In Edna’s life in New Orleans, she feels an obligation to the societal pressures on women to be a domestic wife whose only focus is her children. However, she knows being a mother is not destined for her. Often throughout the novel, she chooses herself over her children, showing that she carries the self-priority gene more than the mother one. She also faces the societal pressures of how women should act and behave; which is obedient to their husbands and ladylike. This all changes once she moves to Grand Isle. With the absence of her family, Edna finally feels free to be herself without the responsibility of tending to them. In Grand Isle she discovers the freedom of her sensuality, her fondness for being independent and the lack of consideration she has to have in order to make her own decisions. In her …show more content…
Edna shares her most vulnerable and true feelings when it comes to her husband and her children. Edna has always expressed her lack of motherly love most women have. “She was fond of her children. She would sometimes gather them passionately to her heart; she would sometimes forget them” (pg. 33) shows Edna’s struggle with self-belonging, as she feels the role of a mother and a wife is not suited for her. Though she loves her children, like any mother would, she often feels disconnected from them due to her absent feelings. Edna feels her truest and most relieved self when she’s away from her family and doesn’t have any obligations to them or society. In New Orleans, the culture is much traditional, with the husband’s at work and the women at home, taking care of the children. Edna lives this life out of social obligation vs. personal desire. “Their absence was a sort of relief, though she did not admit this, even to herself. It seemed to free of her responsibility” (pg. 33), shows that Edna enjoys being free from responsibility and that she doesn’t want to lose herself to being a
Edna’s recognition of herself as an individual as opposed to a submissive housewife is controversial because it’s unorthodox. When she commits suicide, it’s because she cannot satisfy her desire to be an individual while society scorns her for not following the traditional expectations of women. Edna commits suicide because she has no other option. She wouldn’t be fulfilled by continuing to be a wife and a mother and returning to the lifestyle that she led before her self-discovery.
When Edna felt dissatisfied with the life she is given, she pursues other ways in which to live more fully. She attempts painting and enters into an affair with another man. As her desire for freedom grows, she moves out of her husband’s house and tries to live life as she sees fit. She lives a life reflecting her new philosophies towards life, philosophies that are in conflict with that of society. The oppression by man caused Edna to have a social awakening, illuminating the meaning of the novel.
Her transformation and journey to self-discovery truly begins on the family’s annual summer stay at Grand Isle. “At a very early period she had apprehended instinctively the dual life- that outward existence which conforms, the inward life which questions. That summer at Grand Isle she began to loosen a little of the mantle of reserve that had always enveloped her” (Chopin 26). From that point onward, Edna gains a deeper sense of desire for self-awareness and the benefits that come from such an odyssey. She suddenly feels trapped in her marriage, without being in a passionately romantic relationship, but rather a contractual marriage. Edna questions her ongoing relationship with Leonce; she ponders what the underlying cause of her marriage was to begin with; a forbidden romance, an act of rebellion against her father, or a genuine attraction of love and not lust? While Edna internally questions, she begins to entertain thoughts of other men in her life, eventually leading to sensuous feelings and thoughts related to sexual fantasy imagined through a relationship with Robert Lebrun. Concurrently, Edna wavers the ideas so clearly expected by the society- she analyzes and examines; why must women assimilate to rigid societal standards while men have no such
She loves to have her “senses stirred,” and her imaginative desires enact these sensations for her when the objects of the desires themselves cannot. Consequently, Edna realizes early in her own life that she is not satisfied with her role as a mother enslaved to humdrum domestic life with a husband to match. However, she does not consciously realize and choose to pursue her own desire for an exciting, passionate, courageous lover until after the novel opens upon one summer vacation at Grand Isle.
On the Grand Isle, the constant presence of the ocean begins a metamorphosis within Edna that alters her perspective of herself in relation to others. She begins to fulfill her desires and abandon her responsibilities as a wife and mother to her family, in order to pursue a life of independence. Allowing her to fulfill her desires to be a painter and be with Robert. Critical moments of self-reflection for Edna occur in the presence of the ocean. It is at the ocean where she first realizes her desire to be independent.
She desperately wanted a voice and independence. Edna’s realization of her situation occurred progressively. It was a journey in which she slowly discovered what she was lacking emotionally. Edna’s first major disappointment in the novel was after her husband, Leonce Pontellier, lashed out at her and criticized her as a mother after she insisted her child was not sick. This sparked a realization in Edna that made here realize she was unhappy with her marriage. This was a triggering event in her self discovery. This event sparked a change in her behavior. She began disobeying her husband and she began interacting inappropriately with for a married woman. Edna increasingly flirted with Robert LeBrun and almost instantly became attracted to him. These feelings only grew with each interaction. Moreover, when it was revealed to Edna that Robert would be leaving for Mexico she was deeply hurt not only because he didn’t tell her, but she was also losing his company. Although Edna’s and Robert’s relationship may have only appeared as friendship to others, they both secretly desired a romantic relationship. Edna was not sure why she was feeling the way she was “She could only realize that she herself-her present self-was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored
In the first place, Edna breaks free from society’s rigid mold in order to find herself, not conforming to the expectations of the men in her life and having the courage to fight for her independence. Throughout the course of the novel, Edna works to find her place in life. The first time Edna begins “to realize her position in the universe as a human being” rather than as her husband’s possession is during the exposition at Grand Isle, where she spent the summer (17). Although she does not fully comprehend what she is feeling, she realizes that she does not want to be another woman who submits to the power of
In Creole society, women are dominated by men, but at least the freer attitude toward sexuality allows a woman opportunities for romance which are lacking in Anglo-Saxon culture. But sexual freedom is of little interest to Edna unless it can be used as a means of asserting her overall freedom as a human being. Learning to swim is thus important to her, because it allows her to have more control over the circumstances of her own life through the overcoming of the dread of water and the fear of death which it symbolizes. Again, the process through which Edna attains liberation and, in the author's words, begins to "do as she likes and to feel as she likes," is a gradual one. From stat...
