In the novel, “Lady Audley’s Secret” by Elizabeth Braddon Women, in the Victorian era is portrayed to be loving, caring, and a proper female. Women who are categorized as something else as in strong and too ambitious are considered to be unsafe or “unnatural.” Lady Audley became too ambitious and thrived for Royalty by feeling abandoned by her previous husband, George Tallboy—which created her as being self absorbed in seeking her own fulfillment of wanting a new identity. Lady Audley created this innocence of how proper women should act, which allowed her to be accepted by many people. Until her self- ambition drove her to madness and allowed her to become dangerous to who felt threatened by her and in exposing of who she really was. Elizabeth …show more content…
The tiniest things express the ideal beautiful women. For example, Elizabeth Braddon describes the influence of a pretty women serving tea “She Looked very pretty and innocent, seated behind the graceful group of delicate opal china and glittering silver. Surely a pretty woman never looks prettier than when making tea” (222). The author uses the smallest details to show behind a women’s innocent structure which in this case a small gesture of serving tea is shown as elegance and beauty. The details of Lady Audley looking pretty while serving tea is just the comparison of how the women are supposed to represent in the Victorian era society. Creating this innocent image by Lady Audley it allowed her to be loved and acknowledged by everyone who she wanted to fool. Lady Audley used this advantage to blend in within the society as her identity as a proper royal …show more content…
Women should not have too much power or abuse the power that is given to them. Men and women are both subjected to different statuses. John Mill discusses the term “So true is it that unnatural generally means only uncustomary, and that everything which is usual appears natural. The subjection of women to men being a universal custom, any departure from it quite naturally appears unnatural” (Mill). John Mill is setting the fact that the ordinary customs of women from men are different and anything that isn’t custom for women to usually do is unnatural. When author Elizabeth Braddon was discussing how women in the Victorian age were so apart from men and certain customs were to be in their place and anything that women did that seemed odd are not normal would be put into action. The way Elizabeth Braddon described Lady Audley was too create a character of 2 purposes, bad and good-natural and
In addition, Britain’s societal transformation augmented women’s role in society, and according to Braybon in “Women Workers in The First World War,” “A completely different pattern of life was established. for women” and that society had “prevailing attitudes towards women as workers” (Braybon 16). The newfangled life given to women gave most women an enormous surge in recognition throughout society, as people valued women a lot more after they became the backbone of the production of nearly all British goods. Concurrently, King underscores this point in her novel, as throughout the novel, Mary is never discriminated against simply for being a woman. In preceding years and throughout history, society typically perceived women as naturally inferior to men, and women’s occupations were limited to taking care of the family and domestic occupations.
Upon hearing the term, “The Victorian Woman,” it is likely that one’s mind conjures up an image of a good and virtuous woman whose life revolved around the domestic sphere of the home and family, and who demonstrated a complete devotion to impeccable etiquette as well as to a strong moral system. It is certainly true that during Victorian England the ideal female was invested in her role as a wife and a mother, and demonstrated moral stability and asexuality with an influence that acted as her family’s shield to the intrusions of industrial life. Yet despite the prevalence of such upstanding women in society, needless to say not all women lived up to such a high level of moral aptitude. Thus, we must beg the question, what became of the women who fell far short from such a standard? What became of the women who fell from this pedestal of the ideal Victorian woman, and by way of drunkenness, criminality, or misconduct became the negation of this Victorian ideal of femininity?
In Victorian society, according to Dr.William Acton, a doctor during the Victorian period argued that a woman was either labelled as innocent and pure, or a wife and mother. If a woman was unable to fit in these precincts, as a result she would be disdained and unfit for society and be classified as a whore (Acton, 180). The categorizing of woman is projected through the “uses the characters of Lucy and Mina as examples of the Victorian ideal of a proper woman, and the “weird sisters” as an example of women who are as bold as to ignore cultural boundaries of sexuality and societal constraints” according to Andrew Crockett from the UC Santa Barbara department of English (Andrew Crockett, 1).... ... middle of paper ...
Mill’s and Nightingale’s work both have the main theme of men dominating over women. Mill introduces his work with, “the principle which regulates the existing social relations between the two sexes — the legal subordination of one sex to the other — is wrong in itself…and it ought to be replaced by a principle of perfect equality” (Mill 1156), letting the reader know his stance on the issue right away. Nightingale’s article also starts off with a strong statement in the form of a question. She wonders why women are given such useful gifts if utilizing them is socially unacceptable: “Why have women passion, intellect, moral activity...and a place in society where no one of the three can be exercised?” (Nightingale 1734). Although these works both have the same thread running through them, they place the blame for the occurrence in different places.
Margaret Atwood’s novel, Alias Grace, nominated for the Arthur Ellis Award for Best Novel, depicts a young 16 year old girl who is found guilty of murdering her employer and his lover in conspiracy with James McDerrmott. James McDermott is put to death by hanging, but Grace is brought to prison because she is of the “weaker sex.” This is a reflection of the construction of femininity and masculinity of the mid and late nineteenth century. A social issue of the Victorian age was women being treated as subordinate to men. Queen Victoria says, “Victorian ideology of gender rested on the belief that women were both physically and intellectually the inferior sex”(YILDIRIM). Women were seen as highly susceptible to becoming mentally ill because of this belief. Women were subject to only be “housewives.” The novel, Alias Grace, accurately shows the construction of this gender identity through society, sexuality, and emotion while challenging it through Grace’s mother and Mrs. Humphrey.
