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Introduction to fear of change
Introduction to fear of change
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In some cases, keeping memories alive through flashbacks and keepsakes means survival. Hunger, a collection of short stories by Samantha Chang, explores images of life for Chinese-American immigrants. One of the later stories, The Unforgetting, looks into themes of assimilation and acculturation through an immigrant family. Ming and Sansan Hwang have come to the eastern Iowa hills in hopes of finding success and happiness in a new place. They quickly learn that in order to integrate themselves into their new surroundings they must forget their past and learn how to navigate 1970’s American society. Ming uses the youth and hope in his son Charles as his motivation. He wants for his son what he wanted when he was at his prime. Similarly, Sansan …show more content…
Actually, his intense selflessness brings him to fault. His dedication to his son’s future is noble, yet consuming. “He replaced such useless memories with thoughts of Charles…he had believed…that he could make a new life in America” (139). Ming is eventually pushed to feel a subtle envy for the freedom and youth his son possesses. Ming had to let go of his culture and identity and because of that, Charles does not have learn the hardships of doing the same. In a scene where teenage Charles locks his room door, Ming’s reaction attests to his dependence on Charles. Tormented by the image of Charles’s locked door, Ming goes on to disable the doorknobs and locks on several of the rooms upstairs.
“The image of the door [had] disturbed him, as if Charles had access to another world inside that [locked] room, as if he might disappear at will, might float from their second-story windows and vanish into the shimmering, yellow Iowa light”
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Charles does not try to satisfy his father’s near obsession with him. Because of his American upbringing, he does not understand what his father is dealing with in terms of loss of culture and identity. Ming is scared. He finally realizes realizes that he and his son are fundamentally different based on how and where they were brought up and their individual experiences. Because Charles has replaced his memories of the past, Ming has trouble recognizing the fact that there is this huge divide between them. If Charles “disappears”, so does, what Ming thinks is, his only true opportunity for success, purpose, and happiness in his new life.
Both Ming and Sansan have to leave pieces of their personal identity to learn the ways of 1970s American society. The difference between the two is that Sansan is left dependent on her husband as her provider in their adopted American culture. She quickly assumes the classic role of the American housewife. She learns English by watching television. She spends her time annotating a Betty Crocker cookbook. Sansan is given the opportunity to build her own, new life in America. Near the end of the story, Sansan’s frustration finally comes to the surface in a conversation with
At the beginning of the story, Grace rejects her chinese root. She feels different from her adopted family. “At most of the tables, everyone in the family had the same complexion and colouring” (Ye 12). She realizes that there are many people that look at her in
With the perception of a bright and new beginning they willingly forced themselves to forget about the “colors of the Beijing sky” and “what they no longer could bear hope for” (Chang 33, 29). Sacrificing their past life, they wanted to give their son Charles a life of fulfillment and opportunity in the land of dreams, America. Their Chinese culture and traditions were neglected in the corner of their basement and the American lifestyle was rapidly immersing the Hwangs family. With the pressure to learn and comprehend this new American culture, the relationship between father and son slowly became disconnected. Ming’s demand to forget his past and the pressure to absorb new cultural ways, took a toll on the relationship between him and his son causing it to drift and become almost non-
Growing up, Charlie faced two difficult loses that changed his life by getting him admitted in the hospital. As a young boy, he lost his aunt in a car accident, and in middle school, he lost his best friend who shot himself. That Fall, Charlie walks through the doors his first day of highschool, and he sees how all the people he used to talk to and hang out with treat him like he’s not there. While in English class, Mr. Anderson, Charlie’s English teacher, notices that Charlie knew the correct answer, but he did not want to speak up and let his voice be heard. As his first day went on, Charlie met two people that would change named Sam and Patrick who took Charlie in and helped him find himself. When his friends were leaving for college, they took one last ride together in the tunnel and played their favorite song. The movie ends with Charlie reading aloud his final letter to his friend, “This one moment when you know you’re not a sad story, you are alive. And you stand up and see the lights on buildings and everything that makes you wonder, when you were listening to that song” (Chbosky). Ever since the first day, Charlie realized that his old friends and classmates conformed into the average high schooler and paid no attention to him. Sam and Patrick along with Mr. Anderson, changed his views on life and helped him come out of his shell. Charlie found a
Early on we are lead to believe that Charlie and his father are happy to see each other and have a good relationship with quotes such as, “I was terribly happy to see him again” and “ Hi Charlie, Hi boy!” But these attitudes towards father and son are short lived.
He had cut through the screen and was prying the door open when Bill and Glenna Thomas drove up. They took in the ravaged screen door, Charlie’s furious red face, and Jo Ann’s pale frightened one and demanded to know what was going on. So terrified that she could barely speak, Jo Ann mumbled, “Ask Charles.” His version was that she attacked him, and he was only protecting himself. The Thomases didn’t believe him, and Charlie got a whipping. He was adapted to a life of violence and loneliness. He kept to himself and didn’t have any friends. Charlie was an observer; he never got involved or talked to people (twisted minds). He became accustomed to the life of trouble with the law ranging from reform schools and juvenile halls, when he got older he was lacking attention and was in and out of jail constantly and convicted with rape drug use, pimping, stealing, and fraud.
