More handpicked essays just for you.
Literary analysis of "the road not taken
Book analysis of the road not taken
Significance of symbolism in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In Cormac McCarthy’s The Road, in the post-apocalyptic world that the man and the boy live in, dreams begin to take on the form of a new “reality.” As the novel progresses, the man’s dreams, initially memories remnant of his pre-apocalypse life, become “brighter” as the boy’s dreams become darker and nightmarish. Through the use of color and distinct language, McCarthy emphasizes the contrast between reality and dreams. The man’s reliance on bad dreams to keep him tied to the harsh reality alludes to the hopelessness of the situation; he can never truly escape. McCarthy suggests that those who strive for a life that no longer exists are deluded with false hope. Having dreams is a natural human tendency, but in a world that has become so inhumane, the man can’t even afford to retain this element of being human. The loss of the past is a concept that the characters living in this ashen world struggle with, and McCarthy presents memory as a weakness to be exploited.
Though dreams are usually considered to be pleasant distractions, the man believes that good dreams draw you from reality and keep you from focusing on survival in the real world. The man’s rejection of dreams and refusal to be drawn into a distraction from his impending death exemplifies the futility of trying to escape; McCarthy presents dreams and memories as an inevitable conundrum not to be trusted. The man’s attitude towards dreams is established from the beginning of the novel. When battling with a recurring dream of his “pale bride” the man declares that “the right dreams for a man in peril were dreams of peril and all else was the call of languor and of death” (18). To the man, the life he lives in is so horrible that he believes that his dreams, in turn, must...
... middle of paper ...
...he “dead white and sightless eyes”(1); this creature represents the evils of humanity and its failure to exist. McCarthy blurs the border between dreams and reality in order to emphasize the inherent weakness of humans to let their realities be taken over.
Through the use of recurring ideas of death, hope and reality, McCarthy conveys that there is no escape; either from the universal destruction caused by the apocalypse or the emotionally destructive effects of dreams. In The Road, dreams reveal the human nature of the characters. McCarthy illustrates the gradual dehumanization of people when life completely changes; he argues that all the terrible things that people could do have already been done, underlining the frailty of our existence. McCarthy ultimately shows us how reliant we are on the past and that we must let go of the past to make way for the future.
Dreams prove as a powerful, motivating force, propelling an individual forward into real achievements in life. Conversely, dreams can transpire as blatantly artificial. F. Scott Fitzgerald’s “Winter Dreams” depicts the story of Dexter Green, a young man who dreams of achievements and works hard in a real, non-illusionary world to win them. His work in this plain, unromantic world brings him ever closer to the dream world he so desperately wants, while at the same time the dreams show themselves as decaying or empty. Unfortunately, this does not cure him of dreaming and does not push him to abandon his dreams in favor of a healthier attitude. When Dexter embodies all of his dreams in the beautiful Judy Jones, her fickle attitude and the inevitability of her aging destroys Dexter’s dream world and dries up the source of his achievements. The author, using paradoxes, shows Judy Jones differently through Dexter’s eyes, and reinforces the theme of illusion versus reality.
Readers develop a compassionate emotion toward the characters, although the characters are detached and impersonal, due to the tone of The Road. The characters are unidentified, generalizing the experience and making it relatable – meaning similar instances can happen to anyone, not just the characters in the novel. McCarthy combined the brutality of the post-apocalyptic world with tender love between father and son through tone.
In her story, “Greenleaf”, the author Flannery O’Conner shows us that people can sometimes blind their factual vision of the world through a mask of dreams, so that they would not be able to make a distinction between reality and their dreams of reality. O’Conner unveils this through the use of point of view , character, irony, and
In “To a Mouse”, Robert Burns views dreams as if they are fragile things that are broken easily.
In other words, the man's thirst for survival is fueled by the love for his son. While the man may anticipate his own death, he continues to ignore it and lives in order to seek life for the boy. McCarthy portrays the father as not wanting kill the boy preemptively to save him from a society of destruction, rape, murder, and cannibalism unlike the mother who thinks it’s better to go the easy route. To the father, suicide is only an option for the son if he is to be imminently harmed. McCarthy provides the theme of one person sacrificing or doing anything humanly possible for the one they love by depicting an idea of love even in a world of nothing.
