualities of the people, however, the most obvious descriptions are those of the sinful flaws of humans, such as greed and lust.

In The Canterbury Tales, Chaucer indirectly depicts the characters through the stories they tell. The tale is a window upon the person that tells it. However, the Pardoner’s tale seems to contradict this situation. The Pardoner, an immoral man, tells a moral story because he believes that doing this will further his ultimate objective – revenge upon God for his anomalous physical attributes. “He had the same small voice a goat has got. / His chin no beard had harboured, nor would harbour, / smoother than ever chin was left by barber. / I judge he was a gelding, or a mare” (21).

Chaucer’s innovation in the Pardoner’s performance tests our concept of dramatic irony by suggesting information regarding the Pardoner’s sexuality, gender identity, and spirituality, major categories in the politics of identity, without confirming that information. Our presumed understanding of the Pardoner as a character lacks substantiation. As we learn about the Pardoner through the narrator’s eyes and ears, we look to fit the "noble ecclesiaste" (l. 708) into the figure shaped by our own prejudices and perceptions, as any active reader must do. But the Pardoner, ever aware of his audience, does not offer clear clues to his personality. This break between what the other characters say about the Pardoner and what the Pardoner says about himself has been a major source of tension for all readers of the Tales and especially critics who search for substantiation of their views beyond the Chaucer’s own language. The general tone of the Canterbury Tales is comic. After all, the pilgrims are traveling to the shrine St. Thomas Beckett in a public act of holy reverence, but the Tales take a darker turn when the Pardoner is brought to the foreground. The whole Canterbury Tales is a collected set of performances, stories told about telling stories. As Joseph Ganim has written, theatricality, by which he means "a governing sense of performance, an interplay among the author’s voice, his fictional characters, and his immediate audience," is "a paradigm for the Chaucerian poetic" (5). This paper shall endeavor to show that the major effect of the Pardoner’s presence in the Tales is to focus the reader’s attention to questions of performance and performativity, literary perception, ...

Chaucer first begins his sly jab at the Church’s motives through the description of the Pardoner’s physical appearance and attitude in his “Canterbury Tales.” Chaucer uses the Pardoner as a representation of the Church as a whole, and by describing the Pardoner and his defects, is able to show what he thinks of the Roman Catholic Church. All people present in the “Canterbury Tales” must tell a tale as a part of story-telling contest, and the pilgrim Chaucer, the character in the story Chaucer uses to portray himself, writes down the tales as they are told, as well as the story teller. The description of the Pardoner hints at the relationship and similarity between the Pardoner and the Church as a whole, as well as marks the beginning of the irony to be observed throughout the “Pardoner’s Prologue and Tale.” The narrator describes the Pardoner as an extremely over confident, arrogant, and unattractive man, noting that his hair is “as yellow as wex,” lying thin and fl...

Chaucer 's characters appear heavily invested in the belief that the gods and the stars, not their own earthbound decisions and abilities, control their fates. Their steadfast faith in the power and prudence of the gods contrasts sharply with their often visible lack of confidence in themselves. Is this lack of confidence born out of the characters ' deference to the gods? Or conversely, is this obsession with the supernatural perhaps an attempt to rationalize, excuse, and possibly overcome their previous and potential shortcomings of which the characters are so often aware? In a collection of tales in which pride, honor, superlative excellence, and supernatural influence are so prominent, the rampant confusion, self-doubt, and "negative boasts"