When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions. Since she wanted to be free from a societal rule of a mother-woman that she never wanted to be in, she emphasizes her need for expression of her own passions. Her needs reflect the meaning of the work and other women too. The character of Edna conveys that women are also people who have dreams and desires they want to accomplish and not be pinned down by a stereotype.
We are told there are days when she "was happy to be alive and breathing, when her whole being seemed to be one with sunlight.." On such days Edna "found it good to be alone and unmolested." Yet on other days, she is molested by despondencies so severe that "...
The setting Edna is in directly affects her temperament and awakening: Grand Isle provides her with a sense of freedom; New Orleans, restriction; the “pigeon house”, relief from social constraints. While at Grand Isle, Edna feels more freedom than she does at her conventional home in New Orleans. Instead of “Mrs. Pontellier… remaining in the drawing room the entire afternoon receiving visitors” (Chopin 84), Edna has the freedom to wander and spend time with Robert, rather than being restricted to staying at home while she is at Grand Isle. While sailing across the bay to the Cheniere Caminada, “Edna felt as if she were being borne away from some anchorage which had held her fast, whos chains had been looseining – had snapped the night before” (Chopin 58). The Cheniere Caminada at Grand Isle gives Edna an outlet from the social constraints she is under at home and at the cottage at Grand Isle. As Edna is sailing away she can feel the “anchorage” fall away: the social oppression, the gender roles, and the monotonous life all disappear; the same feeling and sense of awakening she gets when she sleeps for “one hundred years” (Chopin 63). New Orleans brings Edna back into reality – oppression, society, and depression clouds her mind as she is living a life she doesn’t want to live. New Orleans is the bastion of social rules, of realis...
Madame Ratignolle simply does not understand Edna; to her, sacrificing one’s life is the utmost that a mother can do for her children. It is as if Edna was not even “talking the same language.” In fact, the two women might well be speaking different languages. Unlike Madame Ratignolle who seems to have a baby every couple of years, Edna’s head is not filled exclusively with thoughts about her children. Whereas Madame Ratignolle is motherly at all times, Edna often seems irritated by her role as mother, and her attentions to her children often occur as an afterthought. Madame Ratignolle’s entire being is bound to her children; Edna’s being is of her own design. For her there is more to life than marriage and babies and social obligations. Edna might well, at least in this passage, be asserting an early version of what Betty Friedan discusses in The Feminine Mystique.
Similarly to Edna's relationship with her children is that with her husband, Leonce. The Grand Isle society defines the role of wife as full devotion and self-sacrifice for your husband. Edna never adhered to societies definitions. For example, the other ladies at Grand Isle "all declared that Mr.'Pontellier was the best husband in the world" (689). And "Mrs. Pontellier was forced to admit she knew of none better"(689). By using words like "forced" and "admit", Edna has to acknowledge her true feelings towards Leonce. Edna's leaving Leonce's mansion is another important detail when considering the process of her awakening. By moving to her own residence, Edna takes a big step towards her independence. Throughout The Awakening, Edna increasingly distances herself from the image of the mother-woman, until her suicide, which serves as the total opposite of the mother-woman image.
The most prevalent and obvious gender issue present in the novella was that Edna challenged cultural norms and broke societal expectations in an attempt to define herself. Editors agree, “Edna Pontellier flouts social convention on almost every page…Edna consistently disregards her ‘duties’ to her husband, her children, and her ‘station’ in life” (Culley 120). Due to this, she did not uphold what was expected of her because she was trying to be superior, and women were expected to be subordinate to men. During that time, the women were viewed as possessions that men controlled. It was the woman’s job to clean the house, cook the meals, and take care of the children, yet Edna did none of these things. Her lifestyle was much different. She refused to listen to her husband as time progressed and continually pushed the boundaries of her role. For example, during that time period “the wife was bound to live with her husban...
“I, being born a woman and distressed/ By all the needs and notions of my kind/ Am urged by your propinquity to find/ Your person fair, and feel a certain zest/ To bear your body’s weight upon my breast.” Edna St. Vincent Millay was an openly-bisexual female poet in the 20th century who wrote about the female experience in regards to love and sex, which is evident in poems like “I, Being Born a Woman and Distressed”, “Thursday” and “First Fig.” Edna St. Vincent Millay shows us how we can use tone to redefine the relationship between gender and power.