Leticia Romero
Mrs. Dale
English IV B-4
17 December 2013
Domination over a Knight
Back in the late 1300’s, Geoffrey Chaucer, a famous English poet, wrote a book called The Canterbury Tales. The Canterbury was about a man named Chaucer and a group of his close friends that were traveling to the city Canterbury and had time to kill so each person started multiple short stories and made a competition out of it. As a result as to who won the story telling competition, the rest of the people in the trip had to pay for one of their meals. Boring rides to the destination might be boring but not when Chaucer is around. The Canterbury Tales shows crime, punishment and justice medieval style.
When we are taken on the pilgrimage to Canterbury by Chaucer in the story “The Canterbury Tales” we are introduced to all classes of characters from every corner of life. The use of satire is used throughout the story and I believe it helps, it shows the stereotypical difference in class at his time of day. While keeping nothing from harm in “The Canterbury Tales” Chaucer takes a huge chance by mocking even the church. But did all the use of raunchy humor and everyday language really help him or did it make the story too much to read?
Chaucer's The Canterbury Tales: The Parson’s Tale
The critical acclaim for The Canterbury Tales as a whole is matched by the puzzlement over the work’s conclusion, the “Parson’s Tale” and Chaucer’s retraction. By modern standards, it hardly seems the “merry tale” the Parson promises his audience, and after the liveliness of much of the rest of the Tales, it appears to close the work not with a bang, but a whimper.
The portrayal of the Pardoner in the Canterbury Tales gives Chaucer a chance to satirize religious men in their deceitful, lying ways. The Pardoner is a liar. He persuades people to purchase certificates of forgiveness by preaching his moral stories. Chaucer creates the Pardoner to be a very greedy and deceitful preacher when he writes, "'And thus I preach against the very vice/ I make my living out of--avarice,'" (Chaucer 24-25). The Pardoner is telling his crowd that he preaches certain stories to make a living rooted in greed. He is so obssesed with greed, and want for money, the Pardoner will blatantly lie every day of his life. Chaucer is satirizing religious men in the story to make fun of them, and try to improve their behavior in the
In the fifteenth century, well known author, Geoffrey Chaucer, wrote his most famous piece, The Canterbury Tales. In his work, he describes a story in which a host narrates a journey of twenty-nine pilgrims on their way from England to Canterbury. The host, debatably presumed to be Chaucer, explains the characteristics of each of the twenty-nine pilgrims. Many of the characters are not given enough detail to allow the audience to decipher their motives as good or bad. However, some are described as blatantly bad or truly pure. In The Canterbury Tales, Chaucer criticizes the Roman Catholic Church by introducing and explaining
The Middle Ages can also be stated as the Age of Faith because the main center of attention and one’s purpose in life was to serve God and live righteously. More than one title can be assigned to the Middle Ages due to the overlapping of events but the Age of Faith applied almost continuously to the lives of people throughout the Middle Ages while other labels such as the Dark Age and the Age of Feudalism represented certain periods of it.
Bynum, Caroline Walker. Fragmentation and Redemption: Essays on Gender and the Human Body in Medieval Religion. New York: Zone Books, 1992.
Many bishops and abbots (especially in countries where they were also territorial princes) bore themselves as secular rulers rather than as servants of the Church. Many members of cathedral chapters and other beneficed ecclesiastics were chiefly concerned with their income and how to increase it, especially by uniting several prebends (even episcopal sees) in the hands of one person, who thus enjoyed a larger income and greater power. Luxury prevailed widely among the higher clergy, while the lower clergy were often oppressed. The scientific and ascetic training of the clergy left much to be desired, the moral standard of many being very low, and the practice of celibacy not everywhere observed. Not less serious was the condition of many monasteries of men, and even of women (which were often homes for the unmarried daughte...
Chaucer first begins his sly jab at the Church’s motives through the description of the Pardoner’s physical appearance and attitude in his “Canterbury Tales.” Chaucer uses the Pardoner as a representation of the Church as a whole, and by describing the Pardoner and his defects, is able to show what he thinks of the Roman Catholic Church. All people present in the “Canterbury Tales” must tell a tale as a part of story-telling contest, and the pilgrim Chaucer, the character in the story Chaucer uses to portray himself, writes down the tales as they are told, as well as the story teller. The description of the Pardoner hints at the relationship and similarity between the Pardoner and the Church as a whole, as well as marks the beginning of the irony to be observed throughout the “Pardoner’s Prologue and Tale.” The narrator describes the Pardoner as an extremely over confident, arrogant, and unattractive man, noting that his hair is “as yellow as wex,” lying thin and fl...
The Pardoner’s Tale: Use of Verbal and Situational Irony
In “The Pardoner’s Tale,” Geoffrey Chaucer masterfully frames an informal homily. Through the use of verbal and situational irony, Chaucer is able to accentuate the moral characteristics of the Pardoner. The essence of the story is exemplified by the blatant discrepancy between the character of the storyteller and the message of his story. By analyzing this contrast, the reader can place himself in the mind of the Pardoner in order to account for his psychology.