Women in the time of Jane Austen dedicated their lives to being good-looking (seen in the vanity of Lydia and Kitty especially) and accomplished to ensure they were marriage material, just as the maiden tried to be enchanting and desirable for The Prince. Both texts illustrate an imbalance and struggle for equality within the oppressive rules and expectations that revolve around women’s lives, and so, their relationships.
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
...es for love and overcame the social expectations of the quintessential woman in the nineteenth century; whereas their counterparts around them would have chosen class and wealth. Edna Pontellier’s decision to move into her pigeon house and away from her husband’s rule and the vexing job of caring for her children was viewed as societal suicide, but to her liberation and self-actualization as a woman was more important. Elizabeth Bennet ultimately disregarded her mother’s wishes, and passed over Mr. Collins, she initially disregarded Mr. Darcy as a possible suitor but love proved otherwise. These women were on a path of destruction to free themselves from a long reign of oppression, their challenge of conventional methods within the nineteenth century, proved successful not only to them, but for a future collective group of women who would follow in their footsteps.
John Stuart Mill, in his essay The Subjection of Women, makes a daring exclamation about the position of women in society. He wrote this piece with the hope of opening other's eyes to the same conclusion he felt all of his life, in regards to equality.
In Sarah Stickney Ellis’s 1839 book, The Woman of England: Their Social Duties and Domestic Habits, she explains that the ways women act can be directly tied to the unwritten rules that have been set by society: “The long-established customs of their country have placed in their hands the high and holy duty of cherishing and protecting the minor morals of life, from whence springs all that is elevated in purpose, and glorious in action” (Ellis 1611). The author conveys that society controls and clearly defines what type of attitude and activities are to be expected of a proper woman. Even though women may only be used for their so-called ‘womanly duties,’ they can still have ambition and desires. The only problem is that their society will not let them pursue any of these goals.
The industrialization of the nineteenth century was a tremendous social change in which Britain initially took the lead on. This meant for the middle class a new opening for change which has been continuing on for generations. Sex and gender roles have become one of the main focuses for many people in this Victorian period. Sarah Stickney Ellis was a writer who argued that it was the religious duty of women to improve society. Ellis felt domestic duties were not the only duties women should be focusing on and thus wrote a book entitled “The Women of England.” The primary document of Sarah Stickney Ellis’s “The Women of England” examines how a change in attitude is greatly needed for the way women were perceived during the nineteenth century. Today women have the freedom to have an education, and make their own career choice. She discusses a range of topics to help her female readers to cultivate their “highest attributes” as pillars of family life#. While looking at Sarah Stickney Ellis as a writer and by also looking at women of the nineteenth century, we will be able to understand the duties of women throughout this century. Throughout this paper I will discuss the duties which Ellis refers to and why she wanted a great change.
Two hundred years ago, during the reign of Queen Victoria in England, the social barriers of the Victorian class system firmly defined the roles of women. The families of Victorian England were divided into four distinct classes: the Nobility or Gentry Class, the Middle Class, the Upper Working Class, and lastly, the Lower Working class . The women of these classes each had their own traditional responsibilities. The specifics of each woman’s role were varied by the status of her family. Women were expected to adhere to the appropriate conventions according to their place in the social order . For women in Victorian England their lives were regulated by these rules and regulations, which stressed obedience, loyalty, and respect.
Over the centuries, women’s duties and roles in the home and in the workforce have arguably changed for the better. In Pride and Prejudice, Jane Austen teaches the reader about reputation and love in the nineteenth and twenty-first centuries by showing how Elizabeth shows up in a muddy dress, declines a marriage proposal and how women have changed over time. Anything a woman does reflects on her future and how other people look at her. When Elizabeth shows up to the Bingley’s in a muddy dress, they categorize her as being low class and unfashionable. Charles Bingley, a rich attractive man, and his sister had a reputation to protect by not letting their brother marry a ‘low class girl’.
In the Eighteenth and Nineteenth centuries, the idea of patriarchy ruled the many societies all over the world. Particularly in Britain, its “overarching patriarchal model” (Marsh) had “reserved power and privilege for men” (Marsh). Also during this time period feminist literature began to arise and was invaded by, “the complex social, ethical, and economic roots of sexual politics… as testimony to gender bias and the double standard” (“Sexual Politics and Feminist Literature”). In Jane Austen’s writing, readers have been aware of her constant themes of female independence and gender equality. However, many have criticized the author for the fact that many of her “individualistic” female characters have ended up
It is flawless that it is impossible to interpret some of these 19th-century texts without coming across concepts of imperialism. The English, the social system used widely in England and the entire English community placed the male gender on a social platform that disregarded any advancement of the female sex (Pui-Lan). The ruling class made the authority and were not to be challenged, prompting them to put the woman in her place, considering her as physical property belonging to men and could be possessed. Although women had their ideologies and independent thoughts, they were to be represented by their men. Bronte in Jane Eyre gives a critical evaluation and contributing statements on the facts about female Other in the form of oppression and