McCarthy wrote the novel in ways that force readers to remove themselves from their comfort zones. He wrote The Road with a lack of punctuation that can make things somewhat confusing for readers. Some critics find that without quotation marks it makes the book hard to follow. But when I read the book I found that after the first fifty pages I understood when the characters were speaking. Finding that I had to pay a little more attention didn’t bother ...
Apparently, critics can use these two books to argue their point on American dreams and nightmares. Within the American society, there are several cases of invisibility which drive some people to exercise power over others, or to demoralize them while evading the arm of the law. However, such cases have led people to seek refuge, although this act does not help the victims to produce a significant impact. When an individual faces such nightmares, one might try to evade the enemies by retreating to a position of invisibility, but such a person cannot formulate considerable changes to the society. In addition, if an individual shuns from nightmares, such a person loses critical time that is necessary for realizing one's dreams. People should not allow the community’s expectations and prejudices to hinder them from exploiting their uniqueness.
McCarthy’s use of biblical allusions help to create a setting in which all the characters have more complex parts to play than what it seems like at first glance. The allusions also create the tone, which is somber, and almost dream like. The protagonist had his “palms up” while sleeping, which could mean that he fell asleep as he was praying, or in other words pleading. Yet when he woke up “it was still dark”, this creates a hopeless ton because even after all of the begging, the world he woke up to was a dark one. When the wolf dies, the protagonist imagines her “running in the mountains” with different
This book was very interesting and pleasurable to read, I found myself intimately connecting with the characters. In some ways I found myself walking in “the man’s” shoes, not caring about humanity, and only protecting the one most precious to him (me). In some instances I also sided with “the boy” clinging to the hopes of a brighter world where there is still some purity in civilization. This novel The Road by Cormac McCarthy is a true masterpiece and I recommend it to anyone looking for a phenomenal read.
Death and destruction are the epitome of a doomed world. Everything is destroyed and murders march the streets at night. Hell on earth is a gentle description. Cormac McCarthy's speculation of the end of the world, however, ensures that evil is not victorious. The biblical allusions Cormac McCarthy addresses in The Road illuminate a sense of hope in a bleak, empty world.
And in the interview, when the host Winfrey asks a question about “where did this apocalyptic dream come from?” And McCarthy responded to her by mentioning his son John, and McCarthy says about one night, he checked in a hotel with his son John, and John fell to sleep. He felt this town is nothing moving, but he could hear the trains going through. And he came up an image of what this town might look like in 50 or 100 years, then he thought a lot about his son John, and 4 years later, he finished the novel “The Road.” In the late of the interview, McCarthy said: My son practically convert to this book and without him, this book would not come
Miller, D. Quentin. "Cormac McCarthy: Overview." Contemporary Novelists. Ed. Susan Windisch Brown. 6th ed. New York: St. James Press, 1996. N.pag. Literature Resource Center. Web. 12 May 2011.
McCarthy is trying to show that during desperate times there is a sudden loss in humanity due to the uneasiness and the drastic measures one will take in order to survive. A person will do anything it takes to survive in desperate and desolate worlds. McCarthy is proving this with his diction and choice of imagery. A man and a boy set out to survive in a tragic and dangerous world, where the main food source is depleting and all resources are deteriorating. A novel about what is left of a man’s family and how they struggle to survive. Humanity is tested and shows just how extreme ones actions can be. The want for life is tested, one could question whether or not survival will be possible for the man and the
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
The author uses the literary theory of Deconstruction to show the reader how dark this era really was. McCarthy demonstrates this by using vivid detail during the fights and battles, while staying historically accurate, with the constant presence between good and evil throughout the novel. Works Cited Culler, Jonathan D. Literary Theory: A Very Short Introduction. Oxford: Oxford UP, 1997.