The Cultural Revolution in China was led by Mao Zedong, due to this Liang and many others faced overwhelming obstacles in many aspects of their life such as work, family and everyday encounters, if affected everyone’s families life and education, Liang lets us experience his everyday struggles during this era, where the government determined almost every aspect of life. The beginning of the book starts out with Liang’s typical life, which seems normal, he has a family which consists of three children, two older sisters and him the youngest, his two sister’s reside in Changsha 1. his father has an everyday occupation working as a journalist at a local newspaper. Things start to take a turn early in life for Liang Heng, his family politics were always questioned, the mistake made by one of his family members would impact his entire family and it would be something they would have to suffer through, it was impossible for them to live down such a sin.... ...
...a of what his life would have been had he been born and raised by an American Family. This shows that he has been trying to run away from the shadow of his own Culture in an effort to gain acceptance in the American Culture. However, his unruly behavior might have resulted due to the lack of support from his family especially his father. His father’s determination of trying to keep him bounded to the Korean tradition and values might have what actually pushed Henry away. For example, when Henry decides to take an American girl to the Spring Dance, his father justifies her interest in her son due his financial background. He says to Henry, “You real dummy, Henry. Don’t you know? You just free dance ticket. She just using you” (Pg. 74). This illustrates that Henry has been struggling to gain his father’s respect and approval in him but was never able to achieve that.
Charlie has taken the initiative to reach out to his father whom he has not seen in three years, and receives a response via his secretary. This is the first indication of Charlie’s father’s shortcomings and their impersonal relationship. Regardless when he first lays eyes on his father young Charlie is “terribly happy to see him again”. Charlie clearly has been looking forward to their reunion, and in the forgiving way of a child, does not spite his father for not reaching out before. Furthermore, as they begin to walk out of the station together Charlie observes, “I wished we could be photographed. I wanted some record of our having been together”. At this point Charlie is proud of his father and wants the world to know they belong together. He wants to know this man, his flesh and blood. He wants to know him because he recognizes that although they are stranger, they are alike, Charlie will one day become like him. By the end of the short story, the reader gets the impression that this encounter was not what Charlie had in mind. His father yelled at the waiters and they had to relocate several times. Any pride Charlie was feeling about belonging with this man is likely gone. His father was not a good role model nor did they connect on a personal level. The story ends with this heartbreaking line “‘Goodbye, Daddy,’ I said, and I went down the stairs and got on my train, and that was the last time I saw my father”. With his last moments to interact with his young son, the father instead chooses to spend them verbally abusing a newsstand clerk. During the story Charlie is largely ignored by his father who he wanted so desperately to be like, to be with, at the beginning. Although the father makes some gestures that show he wants to impress his son, like trying to order him
Charlie knew Claude from his rambunctious days during the bull market, but now he’s “all bloated up” (BABYLON), bereft by the crash. The next day, during lunch with his daughter, Honoria, two more figures from Charlie’s past come into play - Lorraine and Duncan, who are old friends of “a crowd who had helped them make months into days in the lavish times of three years ago” (BABYLON). They are instantly drawn to Charlie, and force him to remember the years he so vehemently tries to forget; questioning in amazement the sober man standing before them. Charlie shoos the two along as best as he can without insult, as he knows these people are not good for him or his daughter to be around. They are the living embodiment of the events of his past, and in order to be a new person, his old friends cannot be a part of his life.
threatened by Charlie's new powers. He realizes the friend he thought he had just used
Ho Chi Moo’s initial annoyance with Charlie and their consistent chance encounters give their relationship the initial fantastical element that they carry as characters. The moonlight excursions of Ho Chi Moo and his interactions with his “customers” give him an absurdist feel, which pairs nicely with the emotional instability of Charlie. Their experiences are parallel in the sense that Ho Chi Moo re-creates the experience of owning a...
... mopes over the loss of his wife. The depression gets even worse when he finds letters from her lovers that he was unaware of. Charles does not live long after finding out the truth, and their daughter is sent away.
Both novel and short story collection reflect the fear of a past being unexplored and left behind. They express deep concern about a lost generation of Chinese-Americans and look desperately for the ignored, shut out past as a result.
For this Final MIRR I did the book Hunger Games by: Suzanne Collins. This book is set in the future in a place called Panem. Panem rose from the remains of North America and it consists of a richer capital surrounded by 12 more poor districts that are under heavy supervision by the capital. Every year as a punishment for the rebellion against the capital there is an event called the Hunger Games that is meant to repress anyone from fighting against the capital and causing a revolution. The Hunger Games take children from the ages of 12 to 19 and you can enter your name more than once to earn food and money. The way they chose the people that go into the Hunger Games is called the reaping; this takes one girl and one guy from every district and forces them to fight for their lives. The two people that chosen where, Katniss Everdeen and Peeta Mellark. They have to be trained by their mentor. A mentor is a person who won the last Hunger Games, and there job is to train the tributes about the Hunger Games. Before the Hunger Games starts you have a little time to prepare, this includes training, impressing the game makers and the capital and making some friends. You can receive donations when inside the arena, and to get donations you have to get lots of supporters, this is why you need to impress the capital. Once inside the arena anything goes, there are no rules. The last person standing will win and will be the mentor next year.
Because of the parties he attends with his new friends he has tried using some drugs. These new friends help Charlie see things with a positive perspective, and to be confident in himself. When his friends move away, Charlie experience isolation and has a mental crisis that leads him to be internalized in a clinic.